Put me down for the Neptune Chair, thanks!
Scanned from Cosmopolitan, April 1974.
Light, bright, plain or pleated, it’s the new way to put colour back into your home and fun into furnishing.
Photographed by Roger Stowell.
Scanned from Over 21 Magazine, April 1979.
Starting with the pale pink of peonies for the walls, Kaffe Fassett built a room of mosaic and flower patterns. Inside the arch: a bed with Gazebo sheets from the new Horrockses’ Wamsutta range. Oriental carpets from Franses of Piccadilly. Strips of mosaic pattern from Sanderson wallpapers. Paintings, needlework cushion by Kaffe Fassett. The shower cubicle, Tahiti by Leisure, a surprise in a bedroom, but it fits. Horrockses’ towels. Porcelain pots, shells and shell boxes, cane and lacquer furniture. Patchwork quilts.
Photographed by James Mortimer.
Scanned from Vogue, February 1975.
The bathroom as an erogenous zone.
No room is more intimate than your bathroom. There is nowhere better to relax and get in the mood … to succumb to the sheer sensuality of soaking in scented water, indulging fantasies and anticipating future pleasures.
Your bathroom should be a place to feel beautiful in. to lacquer your toenails or finish a novel, henna your hair, water your plants or even paint a picture. No reason why it shouldn’t be your bathroom-boudoir-dressing-room-studio all in one. Even better if there’s room for a bed .. .
The bathroom is where you imprint your personality. Dare to be exotic with jungle prints, orchids growing in glass tanks. Or keep it cool with ice-white decor, stark modern art, a Japanese Bonsai tree.
Whatever your style, remember the importance of warmth, the comforting feel of thick pile rugs and heated towels. There’s no greater turn-off than getting goose pimples in a chilly cheerless bathroom. We photographed three highly individual bathrooms designed with great flair, and each styled perfectly for their owner’s lives. But all with a single thought in common—comfort.
The lure of the East for international fashion designer, Thea Porter. She designed her Mayfair bathroom with a Moorish interior in mind . . . wide built-in seats with heavily embroidered cushions. a little arch cut into the wall to display treasured objects. Thea doubles her exciting room as a studio, hangs her paintings around the walls.
If you want to please a man, model your bathroom on the one good-looking London businessman David Evers owns, with handsome polished mahogany fitted units, ivory backed brushes and green plants. David says the atmosphere reminds him of a St James’ men’s club.
The third is a fiery red hideaway, a fantastic design by Richard Ohrbach for New Yorker Cynthia Peltz. There’s more than a touch of the womb about this room—very comfortable after a hard day at the office …
Text by Joan Prust-Walters.
Photographs by Tim Street Porter.
Scanned from Cosmopolitan, January 1974.
Own up! Do you really spend enough time in your bathroom?
We hate to admit it but bath-time in Britain is generally regarded as a dreary, unnecessary drudge! Maybe unpleasant memories of exasperated mum dragging us bodily up the stairs and scrubbing off sand, chocolate, grease and the like, have something to do with it, but we want, to prove that bathing can be lots of fun. Start by thinking of your bathroom as something more than just a box with a bath, somewhere at the back of your house. Think of it as a welcoming, comfortable room filled with glorious beauty products and your favourite luxuries; a place where you can hide from the family and white away many hours relaxing, reading and preening yourself after a busy, demanding, harassed day.
Photographer uncredited.
Scanned from 19 Magazine, November 1968.
DRESSED BY ZANDRA RHODES STAGED BY MAXINE SMITH
Maxine and Gary Smith moved to London from New York in 1971. Since then, Gary Smith, American television producer and winner of several Emmy Awards, has been working with Sir Lew Grade on television spectaculars, and Maxine Smith has been planning their London flat with Zandra Rhodes. The combination of their ideas has worked perfectly, with one taking over where the other left off. Initially, Zandra Rhodes designed a series of fabrics. Maxine Smith then had them printed to her own colour pattern by Alex McIntyre, often using the same colourway and design on different fabrics so that texture changes have been subtly worked from cotton to felt to satin. Some sur-faces are flat, others gathered – as in the hall where felt blends with draped cotton. Throughout there is an instantaneous impact of colour, wit and comfort. As one becomes accustomed to the colours, one realises that the sitting-room is designed for midnight rather than midday, the windows permanently shuttered and the curtains drawn. One notices the enormous portrait of Lenny Bruce by Gary Smith, ‘twenties’ armchairs with covered feet found by Maxine Smith in Antique City, the Vogue needlepoint cushions all worked by her mother. In the bedroom, apricot satin and taffetas with a felt print ceiling and apricot-coloured cupboards, the bed set on a mirrored podium, and covered with cushions. Other points of colour are the red telephone, the amber carpet. Next, a completely cupboarded dressing-room. Then, the apricot bathroom. Downstairs, past a neon sign—”I love Max”—and other such illuminations, to the dining-room: originally a cellar, now a brilliant blue small tent. The kitchen has dark rust-coloured prints, the ceiling hung with a thousand cooking utensils and an enormous electric lamp bulb found at Selfridges. Just off the kitchen a bar, a platform bat on steps, with three-tier cushions as bar stools, and an embroidery of Whistler’s mother by Malcolm Poynter, which came from the DM Gallery, Fulham Road. London’s galleries and off-beat furniture shops have produced many other pieces of art and amusement, some of them transformed by Zandra Rhodes’ coverings, others untouched, all with a special blend of humour and art.
Photographed by Henry Clarke.
Scanned from Vogue, late April 1975.
I posted an alternate version of this, many years ago, but this one shows you far more of the amazing collaged wall behind the gloriously jumbled dressing table.
Scanned from Honey, June 1972.
You may hate to be tied down by your possessions, but naturally you get attached to them. For a more flexible life-style, learn from Dominique Depalle and choose furnishing that moves where she does.
If you’ve spent longer in France than a weekend, you’ve probably noticed that most French girls have a greater sense of style by the time they are twenty than the rest of us will ever acquire. Instead of always trying to beat those clever ladies in the style stakes—and not quite succeeding — we should swallow our English pride and learn from them. Take Parisian Dominique Depalle, for instance, who has cunningly transformed a drab studio flat—the equivalent of a big-city bedsit or rented flat in a dingy Victorian house—into a warm, feminine home that looks as though it might have cost a fortune, but didn’t, thanks to Dominique’s experience as an antique dealer. She has a sharp eye for spotting bargains in junk. Dominique recently gave up her job in advertising to turn her hobby—collecting antiques—into a full-time occupation. Like Dominique, most girls in their late teens and twenties expect to swop flats, jobs, even cities, several times. Dominique decorates on the sensible principle that if she’s going to move on, she should be able to take all her favourite possessions with her when she goes. There’s not a fitted carpet, built-in cupboard or roll of wallpaper in the place. Dominique chooses every item with infinite care because she knows that each object will last a lifetime… like the Victorian bath, which could easily be transported with the help of a friendly lorry driver, and replumbed in another flat ; the huge tiger wall-hanging, not as practical as tiles, maybe, but then you can’t start taking down the tiles every time you have an altercation with your landlord. A bundle of small objects—baskets, ornaments and framed photographs—will pack easily into a suitcase. And by keeping walls plain wherever she goes, Dominique can be certain that her intricate wall-hangings, pictures and flowery bed-coverings will blend with every setting. Dominique dreams of eventually having a proper house—with a staircase, a loft and a cellar for apples and wine. Meanwhile she longs for adventure in her life and is thinking of going to live in Africa for a few years. If you, like Dominique, get itchy feet after more than a few months in the same place—but still want somewhere pretty to come home to —remember that your possessions should be as mobile as you are.
Photographed by Michael Boys.
Scanned from Cosmopolitan, July 1977.
As promised, the follow up to yesterday’s post featuring a stunning image of all the prizes which were available in this competition. A satin Biba lounging outfit, Janet Reger underwear and a dozen bottles of Laurent Perrier champagne is probably still my idea of covetable luxury!
Modelled by Jane Goddard.
Photographed by David Anthony.
Scanned from 19 Magazine, July 1974.