I was always curious about what Alice Pollock got up to in her post-Quorum days. Now I know a little more, although of course this is the only reference to Circus I’ve ever seen.
Photographed by Tony McGee.
Scanned from Harpers and Queen, January 1977.
Yvonne and Alan Harmon’s completely contemporay black flocked music room, lying extraordinarily at the heart of a traditional antique furnished house. The designer, Royston Fulljames, used new American speakers, Bang & Olufsen turntable. There are push button black blinds and lights to flash on dim, a round Keracolour television, flocked black too, and three big, comfortable, black leather chairs from Harrods. The Perspex sculpture with flashing lights, by S.P. White, from Presents of Sloane St; it’s all very much in tune.
Photographed by Tim Street-Porter.
Scanned by Miss Peelpants from Vogue, November 1972
Photographed by Sarah Moon. Originally published in Votre Beauté.
Scanned from Photo, June 1970
At the temple of Karnak, Jean Shrimpton wears a white Terylene gabardine suit in sharp and beautiful shape. Ossie Clark at Quorum. White hat at Feathers. White platform shoes with silver roses, by Richard Smith for The Chelsea Cobbler.
Photographed by Bailey.
Scanned by Miss Peelpants from Vogue, January 1972
Charles Jourdan advert photographed by Guy Bourdin.
Scanned by Miss Peelpants from Vogue, September 1974.
If you haven’t had the chance already, please make sure you get to see the Bourdin exhibition at Somerset House. It is a gorgeous, huge and perfectly curated insight into his talent. Apparently he submitted hundreds of photographs to Jourdan over the years and, whilst they are the bulk of the exhibition, it also barely scratches the surface of his output.
If you can find this Emmanuelle Khanh bra anywhere else in London, we’ll buy it for you.
Scanned by Miss Peelpants from Vogue, December 1970
This knitting pattern book is a bit of a mystery – undated and with little publishing information – but it appears to have been produced in Japan as a companion to a Brother knitting machine which uses ‘Cassettes’ to create the patterns (all of which are designed by Masa Yamauchi). It doesn’t get more perfectly early Seventies than this…
Left to right: Herringbone dress by Quorum, Ansdell Street; Striped dress by Quorum. Large Onyx ring from Palisades. Shoes from Lennards; Three-coloured gaberdine dress by Wallis; Wool jersey dress by John Bates at Jean Varon. Low heeled shoes by Character.
Television is a terrific stimulus to fashion. What Cathy McGowan wears on Ready, Steady, Go! may be in your High Street dress shop a matter of days later in a mass-produced copy. And John Steed’s immaculate Avenger image has played its part in the male peacock revolution. For our television issue here is an ‘outside broadcast’ collection of action clothes.
Produced by Prudence Glynn. Camera by John Beale.
Scanned by Miss Peelpants from Woman’s Mirror, October 1965.
Marie Helvin in a Vogue Promotion for Graff. Photographer uncredited.
Scanned by Miss Peelpants from Vogue, December 1977
Mongolian lamb coat designed by Moya Bowler for Antartex. Angora and lambswool sweater with figure knitted into the front and wide cream wool jersey trousers both by Sonia Rykiel. Wooden painted belt by Bugs Young.
Photographed by Rod Delroy.
Scanned by Miss Peelpants from Harpers and Queen, December 1971.
Liz Eggleston 