Ossie, Ossie, Ossie

1970s, celebrities in vintage, doctor who, doctor who companion fashion, ossie clark
Jenna Coleman

Jenna Coleman: Maintaining the tradition of well-dressed Sixties/Seventies-era Doctor Who companions…

Intriguing times. Three different television starlets wore vintage Ossie Clark to the National Television Awards last night. All three were wrap dresses, all variations on Ossie’s signature design. I find it intriguing because the wrap dress is by no means Ossie’s only style, and none of them featured a Celia Birtwell print: Jenna Coleman and Kelly Brook both wore black crepe and Rachel Wilde wore iridescent satin. The similarities between the three ladies and the three dresses enable us to view Ossie’s designs through very different eyes at the same time.

Rachel Wilde

Rachel Wilde

Both Brook and Wilde were deemed, by the tabloids at least, to have suffered ‘wardrobe malfunctions’ and their beautiful dresses garnered them places on ‘worst dressed’ lists. Indeed, the hysteria – a curious mix of lasciviousness and prim puritanism – surrounding Brook’s very visible nipples was bordering on the sinister. For why on earth, one wonders, is a 40-year-old dress causing such ripples of disapproval? In a world where you can – quite frankly – see Kelly Brook’s nipples any time you want by googling her Playboy shoot, and other starlets are wearing skimpier, shorter and more see-through outfits on any night of the year, why is a bit of moss crepe causing such a brouhaha?

It says something about the design genius of Ossie, and of his understanding of sensuality, that an artfully revealing floor length dress (covering all the flesh except a triangle of cleavage and an occasional flash of leg) is somehow being seen as incredibly rude and almost nude. It also says something deeply unpleasant about the unnecessarily bright flash bulbs of the modern press photographer, doesn’t it? Moss crepe is only transparent when you fire a bright light through it, and the bulbs of the Sixties and Seventies would never have caused such an effect. I think it’s pretty much obvious that such wardrobe malfunctions are a creation of the press; Brook’s nipples would not have been visible in person or on the television cameras.

Kelly Brook, and her nipples.

Kelly Brook, and her nipples.

Of course, Ms. Brook is famous for her curves and not exactly averse to a bit of publicity – whatever the cause may be. I’m not saying she did this deliberately from the start, but even if her stylist gently pointed out that there might (just might) be a bit of an issue, then she may well have shrugged it off as nothing to worry about. Which is fine and dandy.

In fact, without realising it, she was really fulfilling Ossie’s original intent. He didn’t like people wearing underwear with his clothes. He designed so that the breasts are supported by the garment itself, and he felt that underwear ruined the line. I don’t think he planned for flashbulbs, but I imagine he would have been delighted by the outrage his designs continue to cause.

Jenna Coleman

Jenna Coleman

Personally, I think the best dressed of the night – never mind the best Ossie – was Jenna Coleman. I don’t know how she underpinned her Ossie, but there are no nipples and no knickers involved. I also think that the way you style your hair and make-up, and the way you hold yourself makes a big difference; Coleman wins on all fronts. It might not be outrageous, rude or shocking, but ultimately I think Ossie would have been the most happy to see this gorgeous, talented young lady wearing his dress in a supremely sophisticated way. Similar dresses, very different styles…

Inspirational Images: Annabel Hodin in Ossie Clark

1970s, Annabel Hodin, barbara daly, Barry McKinley, british boutique movement, harpers and queen, Inspirational Images, ossie clark, Vintage Editorials

ossie clark harpers queen february 73 b

Out on a limb… Ossie Clark as always. His new collection bristles with exclamation marks that point to Ossie the inimitable – the coat-hanger shoulders on his suits, the bright bunches-of-flowers prints by Celia Birtwell, the fluid lines and bosomy curves of his dresses.

Annabel Hodin, twenty-four years old, and a girl who believes in extremes. She changes the way she looks with the seasons, likes to be very, very brown in summer, white in winter, wears little make-up by day, lots at night. Daughter of Dr Josef Hodin the art historian, she lives in Hampstead, loves London, feels European, is at home everywhere.

Photographed by Barry McKinley at the home of Michael Chiu, owner of the Chiu Gallery. Make-up by Barbara Daly.

Scanned by Miss Peelpants from Harpers and Queen, February 1973

ossie clark harpers queen february 73 d

Inspirational Editorials: Mode a Venise

1970s, Inspirational Images, italy, Lui, Mensday, menswear, ossie clark, Venice, Vintage Editorials
Lui: Jacket by Harry Lans from Printemps Brummell. Shirt and tie by Francesco Smalto. Trousers by Brummell. Elle: Dress by Ossie Clark. Silver fox fur by Robert Beaulieu.

Lui: Jacket by Harry Lans. Shirt and tie by Francesco Smalto. Trousers by Brummell. Elle: Dress by Ossie Clark. Silver fox fur by Robert Beaulieu.

“Pour ceux que le triste smoking ennuie, << Lui >> propose une mode du soir facile à porter. Certains vont mourir à Venise, << Lui >> a décidé pour un soir d’y vivre en beauté.”

Un éditorial parfait, from Lui, January 1972. Photographer sadly uncredited.

Lui: Jacket, shirt, tie and trousers by Elysees Soieries. Patent black boots by Charles Jourdan. Elle: Panne velvet outfit (tunic, trousers and scarf) by Tan Giudicelli. White fox fur by Robert Beaulieu.

Lui: Jacket, shirt, tie and trousers by Elysees Soieries. Patent black boots by Charles Jourdan. Elle: Panne velvet outfit (tunic, trousers and scarf) by Tan Giudicelli. White fox fur by Robert Beaulieu.

Lui: Sweater by Francesco Smalto. Shirt by Elysees Soieries. Satin neck tie by Elysees Soieries. Elle: Dress by Vesscheringe Brard. White fox fur by Robert Beaulieu.

Lui: Sweater by Francesco Smalto. Shirt by Elysees Soieries. Satin neck tie by Elysees Soieries. Elle: Dress by Vesscheringe Brard. White fox fur by Robert Beaulieu.

Lui: Outfit by Renoma. Elle: Dress and midnight blue fox fur by Tan Giudicelli.

Lui: Outfit by Renoma. Elle: Dress and midnight blue fox fur by Tan Giudicelli.

Inspirational Editorials: Colour Slicks and clouds of chiffon

1970s, francois lamy, harpers and queen, Inspirational Images, jap, ossie clark, quorum, Rose Bradford, Vintage Editorials, zandra rhodes
harpers may 76 jap

Silk dress by Jap

Photographed by Francois Lamy. Scanned by Miss Peelpants from Harpers and Queen, May 1976

harpers may 76 ossie clark

Chiffon dress by Ossie Clark

harpers may 76 rose bradford quorum

Jersey dress by Rose Bradford for Quorum

harpers may 76 zandra rhodes

Silk chiffon dress by Zandra Rhodes

Inspirational Images: Ossie Clark, 1976

1970s, british boutique movement, Butler & Wilson, celia birtwell, harpers and queen, Inspirational Images, ossie clark, quorum, Terence Donovan
ossie celia harpers january 1976

Loose top with huge sleeves tucked at the wrist in orange, blue, green and red silk chiffon print designed by Celia Birtwell; £164. Matching knee length skirt with tucks at the hips and tie waist; Ossie Clark £164, Quorum 54 Radnor Walk, SW3. Art deco necklace in green bakelite and chrome; £20, Butler & Wilson, 189 Fulham Road, SW3

Photographed by Terence Donovan. Scanned by Miss Peelpants from Harpers and Queen, January 1976.

Nice Girls Do

1970s, Inspirational Images, jean muir, ossie clark, peter robinson, vanity fair
nice girls do

Note the Peter Robinson bag on the floor (Peter Robinson was the progenitor of Topshop)

I recently picked up this phenomenal booklet which came free with Vanity Fair magazine in 1971. Entitled ‘Nice Girls Do’, it is supposedly intended to be a guide to modern life for young women confused by the new sexual revolution and women’s liberation. With a few gorgeous inspirational images thrown in for good measure. It’s also a brilliant insight into the mindset of the early Seventies woman, but also not really a million miles away from such small-minded, hypocritical women’s journalism now. Plus ça change

nice girls do 3

Here is a small excerpt relating to fashion:

Dress and Undress

Talk about liberation! Suddenly all the old rules of dress have been suspended. Unisex, the Great Pants Revolution, ten million boots marching across the nation, and the great unleashing of bras have swept a century of fuss and fogginess onto the junk heap.

Once the strictures were clear as crystal, hats for church and town, gloves always, no bare legs on nice girls—ever, girdles an absolute must, trousers strictly for the country, and still only for the young. Now nurses and bank clerks wear trousersuits, patrician matrons dine in transparent pyjamas, and women of ‘a certain age’ boldly appear in black body-stockings and ammunition belts. Alas, it’s easy to become a laughing stock unless you have innate style. There is still one rule: propriety. That means wear what’s right for you and what’s right for what you are going to do. Everything you put on should polish your assets like sterling and blur your flaws like camouflage.

‘Look for the woman in the dress’ was a favourite theme of the late Coco Chanel. ‘If there is no woman, there is no dress.’ And . . . ‘In love, what counts is to please a man,’ Coco liked to say. ‘If it pleases him, paint yourself green.’

Dress to please the man in your life. But don’t overdo it. Dressing for a man doesn’t mean dragging him to your favourite stores to make him choose what he likes on you. It means you wear what makes you look appealing and avoid the chaff. Men can be drearily conservative. They resist change and need to be lured to a new look or a new length, slowly and gradually. Stay aware and try.

The man who falls all over the giggly brunette with the pop-up bosom or the naked tummy or the shortest shorts in the room will want to fade into the wallpaper if you —his adored— appear in the same costume. Be careful . . . even if you happen to be in better trim than Miss Pop-Up Bosom.

Go with fashion, but don’t sell yourself into fashion slavery. Twelve girls at the same film premiere in velvet knickerbockers, identical bullet belts, and fringed boots are pathetic. You, in the same panné velvet knickerbockers but with a suede belt and an old art-nouveau buckle, are infinitely more interesting. Style is individual. It’s what you do with fashion to make it yours alone! When everyone in your crowd is rigged up like a strolling gypsy or Moroccan princess, do not underestimate the power of sleek black simplicity.

Not every new style will suit you, but somewhere there is a proportion cut just for you. Impossible, you say: Aha. You’re in serious trouble and need to shed twenty pounds. Quick.

A dress you can’t move or cuddle in without worrying about moulting feathers or splitting a seam is a disaster . . . no matter how divine it looked in Vanity Fair. Give it away and avoid others with similar faults. You’re going to be a grouch all evening if that groovy buckle digs into  your rib cage with every breath. Choose clothes you feel relaxed wearing.

Nothing can ruin your day more efficiently than a shoe that pinches, rubs, and digs. You can read the pain plain as yoghurt on your face. If the glass slipper doesn’t slip on easily in mid-afternoon when your feet are most vulnerable . . . forget it. You can’t break in a shoe . . . it only breaks you with pain and wasted cash.

Avoid the Grooming Gloom

1. A close lit is no fit at all. A good alteration lady is your third best friend (after Mother and the hairdresser).

2. Clean underwear every day.

3. If you hate to wash and iron, don’t buy clothes that need it. (I didn’t own an iron until a friend —considering me a poverty case— passed one along three months ago. I haven’t used it yet). But you will need a large budget for cleaning bills. If you don’t have money, learn to wash and iron and avoid buying clothes that must be cleaned!

4. It’s a little rip . . . sew it now. Hoard extra buttons when you find ones you like.

5. Weed out the inevitable flaw: snagged stockings, pulled threads, a spot of tomato juice on your doeskin glove, a rip in the lining of your handsome ostrich handbag. Repair it before you wear it again . . . or give it away.

6. Prune the cupboard mercilessly. Don’t drag rejects with you the rest of your life . . . if you haven’t worn an item in two years (a decade?), discard it. Clean it, and donate it to a charity.

How Do You Know What’s Right for You

A lot of the most ghastly mistakes were made when women were encouraged to do their own thing. It’s one thing to have didactic fashion laws arbitrarily laid down by a toffy-nosed fashion magazine not geared to your way of life; it’s quite another to be let loose on a bewildering range of styles and left to your own devices. A great sense of style and chic is needed to steer through that morass.

1. Study yourself in a leotard betore a well-lit, full-length mirror. If this experience drives you to drink . . . vow to re—form your form.

2. Who are you ? What are you trying to say about yourself? What is your image ? Are you playing a romantic Ali MacGraw? Or a carefree groupie? Are you a girl with her eye on Mary Quant’s throne? Are you a lean drink of spring water or a bubbly dolly bird or a languorous sensualist? Decide! Then you will develop antennae that tell you when gingham is right and where a monkey-fur fringe is definitely excessive.

3. Decide whose style you admire or consider close to your ideal. Analyse what this paragon has done and be inspired . . . don’t imitate blindly.

4. lf you see someone wearing an item you absolutely must have—even a total stranger on a bus—say so and ask where she bought it. Don’t ask the price.

5. Read the fashion magazines. Out of the wild and exaggerated fancy there is a message: brown is great for summer . . . length doesn’t really matter anymore . . . superstructured underpinnings are dead. Especially note the accessories: bags, belts, gloves, jewels, hats.

6. If you find a store that pleases you, make it your hang-out. Loyalty is rewarded. When you stumble across a salesgirl with taste and energy, pursue her. Call to see if she’s on hand before you venture across town on a shopping spree. Ask her to telephone you when she has something just your style . . . or when that Cardin coat you’ve been sighing over is reduced 20 per cent.

7. If you are one of those indecisive creatures who cannot tell whether a dress with pleats and flounces in shrimp crépe is as good as it sounds till it’s hung on the cupboard door at home for a week, then never never buy clothes marked ‘final sale’ or ‘not returnable.’

8. Learn about fabrics, seams, and construction. Go to fashion shows and try on a dress by Jean Muir or Ossie Clark so you’ll get a feeling for what makes a £70 shirtwaister different from a £7 one.

9. If you find a bra or panty or shoe that’s ideal for you . . . tights that are like a second skin . . . a ribbed polo sweater that makes you feel like Jeanne Moreau, buy in quantity. That’s what Jacqueline Onassis does. Even on your budget, it makes sense. If you wait until you need replacements, the style or colour may no longer exist . . .

A Sampler of Specifics

Q. Is it better to put all my money into one status Gucci handbag or buy half a dozen bags for different occasions ?

A. A recognisably fine bag has great impact and lasts ages. But it really won’t go everywhere. Invest in the quality leather as your mainstay. And then collect for pennies—a larger canvas tote bag, an old doctor’s satchel (from a junk shop), a small wicker basket or champagne wicker tied tight with a bandanna hanky, an Oriental brass box from an antique shop, a denim over·the-shoulder newsboy bag you make yourself.

Q. Are there any rigid fashion rules that still count these days?

A. Yes. White for tennis (unless you’re playing on your own court at home) and plimsolls. Warmth for skiing, hunting, cold-weather sailing—if you neglect warmth for chic you’ll ruin your day and everyone else’s as well. Rubber-soled shoes for yachting, preferably those with a special-grip rubber bottom. Rules for formal riding and the hunt are specific: visit a shop that specialises in riding clothes and do what they tell you.

Q. Must I wear a hat to church?

A. Women should wear hats in Roman Catholic churches and Orthodox synagogues. And many women do wear a hat to church even where it is not a must, But today a laoe mantilla or a bit of veiling is considered ‘hat enough.’ No woman should ever let lack of hair covering keep her from entering a church on impulse for a few moments of meditation. Attitude is more important than a hat. And anyway, hats are back. I couldn’t live without my giant wolf beret that covers my ears in winter or half a dozen felt and straw cowboy hats in spring and summer. You need to learn clever scarf tricks for your head, a flattering all-over hat for days when your hair just doesn’t cooperate.

Q. Is it right for a divorcee to wear her wedding and engagement rings? Mine are so beautiful.

A. Do you really want a constant reminder of the past? Why not have the stones reset into a marvellous ring you can wear on your index finger or, if you’re not the type, something smashing for your little finger.

Q. Where can l go to find out what to wear at a Bar Mitzvah?

A. A standard etiquette book will tell you what dress is expected at weddings, funerals, and other ceremonies of life. Or you might phone the women’s page editor of your local paper and ask advice.

Things That Are Out

Your sweet little lace blouse worn one day too many.

Tell-tale-grey nylon underwear (tint it purple or red or espresso brown).

Structural safety pins.

Wrinkles, spots, baggy anything, runs, rundown heels.

Shoes clearly beyond their prime.

A handbag that had it two years ago, still ‘making do’.

Festive party gear in the office.

Ruffles when you are much more the slinky jersey type.

Too-big coats and shoddy tailoring.

Superclunk shoes.

Ice-cream-cone bosoms.

Bulges . . . panties that bind and show-through.

Drooping hems . . . make a fast temporary repair with sticky tape, then sew that very evening.

Baby-doll costumes on women over thirty-five unless you have the figure and complexion of a twenty-year-old.

See-through blouse with a utilitarian bra in full view.

Clothes you’ve hopefully squeezed into and kidded yourself you can wear. Try one size up —you’ll look slimmer, and every hook and eye on your bra won’t be visible at ten paces.

Anything that looks like it’s wearing you.

Itsy-bitsy fragile little jewellery. If you can’t afford knock-out jewellery in 18-carat gold, buy some smashing fakery.

Last year’s rejects or rotting nightgowns as at-home clothes . . . give the family a break.

Toting an adorable Lilliputian evening bag and loading your man’s pockets with survival paraphernalia . . . learn to survive on less.

Undress

Undressing for an audience is a sadly neglected art. Too many women just peel everything off with no thought to the effect . . . rudely tossing crumpled garments here and there . . . and then slopping around in an abused and mutilated housecoat.

Men hate to see you in the bedroom clumping about in high-heeled day shoes and bare feet. Most of them prefer you to take your bra off before your pants. Practise doing it quickly, gracefully, and if he’s in a mood for being teased—tease him. Let him see you in a lacy slip you know flatters you. Don’t wear superstructured bras or girdles. Let him catch a glimpse of you through an open door, spotless bare back, creamed gleamy skin, brushing your hair or spraying yourself with scent just for him. It arouses him to know you want him.

America’s COSMOPOLITAN once ran a wise little article about ‘How to Strip for Your Husband.’ Tassels and twelve-button gloves are not necessary. But attractive undressing, sensuous underpinnings, and flattering, fresh at-home wear is kind to your audience—that one special person.

nice girls do 2

More from ‘Nice Girls Do’ some other time…

New items at Vintage-a-Peel

1960s, 1970s, biba, Fiorucci, janice wainwright, jean varon, john bates, London Mob, ossie clark, paraphernalia, simon massey, website listings
ossiepanelled1

Ossie Clark

It’s been quite a while since I last posted about goodies over at Vintage-a-Peel. This blog has moved slightly away from its original intention as a communication and promotional tool for the website, which is fine by me because I genuinely love what it has become. Also, the Facebook page for Vintage-a-Peel, and Twitter, has become the fastest method for me to communicate with customers. But I realised that I’ve listed some incredible pieces recently which blog viewers might be interested in, and which they might have missed. So here they are; Biba, Ossie, John Bates, Fiorucci (incredibly rare late 1960s jeans), London Mob, Paraphernalia, Janice Wainwright, and that’s just the big names. Plenty more to be found over on that there website of mine

John Bates for Jean Varon

John Bates for Jean Varon

Fiorucci

Fiorucci

Biba

Biba

Paraphernalia

Paraphernalia

London Mob of Carnaby Street

London Mob of Carnaby Street

Janice Wainwright for Simon Massey

Janice Wainwright for Simon Massey

Vintage Adverts: Twiggy Bank

1960s, Herbert Johnson, Honey Magazine, Marks and Spencer, ossie clark, Slimma, twiggy, Vintage Adverts
Trouser suit by Slimma Group One, hat by Herbert Johnson, gloves by Marks and Spencer, 'Compact' bicycle by Raleigh, cheque book by District Bank

Trouser suit by Slimma Group One, beret by Herbert Johnson, bag by Medway Bagagerie, gloves by Marks and Spencer, ‘Compact’ bicycle by Raleigh, cheque book by District Bank.

I simply could not resist that pun. No apologies. I feel almost nostalgic about cheques these days, even though they are [comparatively] a pain in the bum.

Scanned by Miss Peelpants from Honey, September 1966

Charlotte Rampling: Handle with care

1970s, Barry McKinley, celia birtwell, charlotte rampling, cosmopolitan, Deirdre McSharry, harriet, Henry Miura, Inspirational Images, ossie clark, Randall Lawrence, stirling cooper
Charlotte Rampling, who has made the headlines by living with two men and "loving them equally" - Randall Lawrence here is one - has recently married the other, Brian Southcombe. But there's no breakup in what she calls "her family". Here Charlotte cuddles up to her Best Man, a champagne girl in a pop outfit. Pepsi top and trousers by Harriet.

Charlotte Rampling, who has made the headlines by living with two men and “loving them equally” – Randall Lawrence here is one – has recently married the other, Brian Southcombe. But there’s no breakup in what she calls “her family”. Here Charlotte cuddles up to her Best Man, a champagne girl in a pop outfit. Pepsi top and trousers by Harriet.

Some stunning photos of the divine Charlotte Rampling, wearing some incredible clothes, scanned from [a slightly crinkly copy of] Cosmopolitan, April 1972. Shame the copy is so utterly, horridly anti-feminist. What gives, Deirdre McSharry? This is Cosmo, after all…

Scanned by Miss Peelpants from Cosmopolitan, April 1972. Photographed by Barry McKinley.

Even the most liberated, jeans-uniformed, free-thinking women will be melting at the seams this summer. She’ll be babying herself in cheesecloth, swathing her shoulders in chiffons, oozing into tight, bright “message” clothes and generally dressing up as if she hadn’t got the vote. If your mind is ticking over OK, what’s the matter with appearing as “woman-as-a-sex-object”? A little female fragility never hurt a good fight yet … If you dress in a fragile manner you’ll be handled with care.

Stirling Cooper blazer and trousers. Wavy Navy shirt by Browns.

Stirling Cooper blazer and trousers. Wavy Navy shirt by Browns.

How to be tatooed while staying a lady. Charlotte has the art in this cheesecloth t-shirt and leather trousers. Tattoos turn a lot of men on - but if not you can just slip this lot off. By Henry Miura.

How to be tattooed while staying a lady. Charlotte has the art in this cheesecloth t-shirt and leather trousers. Tattoos turn a lot of men on – but if not you can just slip this lot off. By Henry Miura.

Cream flannel trousers with straps by Ossie Clark

Cream flannel trousers with straps by Ossie Clark

Blouse printed by Celia Birtwell and designed by Ossie Clark

Blouse printed by Celia Birtwell and designed by Ossie Clark

Inspirational Editorials: Socks, smocks and combinations

1970s, celia birtwell, cherry twiss, Foale and Tuffin, Inca, Inspirational Images, jap, marrian mcdonnell, ossie clark, Peter Knapp, telegraph magazine, Vintage Editorials, yves saint laurent
Anna Karenina dress in white alpaca by Bellville Sassoon.

Anna Karenina dress in white alpaca by Bellville Sassoon.

Cherry Twiss delivers another brilliant shoot for the Telegraph Magazine, 17th December 1971.

Photographed by Peter Knapp. Scanned by Miss Peelpants.

sockssmockscombinations7

Combinations in bright ginger wool, and ginger fox bolero designed by Yves Saint Laurent.

Femme fatale suit in embroidered black crepe - clinging skirt, waistcoat and jacket worn with bright yellow silk shirt by Ossie Clark

Femme fatale suit in embroidered black crepe – clinging skirt, waistcoat and jacket worn with bright yellow silk shirt by Ossie Clark

Red fake fur jacket by Annacat

Red fake fur jacket by Annacat

Highwaymancloak from Mariian-McDonnell worn over knitted jodhpur suit

Highwaymancloak from Marrian-McDonnell worn over knitted jodhpur suit

Borg fur kimono-cut jacket and ankle length trousers by Foale and Tuffin

Borg fur kimono-cut jacket and ankle length trousers by Foale and Tuffin

Fake fur jerkin by Jap, worn with combinations by Yves Saint Laurent and Peruvian socks from Inca

Fake fur jerkin by Jap, worn with combinations by Yves Saint Laurent and Peruvian socks from Inca

Red velvet smock by Jap and socks, helmet, armbands, bag and scarf from Inca

Red velvet smock by Jap and socks, helmet, armbands, bag and scarf from Inca