The main attraction of this summer’s printed dress is their little-girl, Sunday-best quality. The star fabric is floral crepe-de-Chine, now beautifully revived, featuring softly shaped skirts, Peter Pan collars and puff sleeves.
Another flawless example of early Seventies nostalgia for the Thirties and Forties, which might seem frivolous or twee if it wasn’t in the talented hands of Mr Peccinotti.
Slip a shawl over summer and dream the days away in a land of your imagination. There couldn’t be a more beautiful way of letting a long sticky heatwave slip by than with these gentle colours made by a bleaching sun and these homespun clothes in soft country shapes. Whether you make it all the way to a shady plantation or just as far as the nearest cornfield, the scenery around any home this summer should look pretty good. Build up layers of cotton checs, sand suede overslips and warm rainbow knit waistcoats because even the sun can havee tantrums sometimes. Pack a pair of laced sandals and one huge-brimed straw hat.
Party wear for the getogether season takes all the best of blazers and pants and sleeks them up in satins and velvets… or cools off with the prettiest dresses ever.
Clearly Christmas 2020 is going to be a uniquely muted season as far as partying is concerned, but I often avoid the throngs of people anyway. Years of working in theatre over the festive season meant that when I had downtime I would prefer to lounge around in satins and velvets in the comfort of my own home. I’m just glad you’re all finally catching up with how nice it is! In all seriousness though, sometimes the smallest things can make us feel the nicest – so even if you don’t feel like getting togged up in satin and velvet, I highly recommend doing something you would normally find ridiculous for sitting around at home. Sparkly hair clip, red lipstick or those skyscraper platforms you can’t walk in.
Photographed by kind permission of Mecca Dancing at the Empire Ballroom, Leicester Square, WC1
Satin crepe de chine tie neck dress and chequered over jacket by Anne Tyrrell at John Marks. Suede shoes by Mondaine.
When it comes to dressing up tonight there’s no such thing as a party line. Redheads come into their own with sleek Garboesque hairdos to set off shiny battledress tops and trousers. Jazzily printed crepe de chine dresses and jackets mix with jersey and velvet, softly innocent or dangerously backless and halternecked. Diamante remains the vital accessory – shining in the hair as well as sprinkled on bodices. The choice is yours and glamour the mood.
Photographed by John Carter.
Scanned by Miss Peelpants from Flair, December 1971
Cream jersey top and matching skirt by Mary Quant
Both dresses by Harriet
Liberty print cotton blouses and skirts, both by Courchevel. Choker by Ken Lane. Suede bar shoes by Russell & Bromley.
Pleated cotton voile horseman print dress by Thea Porter. Gilt and mock turquoise belt by Ken Lane.
Left: Dress by Reflections at Reldan. Right: Jersey dress by Baltrik.
Left: Ban-lon halterneck dress by Wallis. Right: Brown crepe de chine dress by Annacat.
Black jersey dress by Polly Peck. Inset: Jersey dress by Baltrik. Shoes by Russell & Bromley.
Black satin battledress jacket and trousers by Juliet Dunn.
Grey and red short wooly jackets by Elgee.
Fringed black shawl from Emmerton and Lambert.
Grey wool flannel full length cape by Christopher McDonnell for Marrian-McDonnell.
Charlotte Rampling, who has made the headlines by living with two men and “loving them equally” – Randall Lawrence here is one – has recently married the other, Brian Southcombe. But there’s no breakup in what she calls “her family”. Here Charlotte cuddles up to her Best Man, a champagne girl in a pop outfit. Pepsi top and trousers by Harriet.
Some stunning photos of the divine Charlotte Rampling, wearing some incredible clothes, scanned from [a slightly crinkly copy of] Cosmopolitan, April 1972. Shame the copy is so utterly, horridly anti-feminist. What gives, Deirdre McSharry? This is Cosmo, after all…
Scanned by Miss Peelpants from Cosmopolitan, April 1972. Photographed by Barry McKinley.
Even the most liberated, jeans-uniformed, free-thinking women will be melting at the seams this summer. She’ll be babying herself in cheesecloth, swathing her shoulders in chiffons, oozing into tight, bright “message” clothes and generally dressing up as if she hadn’t got the vote. If your mind is ticking over OK, what’s the matter with appearing as “woman-as-a-sex-object”? A little female fragility never hurt a good fight yet … If you dress in a fragile manner you’ll be handled with care.
Stirling Cooper blazer and trousers. Wavy Navy shirt by Browns.
How to be tattooed while staying a lady. Charlotte has the art in this cheesecloth t-shirt and leather trousers. Tattoos turn a lot of men on – but if not you can just slip this lot off. By Henry Miura.
Cream flannel trousers with straps by Ossie Clark
Blouse printed by Celia Birtwell and designed by Ossie Clark
So instead of getting into a frenzy of bikinis I’ve been able to concentrate on the way to look this autumn. Black and rather Dietrich. Masses of sequins; velvet, chiffon, moiré. And shiny, slinky ciré, like satin come out from under a shower. To wear this black sheer tights; to spark up with silver, jet and diamond.
Incredible shoot from Queen, August 1969. Photos by Helmut Newton
Culottes and matching jacket (27gns) by Alice Pollock at Quorum.
Black moiré suit and white moss crepe cravat (£19 13s) by Sybil Zelker for Polly Peck
Sequined skirt (£19 13s) and chiffon shirt (£7 12s) by Sybil Zelker for Polly Peck