Whether it’s dinner for two, or a special night out with a crowd, you want to be sure that you’ve got that certain ‘little number’ to fit the bill. To be sure that you’re not caught on the hop, we’ve picked a selection of really feminine dresses, satin trousers, skirts, tops and even an elegantly tailored, satin suit fit for the Ritz. Happy wining and dining!
White dress with music and rose print by Miss Mouse. Snakeskin shoes from Bilbo. Red and white spotted dress with white trimming by Miss Mouse.
Photographed in Singapore by Harri Peccinotti.
Scanned from 19 Magazine, May 1975.
Black and green floral print halterneck dress from Biba. Black and gold shoes by Sex. Green floral halterneck dress by Biba. Black and gold brocade shoes by Biba.
Shocking pink pintucked cotton dress by Sheridan Barnett at Quorum. Black snakeskin shoes by Bilbo. Red cotton sack dress with hip pockets by Sheridan Barnett at Quorum. Red suede and snakeskin shoes by Terry de Havilland.
Dusty pink sun dress with black piping by Strawberry Studio. Grey suede shoes by Terry de Havilland.
Blue cotton dress with Dorchester motif. Coffee dress with Savoy motif, both by Jeff Banks.
White cotton culotte dress by Stirling Cooper. White shoes from Secondhand Rose, Chelsea Antique Market. White cotton sun dress by Stirling Cooper. White shoes from Secondhand Rose.
Navy cotton sundress with cross over straps by Gordon King.
Left: Green felt hat from Bombacha. Grey crepe top and matching skirt both by Strawberry Studio. Gloves by Tuttabankem. Silk scarf by Eddie Yap for Howie. Right: Navy blue hat by Charles Batten. Green crepe top and matching skirt by Strawberry Studio. Gloves by Tuttabankem. Scarf from Essences. Brooch from Bombacha.
Skirts are big news! They come in soft, pretty fabrics like crepe and flanesta. Looks are soft and sweet too. So go feminine. Wear skirts that are full, and keep warm with chunky sweaters and long, knitted scarves.
Photographed by Arthur Elgort.
Scanned by Miss Peelpants from 19 Magazine, October 1974.
Left: Rust felt hat by Marida. Rust crepe de chine suit by Marie France. Mixed tweedy cardigan by Outlander. Brown leather shoes by Bombacha. Scarf by Eddie Yap for Howie. Bag from Nostalgia. Right: Hat by Edward Mann. Cream blouse and grey crepe de chine suit all by Marie France. Huge grey cardigan by Crochetta. Grey lace up shoes from Sacha. Silky scarf by Eddie Yap for Howie. Brooch from Bombacha.
Left: Hat by Edward Mann. Blouse by Garilee. Wool cardigan by Johnson & Johnson. Skirt from C&A. Shoes from Sacha. Right: Hat from Bombacha. Green blouse by Garilee. Wool v-neck top by Outlander. Cardigan by Johnson & Johnson. Skirt from C&A. Shoes by Sacha. Beads from Bombacha. Brooch by Adrien Mann.
Left: Red and white striped wool tank top and matching cardigan by Outlander. Cream crepe skirt by Mushroom. Right: Flannel beret at Essences. Cream crepe blouse by Jon Elliot. Cream tank top and matching cardigan by C&A. Pale pink crepe skirt by Marie France.
Left: Blue felt hat by Charles Batten. White silk shirt by Carr Jones. Blue cord pinafore dress by Strawberry Studio. Leather shoes from Bombacha. Silk scarf from Essences. Right: Hat from Nostalgia. White Chinese shirt by Carr Jones. Blue tweed hacking jacket by Jenny Hare at Bombacha. Skirt by Inega. Shoes from Bombacha. Bag from Essences. Scarf by Eddie Yap for Howie.
Dress, worn by all models, by Prêt-à-Porter. Left: Tights by Mary Quant. Boots by Midas. Orange rope from Bazaar Shops. Sash by Strawberry Studio. Pouch by Midas. Centre: Pants by Prêt-à-Porter. Boots by Russell & Bromley. Rope and belt by Bazaar Shops. Woven belt from The Warehouse. Far right: Shirt by Fifth Avenue. Waistcoat by Casablanca. Petticoat by Strawberry Studio. Boots by Midas. Scarf by Cornelia James.
Ever been to a party in a not very exclusive dress and had that feeling that someone else is bound to be wearing the same thing? Or, maybe, you simply can’t afford more than one dress for the party season. Here are some smart ideas on how to ring the changes with just one number and be the belle of the ball every single time.
Photographed by Robyn Beeche.
Scanned by Miss Peelpants from 19 Magazine, December 1976.
An early shoot by legendary Australian photographer Robyn Beeche, who would later make her name capturing the alternative scene in London in the early 1980s and who sadly died earlier this year. Beeche is largely known for her documentation of catwalk shows and Alternative Miss World events, as well as experimental portraiture, so it’s interesting to see a more conventional studio/fashion set-up from her at the beginning of her career.
Shirt dress, worn by all models, by Jeff Banks. Far left: Tights by Mary Quant. Shoes by Dolcis. Net scarf from Nostalgia. Gold sash by Strawberry Studio. Fabric around head and worn as sash from John Lewis. Centre: Jeans by Made in Heaven. Shoes by Sacha. Sashes by Strawberry Studio. Purses from Mitsukiku. Right: Sweater by Simon. Boots by Midas. Belt from Bazaar Shops.
She: Felt hat by Edward Mann. Pink sweater and matching cardigan by Ossie Clark for Radley. Skirt by Danielle Claire. Scarf from Essenses. He: Army sweater from Laurence Corner. Cord jodhpurs from Badges and Equipment.
Featuring the beautiful Pat Cleveland…
Photographed by Pelito Galvez.
Scanned by Miss Peelpants from 19 Magazine, September 1975
She: Red beret by Kangol. White blouse with red velvet ribbon tie by Sheridan Barnett at Quorum. Grey fleck suit by Strawberry Studio. Snakeskin strappy shoes by Sacha. Scarf from Essenses. He: Army jacket and trousers from Laurence Corner. Boots from Badges and Equipment.
She: Hat, sweater and scarf all by Lionel Fisher. Skirt by Danielle Claire. Shoes by Mary Graeme. He: Cream and black pin stripe shirt by Nostalgia. Jodhpurs and boots from Badges and Equipment.
She: Black felt hat by Charles Batten. Black skirt and cream coat both by Sheridan Barnett at Quorum. Black suede shoes by Russell and Bromley. Clutch bag from Boots. Black scarf from BHS. He: Army jacket and trousers from Laurence Corner. Boots and kit bag from Badges and Equipment
Suit by Lee Bender at Bus Stop. Belt by Chris Trill. Shoes from Midas.
“Start squaring your shoulders, tightening your belt and walking on four-inch heels…”
A phenomenal editorial which feels very ahead of its time. This is really the birth of ‘Power Dressing’, from February 1979. There’s a curious juxtaposition of old and new, the old telephone and boudoir chair in the final photo suggest the origins of these suits in the Forties while the clunky ‘mobile phone’ is the signpost to the unknown future. Pre-Eighties and pre-Thatcher (just) – even pre-Miss Peelpants (also, just!) – there’s something quite charming about the modest silhouette here – which is really rather hard to equate with the horrors which were to come. These feel more in line with the New Romantic and Goth garments from the 1980s which I feel passionate about and choose to collect (like Sarah Whitworth, Symphony of Shadows etc), than with Yuppies and Dynasty, although you can just as equally see their genesis here.
Photographed by Christa Peters. Scanned by Miss Peelpants from Cosmpolitan, February 1979.
Suit by Wallis. Silk camisole by Tatters. Shoes from Pancaldi.
Jute tweed suit by Strawberry Studio. Bag by Butler and Wilson. Shoes from Russell & Bromley.
Cotton cord suit by Howie Diffusion. Camisole from Tatters. Belt by Courtney Reed. Shoes from Pancaldi.
Three piece suit by Daily Blue. Shirt by Riva. Purse and shoes by Pancaldi.
Suit by Stephen Marks. Shirt by Pamela Frances. Belt by Courtney Reed. Shoes from Pancaldi.
Wool crepe suit by Jaeger. Shoes by Pancaldi.
Suit with the wiest shoulders and narrowest skirt by Strawberry Studio. Suede shoes by Sacha.
Ah, my inaugural listings post … well, over here on wordpress anyway. Yet again I have been a little tardy in posting them here, but better late than never! There’s Annacat, Jean Muir, Biba, John Bates, Jean Louis Scherrer, Foale and Tuffin, Strawberry Studio (and breathe), and many more. All images are links to the pages over at Vintage-a-Peel. Usual things apply, free postage in the UK and let me know if you want to pay in a couple of instalments for the more expensive items.
Ongoing, as ever, but I’ve put up some new listings over at Vintage-a-Peel for your delectation. Two things have already sold (hurrah for me and my gorgeous buyers, not so hurrah if you wanted them, but there’s plenty more to come!) but there’s just a whole host of beautiful new pieces to choose from.