Sunshine Supergirl

1970s, biba, Hair and make-up, Inspirational Images, Make-up, Sarah Moon, Vivienne Lynn, Vogue
Sunshine supergirl wears Biba’s new Apple Powder Tint around her eyes. Turquoise Powder Tint under brows, lashes dipped in Brown Roll-On Mascara; lips tinte with Sugar Lip Colour, outlined with Peach, shined all over with Peach Sticky Lip Gloss; skin smoothed with China Doll Foundation No. 2, dusted with Sugar translucent loose powder, cheeks given a hint of blush with China Doll Sugar Foundation available from March 31st. Crepe hat with flowers from Biba; hair by John of Leonard.

Model is Vivienne Lynn.

Photographed by Sarah Moon.

Scanned from Vogue, March 15th 1972.

Spring Board

1970s, beauty, Hair and make-up, Inspirational Images, Linda Dagenais, Make-up, Sarah Moon, Vogue

Rethink yourself, change your image. Imagine you’ve been chosen to play Daisy in The Great Gatsby: shape your eyes differently, your lips too, and hollow your cheeks. Here, huge eyes and tiny bow of mouth are coloured with Lancome make-up.

Model is Linda Dagenais.

Photographed by Sarah Moon.

Scanned from Vogue, March 15th 1973.

Swanlike

barbara hulanicki, Barbara Hulanicki, biba, Hair and make-up, Inspirational Images, Make-up, Sarah Moon, Vogue

Softest summer face, swanlike, by Barbara Hulanicki of Biba, with new China Dll Foundation No 2 and No 1 around the eyes and nose, Peach Translucent Loose Powder and Peach Contour Powder blushing the cheeks. On the eyes: Peach Powder Tint, Honey Water Colour as an eyeliner and on the brows, and Brown Roll-On Mascara. On the lips: Peach Lip Colour. In the air: Biba Cologne. Cosmetics at Biba and Dorothy Perkins. Peach maribou jacket, crepe turban, both by Biba; hair tucked away by John of Leonard.

Photographed by Sarah Moon.

Scanned from Beauty in Vogue, Summer 1972.

A Legacy of Lace

1970s, art deco, Deco Inspired, Inspirational Images, janet reger, Linda Dagenais, meriel mccooey, Meriel McCooey, Sarah Moon, sunday times magazine, Vintage Editorials
Long beige slip in lace and crepe, £19.50; soft-lined crepe bra, £5.40.

It is not often that they auction old knickers at Christies, but earlier this year the celebrated wardrobe of Heather Firbank went under the hammer, and an integral part of the collection was her exquisite underwear. Heather Firbank, sister of the novelist Ronald Firbank, was famous for her unique, occasionally eccentric clothes, and though most of them now belong to the Victoria and Albert Museum, the highest bid for the underclothes came from the lingerie manufacturer Janet Reger and her husband Peter. They made copies of the pieces they bought, and tomorrow they will be on sale from Bottom Drawer, 33 Southwick Street, London W.2, and by mail order. They are expensive, certainly, but unfortunately the luxury of Twenties underwear no longer comes at Twenties prices. All accessories are from Maria Cavallos shop Dignetts, at Antiquarius, King’s Road, London S.W.3.

Model is Linda Dagenais.

Words and styling by Meriel McCooey.

Photographed by Sarah Moon.

Scanned from Sunday Times Magazine, November 17th 1974.

Oyster satin cami-slip, £25.00.
Black lace slip, £19-50; black lace camisole top, £28.50
Original cami-knickers from Heather Firbank collection (also shown on cover). The seam-for-seam copy costs £19-50.

Cacharel at Harrods

1970s, cacharel, Harrods, Inspirational Images, Sarah Moon, Vintage Adverts, Vogue

Photographed by Sarah Moon.

Scanned from Vogue, Late April 1974.

Ingrid Boulting by Sarah Moon

1970s, ingrid boulting, Inspirational Images, Photo Magazine, Sarah Moon
Photo de mode << naïve >> pour << Votre Beauté >>, posée par Ingrid. Objectif de 105mm.

Modelled by Ingrid Boulting.

Photographed by Sarah Moon.

Originally published in Votre Beauté (date unknown).

Scanned from Photo Magazine, June 1970.

The Cover Up Look for Spring

1960s, Harpers Bazaar, Inspirational Images, Sarah Moon, yves saint laurent
The cover up look for Spring by Yves Saint Laurent (fabrics by Abraham, Brossin de Mere) in a multi coloured rainbow skirt that sweeps the floor.

Happy International Women’s Day! Here is one of my favourite covers, from the glorious Harpers Bazaar (before they merged with Queen and lost this lovely deco typeface, that 5s makes me swoon for some reason) and by one of my favourite photographers, Sarah Moon.

Photographed by Sarah Moon.

Scanned from Harpers Bazaar, April 1969.

In The Mood

1970s, charnos, cosmopolitan, james wedge, lingerie, Sarah Moon, Vintage Adverts

Stunningly photographed advert for one of my favourite lingerie brands Charnos, who collaborated with Ossie Clark and Sally Tuffin on ranges in the Seventies.

Photographer sadly uncredited but I’d say James Wedge or Sarah Moon are likely candidates.

Scanned from Cosmopolitan, November 1976.

On Second Thoughts

19 magazine, 1970s, barbara hulanicki, biba, Inspirational Images, Sarah Moon, Vintage Editorials

For those dreamy moments when you feel you want to look feminine and pretty, when you want to get out of your casual clothes and wear something floaty and special, Biba have made lovely, plain satin and two-tone patchwork satin skirts and tops which are alluring and very glamorous for the summer. They have also designed long, floating cotton voile dresses in large, dark prints which are flattering to figures still suffering from seasonal over-eating.

All clothes from Biba.

Many thanks to Barbara Hulanicki for letting me know that she took these stunning photos (modelled by Eva from Biba). They were uncredited in the magazine.

Scanned from 19 Magazine, July 1970.

Dance of the Seven Voiles

1970s, Ginger Group, ingrid boulting, Inspirational Images, liberty, liberty's, mary quant, Sarah Moon, Vintage Editorials, Vogue
Corn coloured Liberty voile with poppy red and brown flowers ruched with daisies of white lace across the bodice, by Mary Quant’s Ginger Group.

Spring is a story of air spun with flowers – voile light as veils – with veil upon voile. Lyrical layers of patterns together. Bewitching play of light and limb – a gentle illusion to see through – or not – the legs veiled in trousers quite sheer, skirts long and then suddenly short at one side, a flurry of leg through the frills and the flowers. Mary Quant played Pied Piper to the young in the sixties, now she designs to the heart of the new mood with her prettiest collection in years.

Photographed by Sarah Moon.

Modelled by Ingrid Boulting.

Scanned from Vogue, March 1970.

Shepherdess dress of flowered cotton with an overshirt of voile laced to a calico cummerbund. Children’s costumes by Philomen, Paris.

Cornflower blue flowers, a little dress with a ruffled shawl wrapped as a skirt.
Liberty’s voile of undecided stripes, red and soft beige in a simple smock over trousers.
Honey voile flowered with brown and red pansies, ruched with white lace over the bodice.
Black voile, scattered with flowers and red braid with lovely sheer trousers.