Swirly skirt in lilac suede from Patti Searle. Cotton t-shirt in pale pink by Sun and Sand. Tan leather boots by Mary Graeme. Photographed at the Renaissance monastery La Cartuja, outside Jerez, which still houses monks of the Carthusian order.
One of my favourite looks; one I return to again, and again, in the winter time.
Photographed by Francois Lamy.
Scanned by Miss Peelpants from Harpers and Queen, December 1975.
Out on a limb… Ossie Clark as always. His new collection bristles with exclamation marks that point to Ossie the inimitable – the coat-hanger shoulders on his suits, the bright bunches-of-flowers prints by Celia Birtwell, the fluid lines and bosomy curves of his dresses.
Annabel Hodin, twenty-four years old, and a girl who believes in extremes. She changes the way she looks with the seasons, likes to be very, very brown in summer, white in winter, wears little make-up by day, lots at night. Daughter of Dr Josef Hodin the art historian, she lives in Hampstead, loves London, feels European, is at home everywhere.
Photographed by Barry McKinley at the home of Michael Chiu, owner of the Chiu Gallery. Make-up by Barbara Daly.
Scanned by Miss Peelpants from Harpers and Queen, February 1973
Photographed by Uwe Ommer at Burnham Beeches, June 1980.
Scanned from Harpers and Queen, September 1980
“Over and over again. The same scene, the same woman, the same violent ending. No normal dream, but the other explanation was unthinkable.”
Illustration by Plourde. Scanned from Cosmopolitan, January 1975
Lui: Jacket by Harry Lans. Shirt and tie by Francesco Smalto. Trousers by Brummell. Elle: Dress by Ossie Clark. Silver fox fur by Robert Beaulieu.
“Pour ceux que le triste smoking ennuie, << Lui >> propose une mode du soir facile à porter. Certains vont mourir à Venise, << Lui >> a décidé pour un soir d’y vivre en beauté.”
Un éditorial parfait, from Lui, January 1972. Photographer sadly uncredited.
Lui: Jacket, shirt, tie and trousers by Elysees Soieries. Patent black boots by Charles Jourdan. Elle: Panne velvet outfit (tunic, trousers and scarf) by Tan Giudicelli. White fox fur by Robert Beaulieu.
Lui: Sweater by Francesco Smalto. Shirt by Elysees Soieries. Satin neck tie by Elysees Soieries. Elle: Dress by Vesscheringe Brard. White fox fur by Robert Beaulieu.
Lui: Outfit by Renoma. Elle: Dress and midnight blue fox fur by Tan Giudicelli.
Photographed by John Carter. Scanned by Miss Peelpants from Petticoat, November 1971.
From left to right: She wears a curly fake fur short jacket by Elgee. Suede bib gauchos by 3 AM. Boots from Sacha. Canvas hat from Paradise Garage. He wears a leather flying jacket from Badges and Equipment. McCaul’s pullover. Pants from Take 6. Ravel lace-ups.
She wears: Suede jacket with furry trim by Hidegrade. Waistcoat by Take Six. Plus fours by Gordon King. Crochet hat from Biba. Watch from Paradise Garage. Boots from Russell and Bromley. He wears a suede hooded coat from C&A. John Craig polo jumper. Check pants from Bus Stop. Lace-up boots from Ravel.
Dress by Victor Edelstein
Photographed by Francois Lamy.
Scanned by Miss Peelpants from Harpers and Queen, December 1978
Outfit by Spaghetti, 32 Beauchamp Place
Tunic, belt and trousers by Basile from Browns Shoes by Pancaldi. Leather laurel wreath by Ragence Lam from Browns
Dress, jacket and trousers by Basile
Hooded top and skirt by Anne Buck from Lucienne Phillips. Gold sash by Linette Greco
Illustration by John Ireland
Scanned by Miss Peelpants from Honey, February 1974
Divine at his toilet, using On-Stage make-up available from Nina Campbell. His toga is Zandra Rhodes printed silk, ‘Mexican Turnabout’. Bracelets and brooch by The Purple Shop, 15 Flood Street. Rings and drop earrings by Adrien Mann, small diamond earrings by Ken Lane, brooches on washbasin from Andrew Logan’s Galactic collection. Make-up by Richard Sharah, wigs by Wig Creations.
Nina Campbell’s own bathroom in a typically-shaped turn-of-the-century Kensington mansion flat. The narrowness of the room is minimised by slicking over with a glossy American vinyl wall—covering. All services are on the left-hand wall, the right is covered with framed prints. Theatrical lighting focusses the mirror overthe washbasin. Nina Campbell is at 48 Walton Street, SW3
Divine — the larger-than-life star of ‘Pink Flamingos’ and John Waters’s other iconoclastic films — illustrates the bathroom theatrical, as well he might. He was seen in London in ’Women Behind Bars’ and opens this month in ‘The Thorn’ in New York. As he posed for photographs the photographer said ‘that’s too butch.’ ‘what a wonderful country England is,’ replied Divine. ‘where a half-inch blusher brush is too butch.’
Photographs by Peter Warner. Scanned by Miss Peelpants from Harpers and Queen, September 1980
Divine bathing in Jean Harlow mood. Abandoned ball dress by Zandra Rhodes. Shell ring by Andrew Logan, £40 from 15 Appold Street, EC2. Chocolates by Charbonnel et Walker.
Tom Parr of Colefax & Fowler, 39 Brook Street, W1, designed this St John’s Wood bathroom. Double mahogany doors open into the room, with large windows on two walls panelled to dado level with mahogany. The festooned windows look out on to a garden. Bath and basin are topped with marble, taps are Edwardian reproductions by Czech 8 Speake, 88 Jermyn Street, SW1.
Detail from an advert for Bal a Versailles by Jean Desprez, Paris – at the hall of mirrors, Versailles
Photographed by Sarah Moon.
Scanned by Miss Peelpants from Harpers and Queen, December 78
Liz Eggleston 