What a catch!

19 magazine, 1970s, biba, duc, Inspirational Images, platforms, Russell & Bromley, Sacha, shoes, Vintage Editorials
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Lace-up leather shoes by Sacha

We threw in the line and fished out some of the best and most original shoes that are in the shops this spring. It may not be an ideal catch for a real angler, but then it depends what you’re fishing for, doesn’t it?

Photographed by Duc.

Scanned by Miss Peelpants from 19 Magazine, April 1972.

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Baseball boot by Biba. Red leather with peeptoe by Sacha, Navy and white corresponding lace-up by Russell & Bromley, Vivid China blue peeptoe slingback by Sacha, Red leather peeptoe and green and yellow on front by Sacha, Navy blue peeptoe with ruched panel by Sacha, Red leather embossed with yellow spots by Sacha.

Linda Vane Percy in Zandra Rhodes

1970s, harpers and queen, john vaughan, Lalique, Linda Vane Percy, zandra rhodes

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Linda Vane Percy in her London mews house. On the table, Lalique glasses and two-handled bowl holding the bottle.

Wearing Zandra designs, eating off Zandra designs… That’s how to do it!

Photographed by John Vaughan.

Scanned by Miss Peelpants from Harpers and Queen, November 1974.

The Art Galore Scene

1960s, Art Galore, petticoat magazine, Vintage Adverts

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Scanned by Miss Peelpants from Petticoat, November 1969

Mild Sauce: The Bejewelled Bod

1970s, Cliff Nicholson, David Webb, elsa peretti, Fredda Weisf, Halston, J. Frederick Smith, jewellery, Kenneth J Lane, mild sauce, Playboy
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Silver butterfly by Elsa Peretti for Halston.

Gift your valentine with the big, bold new bijous that are worn at all the best places.

Photographed by J. Frederick Smith.

Scanned by Miss Peelpants from Playboy, February 1971.

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Forehead ornament and ceramic bead necklace by Henri Bendel.

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Necklace, beaded belt and loincloth by Cliff Nicholson.

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Beaded headband, loin cover, arm and leg bracelets and numerous necklaces by Fredda Weisf.

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Rare Brazilian pendant from the collection of Fredda Weisf.

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Necklace by Cliff Nicholson.

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All by David Webb.

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Leopard belt and gold-plated costumewear by Kenneth J. Lane.

Cynthia always dresses for breakfast.

1970s, charnos, Inspirational Images, loungewear, underwear, Vintage Adverts, Vogue

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Scanned by Miss Peelpants from Vogue, November 1971.

Turn the heat on

1970s, Abecita, caroline smith, flair magazine, Illustrations, margit brandt, Marks and Spencer, mary quant, Simpson of Piccadilly, underwear
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Clockwise from top left: Wolsey, Brettles, Margit Brant, Wolsey, Abecita, Mary Quant.

It’s an accomplished fact that the warmest way to hibernate starts right next to your skin. Here, then, are some of the hottest bare body coverings – Short-johns, mid-johns, long-johns, vests, bodytops and a petticoat to wear under everything else, plus the cosiest nightie on the market.

Fabrics vary from wool to cotton jersey, man-mades and mixtures, all good old favourites that have proved their insulation properties over past winters. These hibernation undies are all warm investments and most of them glamorous enough to want to show off. Long-johns and mid-johns are staging a comeback as circulation increases: wear them rolled up, if you like, over tights, under socks. Pile them on to beat the winter.

Illustrations by Caroline Smith.

Scanned by Miss Peelpants from Flair, December 1971.

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Left to right: Medico at Simpsons, Mary Quant, Marks & Spencer, Brettle, Mary Quant and Wolsey.

Get carried away in Wranglers

19 magazine, 1970s, terry de havilland, Uncategorized, Vintage Adverts, wrangler
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And for perfect upkeep, Wreal Wrangler belts.

Scanned by Miss Peelpants from 19 Magazine, October 1972

What’s new Alleycat?

1970s, Alleycat, betsey johnson, Escalade, Inspirational Images, Sandy Lieberson, Vogue

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It was this close-cropped straw-white head munching a hamburger that stopped Paul Young, Mr Escalade, in his tracks. Within minutes, Suze was the first London fan of Betsey Johnson, young American designer for Alleycat & Co, and pretty hot news herself. Betsey’s clothes were fresh out of the packing cases, en route to her own special department in Escalade, packed with sensational shapes like these … moving proof that Betsey Johnson knows all about shape. Welcome to London, Betsey.

All clothes by Betsey Johnson for Alleycat & Co.

Photographed by Lieberson.

Scanned by Miss Peelpants from Vogue, December 1971.

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Twiggy’s New Mood

19 magazine, 1960s, Inspirational Images, Justin de Villeneuve, twiggy, Vintage Editorials
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Kaftan dress by Twiggy Dresses

Twiggy’s clothes change with her mood, something reflected noticeably in her Christmas wardrobe which includes beautiful ankle-length dresses in exotic prints and romantic styles in lovely colours. “I really have no particular look that I stick to,’ she confessed. ‘Yesterday I wore an ankle-length dress and today I have on a short one. I buy second-hand clothes if I think the fabrics and prints are beautiful. My wardrobe is really a complete mixture of things. I think that these days people can wear just what they like. There are really no set rules, and I personally feel that that’s very nice.”

During the last two months, Twiggy’s face, once constantly seen in virtually every magazine in the world, has been noticeably absent. “I have almost completely stopped modelling. Although I enjoyed every minute while I was doing it, I’m rather tired of it now. At the moment Justin and I will be working for only one American magazine and one Italian and any other work we want to do. Justin has sold the flat that he had, and is now living in the studio.”

Apart from Twiggy Enterprises in England, they have many business interests in the States selling all sorts of ‘Twiggy’ merchandise. During a visit there, earlier this year, Twiggy made a singing and dancing commercial for American TV which was an enormous success. Her main ambition for the coming year is to make a feature film which Justin will possibly co-produce.

`We almost made a film about eighteen months ago,” explained Justin. ‘Paul McCartney was going to write the music and Ken Russell direct. Then we had enormous trouble with the film rights and eventually had to drop the whole idea. When Twiggy made the American commercial she was so great, and en-joyed making it so much that it got us interested all over again. We’ve talked to various people about ideas for a script, but I can’t tell you anything definite about the story at the moment.”

Twiggy today is very different from the Twiggy of three years ago. She is more beautiful and her hair is longer. “I am desperately trying to grow it,” she says. “I want it to be very, very long.” She has grown up, but her unspoilt personality remains the same. One change Twiggy is very pleased about—she has stopped biting her fingernails. “All of a sudden I noticed that I’d just stopped —and that was that.”

She has a marvellous sense of humour and is interested in a variety of things. She loves reading, especially romantic novels, cinema and theatre, with a bent towards musicals, and pop music; she is a firm fan of the Beatles. She enjoys knitting. “I knit things all the time, for myself and all my friends.” (“Not bad, is she,” said Justin, sporting an original Twiggy knit.) “And I’ve just bought a crochet hook and book of instructions. You don t know how to crochet flowers, do you? It only tells you how to make circles in my book.”

Twiggy moves with the grace of a modern day Garbo. “As narrow as an arrow and as fetching as an etching” is a very apt description. She eats what she wants, is peeved that she can’t put on weight. “I wish I could,” she murmurs, busily demolishing an apricot pie. Another pet peeve of hers is spiders. “I hate spiders. I never kill them, though.”

What does Twiggy want this Christmas? “I don’t know. There’s nothing I really want. Just to be happy. And to make the film next year, that’ll be satisfying.”

Frizzy hairpieces by Joseph at Salon 33.

Photographs by Justin de Villeneuve.

Scanned by Miss Peelpants from 19 Magazine, December 1969.

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Black crepe dress with sequins by Twiggy Dresses.

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Long printed dress by Twiggy Dresses.

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Short blue dress by Twiggy Dresses. Long printed scarf from Emmerton and Lambert.

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Long patchwork print dress by Twiggy Dresses.

The Robot Who Looked Like Me

1970s, cosmopolitan, Dick Ellescas, Illustrations, mild sauce

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“I really had wanted an old-fashioned courtship. But when the time came, I couldn’t seem to fit it into my schedule.” Fortunately, there was an alternative.

Illustration for a short story by Dick Ellescas.

Scanned by Miss Peelpants from Cosmopolitan, November 1973.