This autumn there are bags everywhere: Oxford ones on your pins and clutch ones in the hand. The return of the straight trouser has brought with it wing lapelled jackets with padded shoulders and neat waistcoats. Underneath, a feminine touch to soften the butch look, blouses with floppy painters’ bows. And don’t forget your clutch bag tucked neatly under your arm.
Satin crepe de chine tie neck dress and chequered over jacket by Anne Tyrrell at John Marks. Suede shoes by Mondaine.
When it comes to dressing up tonight there’s no such thing as a party line. Redheads come into their own with sleek Garboesque hairdos to set off shiny battledress tops and trousers. Jazzily printed crepe de chine dresses and jackets mix with jersey and velvet, softly innocent or dangerously backless and halternecked. Diamante remains the vital accessory – shining in the hair as well as sprinkled on bodices. The choice is yours and glamour the mood.
Photographed by John Carter.
Scanned by Miss Peelpants from Flair, December 1971
Cream jersey top and matching skirt by Mary Quant
Both dresses by Harriet
Liberty print cotton blouses and skirts, both by Courchevel. Choker by Ken Lane. Suede bar shoes by Russell & Bromley.
Pleated cotton voile horseman print dress by Thea Porter. Gilt and mock turquoise belt by Ken Lane.
Left: Dress by Reflections at Reldan. Right: Jersey dress by Baltrik.
Left: Ban-lon halterneck dress by Wallis. Right: Brown crepe de chine dress by Annacat.
Black jersey dress by Polly Peck. Inset: Jersey dress by Baltrik. Shoes by Russell & Bromley.
Black satin battledress jacket and trousers by Juliet Dunn.
Grey and red short wooly jackets by Elgee.
Fringed black shawl from Emmerton and Lambert.
Grey wool flannel full length cape by Christopher McDonnell for Marrian-McDonnell.
Clockwise from top left: Wolsey, Brettles, Margit Brant, Wolsey, Abecita, Mary Quant.
It’s an accomplished fact that the warmest way to hibernate starts right next to your skin. Here, then, are some of the hottest bare body coverings – Short-johns, mid-johns, long-johns, vests, bodytops and a petticoat to wear under everything else, plus the cosiest nightie on the market.
Fabrics vary from wool to cotton jersey, man-mades and mixtures, all good old favourites that have proved their insulation properties over past winters. These hibernation undies are all warm investments and most of them glamorous enough to want to show off. Long-johns and mid-johns are staging a comeback as circulation increases: wear them rolled up, if you like, over tights, under socks. Pile them on to beat the winter.
Illustrations by Caroline Smith.
Scanned by Miss Peelpants from Flair, December 1971.
Left to right: Medico at Simpsons, Mary Quant, Marks & Spencer, Brettle, Mary Quant and Wolsey.
Pastel printed close fitting dress with long, swinging peplum and matching fringed scarf by John Bates at Jean Varon. All jewellery by Adrien Mann.
Something of a dream combination for me, with two of my favourite designers, Janice Wainwright and John Bates, with one of my favourite photographers, Jim Lee. I don’t see Lee’s work often enough for my liking…
Photographed by Jim Lee.
Scanned by Miss Peelpants from Flair, February 1970.
Left: Softest pastel printed jersey cardigan coat with white, slightly flared crepe pants by Janice Wainwright at Simon Massey. Scarf by Lida Ascher. Right: Sprawling flower-printed cardigan coat with matching pants by Janice Wainwright at Simon Massey