For those who fancy a smooth summer Suliman have made their entire collection in pure Chinese silk. It is a man-and-wife firm, Sam Suliman designing the fabrics – the abstract patterns are hand-painted – and June the clothes. Sam finds this silk perfect for his luminous, sultry colours, which he uses in 15 variations. Everything is hand-washable and available in sizes 8-12 direct and by mail order from Suliman, 48 Maddox Street, London WI , and from Emma Somerset, 5 Police Street, Manchester.
Styled by Valerie Wade
Photographed by Sacha.
Scanned from The Sunday Times Magazine, 28th May 1972.
There is nothing formal about these clothes even though a few years ago most people would have thought they were. They look exotic because the fabrics are either Eastern, or mixtures of Twenties silks and chiffons. Everything is quite simply cut and easy to wear; it is only the fabric combinations that are elaborate. There are many women who don’t like to admit, even to themselves, that clothes are of any importance in their lives — just because they are not striding around in shorts doesn’t mean that they lack style, they just don’t want to be instantly pigeon-holed by what they wear. The clothes shown here are perfect for all those women who “don’t care about fashion”.
Report by Valerie Wade.
Photographed by Sasha.
Scanned from The Sunday Times Magazine, April 4th 1971.
After the systemic strip of the West’s liberated women comes a longing for the romance and mystery of the East. The newest clothes reflect this mood with suggestive gauzes and clinging crepes. We took some to Bahrain, where the women are still heavily veiled and pass secluded lives in the harem.
A textbook example of the trend towards ‘exotic’ inspiration in the fashion world of the late Sixties/early Seventies. Most famously by Thea Porter, of course, but also with lesser known labels such as Suliman and Savita. Another strand of the post-Sixties backlash against the minimal and the space-age, along with the period romanticism of Laura Ashley and the more kitschy retro Rock’n’Roll stylings of Glam Rock.
As an aside, I always feel a little uncomfortable posting these ‘location’ shoots when they involve local characters, because it can feel a little exploitative. But at the same time, I don’t want to censor the past and think it’s important to remind ourselves of how fashion needs to be less exploitative and culturally ‘acquisitional’, even now.
I was also very entertained to note that a variation on the first image was used as part of the hilarious series of Smirnoff adverts and that I scanned back in 2015. There are only a few months between the two and I’m fascinated to know whose decision that was!
Fashion by Cherry Twiss.
Photographed by Sacha.
Scanned from The Daily Telegraph Magazine, 2nd July 1971.
L-R Vampy wedge heeled shoes by Sacha, Skinny lemon boots by Russell & Bromley, Co-respondent leather running shoes by Sacha, Stripy suede boots with crepe soles by Sacha, Double stripe soft leather boots by Sacha, Tough crepe soled lace-ups by Bata, Skinny leather platform soled boots by Sacha. Cork soled suede lace ups by Sacha.
Blooming red peonies on a navy rayon georgette dress, Florrie Carr. Flower trimmed straw hat, Crowthers. Shoes, Sacha. Rose print crêpe de chine dress, Crowthers. Straw hat, Bermona. Shoes, Sacha.
…To the seaside, where they’re blossoming out all over flimsy crêpe de chine summer dresses. So, if like most of us, you’re searching the shops for cool holiday clothes, now is the time to take your pick from our bunch.
Photographed by Richard Selby.
Scanned from Honey, August 1971
Fruit and flower crêpe de chine dress, Crowthers. Orange suede cork soled shoes, Sacha. Pastel tulip printed crêpe de chine skirt and matching blouse, Crowthers. Criss cross suede shoes, Crowthers. Plastic and raffia choker, Adrien Mann.
Swirling sunflower print dress in cinnamon and cream, Biba. White raffia sunhat, Herbert Johnson. Blue and white daisy patterned crêpe de chine dress, Ossie Clark for Radley. Burgundy straw hat, Biba.
Calf length New York skyline-printed crepe dress with deep neckline, narrow fitting sleeves and wide sash tied at the back. The same dress with wide bell shaped over sleeves. Both from Mr Freedom. Rings from Biba.
The look for Christmas is definitely one of bright colours and generally good cheer. Fabrics are crepes, satins and velvets in stained glass hues of rich reds, blues, greens, yellows and purples…
Photographed by Stephen Bobroff.
Scanned by Miss Peelpants from 19 Magazine, December 1969.
Long crepe kaftan style dress by Mr Freedom. Red chiffon scarf by Fenwicks. Yellow and black crepe trouser suit by Mr Freedom. Red leather boots from Sacha. Black crochet cap by Ritva at Feathers.
Ankle length satin dress over printed in mauve with floppy bell shaped sleeves and long matching scarf by Pourelle. Purple crepe calf length dress with narrow fitting sleeves, lace up neckline and wide cape style collar by Ossie Clark for Quorum. Boots by Sacha.
Purple narrow fitting t-shirt. Ankle length crushed velvet skirt in pink with purple velvet waistband. Both by Mr Freedom. Purple leather boots by Anello & Davide. Cardigan style dress in dark blue velvet splashed with yellow and red by Gordon King. Bright red crepe ankle length skirt by Ossie Clark for Quorum.
Pale pink acetate jersey ankle length skirt and v-shaped bra top with narrow straps crossing over at back by Wallis. Black crochet cap by Ritva at Feathers. Pale green crepe ankle length skirt with matching front lacing bra top by Tony Berkeley.
Long tapestry coat by Janice Wainwright at Simon Massey. Bright green narrow t-shirt by Mr Freedom. Pale pink damask narrow-fitting long coat by Janice Wainwright for Simon Massey. Silk scarves from Biba.
Ankle length zip fronted cafe crepe dress has softly gathered deep yoke by Tony Berkeley. Red, blue and yellow scarf by Sujon. Ankle length soft pink crepe dress by Tony Berkeley. Long printed Indian scarf from Feathers.
Bolero top and mid-calf skirt by Simon Jeffrey. Ankle length dress in pure Liberty wool and matching bolero by Gladrags. Red mid calf boots by Anello and Davide.
Long blue coat, £25 4s. by Ossie Clark at Quorum, S.W.3. Scarf by Liberty, £3 19s. 6d. White boots by Sacha, £7 7s. Flowery print dress, £10 10s,, by Kleptomania, S.W.3. Blue boots by Sacha, £7 7s. Corocraft beads, £1 12s. 6d.
How far are you dropping your hem this season? Variations on the theme fall from just below the knee to maxi. Coolest long-liners come soft on jersey, hot on tweed, close and clingy in crepe and warm in wool and fur…
Photographed by David Hurn.
Scanned by Miss Peelpants from Petticoat, October 1969.
Blue button-front long dress, £8 Ss. from main Wallis Shops. Beige long-sleeved shirt, £3 13s. 6d., turquoise coat, £13 13s., long black skirt, £5 Ss. all from Bus Stop, W.8. Worry beads, £15s. from The Greek Shop.
Maroon herring-bone coat, £18 10s., with matching trousers, £5 by Elgee from Miss Selfridge. Ravel red patent brogues, £6 6s, Lilac velveteen shirt by John Craig, £3 12s. from Stop the Shop, S.W.3. Brown and white tweed coat, £16 10s. C & A. Paisley scarf by Richard Allan, £3 3s. Grey herringbone coat, £13 2s. 6d., matching trousers, £414s. 6d., from Bus Stop, W.B. and the new shop in Birmingham. Boots by Sacha, £7 7s. Fringed scarf by Sujon, £3 13s. 6d.
Left: Green felt hat from Bombacha. Grey crepe top and matching skirt both by Strawberry Studio. Gloves by Tuttabankem. Silk scarf by Eddie Yap for Howie. Right: Navy blue hat by Charles Batten. Green crepe top and matching skirt by Strawberry Studio. Gloves by Tuttabankem. Scarf from Essences. Brooch from Bombacha.
Skirts are big news! They come in soft, pretty fabrics like crepe and flanesta. Looks are soft and sweet too. So go feminine. Wear skirts that are full, and keep warm with chunky sweaters and long, knitted scarves.
Photographed by Arthur Elgort.
Scanned by Miss Peelpants from 19 Magazine, October 1974.
Left: Rust felt hat by Marida. Rust crepe de chine suit by Marie France. Mixed tweedy cardigan by Outlander. Brown leather shoes by Bombacha. Scarf by Eddie Yap for Howie. Bag from Nostalgia. Right: Hat by Edward Mann. Cream blouse and grey crepe de chine suit all by Marie France. Huge grey cardigan by Crochetta. Grey lace up shoes from Sacha. Silky scarf by Eddie Yap for Howie. Brooch from Bombacha.
Left: Hat by Edward Mann. Blouse by Garilee. Wool cardigan by Johnson & Johnson. Skirt from C&A. Shoes from Sacha. Right: Hat from Bombacha. Green blouse by Garilee. Wool v-neck top by Outlander. Cardigan by Johnson & Johnson. Skirt from C&A. Shoes by Sacha. Beads from Bombacha. Brooch by Adrien Mann.
Left: Red and white striped wool tank top and matching cardigan by Outlander. Cream crepe skirt by Mushroom. Right: Flannel beret at Essences. Cream crepe blouse by Jon Elliot. Cream tank top and matching cardigan by C&A. Pale pink crepe skirt by Marie France.
Left: Blue felt hat by Charles Batten. White silk shirt by Carr Jones. Blue cord pinafore dress by Strawberry Studio. Leather shoes from Bombacha. Silk scarf from Essences. Right: Hat from Nostalgia. White Chinese shirt by Carr Jones. Blue tweed hacking jacket by Jenny Hare at Bombacha. Skirt by Inega. Shoes from Bombacha. Bag from Essences. Scarf by Eddie Yap for Howie.
Far Left. Printed Italian voile dress with smocked bodice and medieval sleeves, grey/blue, 8-14, Gina -Fratini, £49, from Harrods ; Chic, Hampstead, NW3 ; Sheila Worth, Kendal Street, W2. Centre. Wraparound kimono in Lurex printed with Zandra Rhodes design, pink/lilac/silver or green/ orange/gold, 10-16, Hildebrand, £23, from Harrods, Knightsbridge, SW1 ; Kendal Milne, Manchester : Strava-ganza, Harrogate. Right. Crepe de chine dress, se-quinned bodice, black only, 10 and 12, by Alice Pollock, £62.50, from Fifth Avenue, King’s Road, SW3 ; or enquiries to Quorum, 6 Burnsall Street, SW3. Suede wedge-soled sandals, 3-8, f5.99, from branches of Sacha.
Clothes currently in fashion are of such contradictory styles that they seem to demand of the wearer a talent for acting beyond the capacity of most women. It takes a skilled actress to switch easily from cool Japanese geisha girl to 1940s tart and remember which part she’s playing. Helen Mirren, associate member of the Royal Shakespeare Company, shows how it’s done, with a toss of her head, a quick change in facial expression, a swivel of hip and heel. The dresses she wears here all have sleeves that require dramatic gestures : medieval pointed sleeves, kimono sleeves, and sleeves slashed from the shoulder. You don’t have to be an actress to wear these dresses, but it does help.
Photographed by James Wedge.
Scanned by Miss Peelpants from The Observer Magazine, 11th July 1971.