Do or Dye

1970s, bus stop, Fifth Avenue, Herbert Johnson, Honey Magazine, Inspirational Images, kensington market, lee bender, Nike Williams, roger stowell, Sacha, Second Skin, Syndica, Vintage Editorials

Originality being one of the spices of life, isn’t it about time you did a bit of gentle artwork on some of your plainer clothes? We appliquéd satin designs on unadorned cotton T-shirts, but if you haven’t the patience to appliqué clouds with silver linings, how about tie dye instead?

Hoping this gives some inspiration to keep yourself occupied and looking groovy over the next weeks and months of isolation! In all seriousness, I hope all my dear readers are safe and well. Since my Vintage business is on ice for a little while, I have brought magazines home to scan and hope to keep you entertained and offer some escapism (plus there are years of archives to get through!). There will probably be extra stuff over on my Instagram as well so do go and follow me there.

(Instructions on how to copy these designs are at the bottom of the post.)

Set and designs by Nike Williams.

Photographs by Roger Stowell.

Drawings by H. Abbo.

Scanned from Honey, August 1970.

Rising sunset appliquéd onto a plain white jersey vest by Syndica. Shiny satin trousers by Second Skin. Red wet-look boots by Sacha.
Riot of hearts appliquéd on to a long plain black vest dress, Syndica. Beaded leather thonged armband from Bus Stop
White cotton jersey long vest dress by Syndica, tie-dyed yellow with large white circles. Patchwork belt by Fifth Avenue. Beaded thonged rope by Bus Stop. Silk scarf from Kensington Market.
Satin appliquéd steamboat on a plain scarlet cotton jersey tunic, Syndica. Patchwork leather belt from Fifth Avenue. Canvas sunhat by Herbert Johnson. Satin trousers by Second Skin.
Pink cotton jersey tunic, Syndica, tie-dyed plum with a pink border print. Stretchy webbing belt from Fenwicks. Green perspex sunshade from Lillywhites.
Pink button-up vest, Chester Martin, tie-dyed red with pink leaf pattern. Red cotton scarf from Littlewoods. White plastic sunshade from Lillywhites.

All Night Long

1970s, Bata, biba, bus stop, Esme Young, francois lamy, gillian richard, Honey Magazine, lee bender, Malcolm Scoular, Martha Hill, medusa, rowley and oram, Syndica, terry de havilland

It’s the girl who still looks slinky by the time it’s light again who gets taken home by the Prince. We’ve found eight party frocks which look amazingly ritzy into the dawn when other night-birds have wilted.

A rescan from 2010, partly because it deserved it anyway but also in tribute to the legendary and much-missed Terry de Havilland, whose tiered snakeskin wedges make an early appearance here (credited to Rowley and Oram, who stocked his shoes).

Photographed by Francois Lamy and Malcolm Scoular.

Scanned from Honey Magazine, December 1970.

Dress by Medusa. Choker by Esme Young. Two tone green snakeskin shoes from Rowley & Oram (Terry de Havilland)
Lurex laced up dress by Gillian Richard. Snakeskin party shoes from Rowley & Oram (Terry de Havilland)
Cocoa brown panne velvet dress by Syndica. Brown patent bar shoes by Bata.
Crepe dress by Bus Stop. Shoes by Bata. Black beaded belt found in Grandma’s old attic. Dressing gown cord tied as a choker by Biba. Artificial violets from Biba. Black bag by Martha Hill.
Slippery satin jet black dress with black and tan spotted voile jacket by Martha Hill. Two-coloured snakeskin shoes from Rowley & Oram (Terry de Havilland).