Last Tango in Tijuana

1970s, antony price, che guevara, Dinah Adams, Dolcis, gillian richard, granny takes a trip, Herbert Johnson, Honey Magazine, Ian Batten, Inspirational Images, jean junction, Martha Hill, miss mouse, polly peck, rae spencer cullen, Roy A. Giles, Russell & Bromley, Samm, Spectrum, stirling cooper, Vintage Editorials, wallis

If you can’t tango, simply steal into the spotlight in these flamboyant rumba dresses. The slipped shoulder strap, the bared midriff and the full-blown flouncy skirts all spell out the sexiest numbers for summer.

The main difference between the content of a magazine like Honey, as opposed to Vogue or Queen, is that the designers tend to be the more intriguing and less well-known of the period. If you want names like Miss Mouse, Granny Takes a Trip or Antony Price, these magazines should always be your first port of call. This shoot alone features one of my Holy Grail pieces by Granny Takes a Trip: the ruffled tie front top and skirt ensemble designed by Dinah Adams. Previously a designer for two other cult London boutiques, Mr Freedom and Paradise Garage, painfully little is known about Dinah Adams (misattributed as ‘Diana’ in the original credits). Which is why it’s always lovely to see her work represented anywhere.

Also shown here is a frothy, frilly delight of a frock by Miss Mouse, a.k.a Rae Spencer-Cullen. A personal favourite of mine, the Miss Mouse aesthetic is precisely why this early Seventies period is my favourite for fashion. Her work was heavily Fifties-inspired, quite ahead of the curve in the scheme of things, but always with a novel twist. Spencer-Cullen is yet another designer whose life remains something of a mystery, despite being a part of a hugely influential circle which included artists Duggie Fields and Andrew Logan. It seems that this anonymity was (at least initially) intentional, as an article from the Glasgow Herald in 1976 declared.

“At first, six years ago, when presenting her quirky designs on fashion, she seemed shy and utterly retiring. Miss Mouse could not be contacted easily by the press. She was elusive, hazed in shadows, a real mouse about publicity in fact. The only evidence of her entire existence was her clothes.”

In a world where we are so used to having information at our fingertips, there is something quite enchanting about this; tiny scraps must be stitched together to create a flimsy silhouette of a creative genius.

Photographed by Roy A Giles.

Scanned from Honey, July 1973.

(Please note – this blog originally appeared in 2016 on Shrimpton Couture’s ‘Curated’ blog project which has since been removed. It seemed a shame to let the posts disappear completely so I hope to eventually repost all my work here.)

Rose-strewn wrapover cotton bolero and long frilled skirt from Spectrum. Raffia and cotton tie belt by Herbert Johnson. Right: Tightly ruched off-the-shoulder top and long skirt with deeply riched waistband from Wallis.
Ritzy ruffled satin bolero top with frilled skirt by Dinah Adams for Granny Takes a Trip. Wavy leather sandals by Samm. Right: Slinky spotted Tricel dress by Ian Batten at Stirling Cooper. Crackly taffeta long flounced skirt by Antony Price for Che Guevara. Wooden and patent sandals by Russell & Bromley.
Flouncy black and white gingham off-the-shoulder dress printed with orange and lemon flowers by Gillian Richard. Canary yellow sandals by Samm. Embroidered cummerbund by Herbert Johnson.
Swirling striped cotton skirt by Jean Junction. Off-the-shoulder pleated blouse by Martha Hill. Polished leather boots from Dolcis.
Black cotton ruched and flared rumba dress printed with multi-coloured flowers and birds by Miss Mouse. Apple green shoes by Russell & Bromley.

Left: Crisp cotton gingham blouse and flounced skirt both by Martha Hill. Oval bead choker and bangles by Paul Stephens. Right: Ruffled cotton check blouse and tiered skirt by Polly Peck. Cummerbund by Herbert Johnson. Shoes by Russell & Bromley.

Soft Summer Shape-Ups

Bata, Britannia Land of Plenty, forbidden fruit, jane giunchi, Martha Hill, Nik Nik, petticoat magazine, Plain Clothes, ravel, Roger Charity, stirling cooper, Sue Hone, van der fransen, Vintage Editorials
Nik Nik floral print dress. Stirling Cooper satin pants. Ravel mules. / Striped skirt at Martha Hill. Blouse with embroidered flowers at Forbidden Fruit branches. Bata mules. Jane Giunchi brooch.

You can take the summer’s pastels just the way you want. When you’re not wearing neat and co-ordinated nursery prints, try pink and blue in peasant style. You’ll find a pettiness you thought had vanished.

Fashion by Sue Hone.

Photographed by Roger Charity.

Scanned from Petticoat, 10th June 1972.

Floral print skirt at Britannia Land of Plenty. Plain Clothes short sleeved vest at Sidney Smith. Brooch and print scarf both at Van der Fransen.

All Night Long

1970s, Bata, biba, bus stop, Esme Young, francois lamy, gillian richard, Honey Magazine, lee bender, Malcolm Scoular, Martha Hill, medusa, rowley and oram, Syndica, terry de havilland

It’s the girl who still looks slinky by the time it’s light again who gets taken home by the Prince. We’ve found eight party frocks which look amazingly ritzy into the dawn when other night-birds have wilted.

A rescan from 2010, partly because it deserved it anyway but also in tribute to the legendary and much-missed Terry de Havilland, whose tiered snakeskin wedges make an early appearance here (credited to Rowley and Oram, who stocked his shoes).

Photographed by Francois Lamy and Malcolm Scoular.

Scanned from Honey Magazine, December 1970.

Dress by Medusa. Choker by Esme Young. Two tone green snakeskin shoes from Rowley & Oram (Terry de Havilland)
Lurex laced up dress by Gillian Richard. Snakeskin party shoes from Rowley & Oram (Terry de Havilland)
Cocoa brown panne velvet dress by Syndica. Brown patent bar shoes by Bata.
Crepe dress by Bus Stop. Shoes by Bata. Black beaded belt found in Grandma’s old attic. Dressing gown cord tied as a choker by Biba. Artificial violets from Biba. Black bag by Martha Hill.
Slippery satin jet black dress with black and tan spotted voile jacket by Martha Hill. Two-coloured snakeskin shoes from Rowley & Oram (Terry de Havilland).

Inspirational Editorials: Short and Shaggy

1970s, Adrian Mann, Brian Downes, british boutique movement, bus stop, che guevara, corocraft, gordon king, Honey Magazine, Inspirational Images, John Craig, Martha Hill, Maudie Moon, Ronnie Stirling, sheridan barnett, simon massey, stirling cooper, Sujon, Vintage Editorials, wallis

Chunky fake fox Borg jacket with orange satin lining and shiny satin trousers both from Wallis Shops. Feather embossed crepe de chine shirt by Ronnie Stirling at Stirling Cooper. Dog brooch by Corocraft. Rings by Adrien Mann. Flocked peaches and cherries both by Adrien Mann.

Chunky fake fox Borg jacket with orange satin lining and shiny satin trousers both from Wallis Shops. Feather embossed crepe de chine shirt by Ronnie Stirling at Stirling Cooper. Dog brooch by Corocraft. Rings by Adrien Mann. Flocked peaches and cherries both by Adrien Mann.

Add a bit of extravagance to your life with freaky shaggy jackets in flamboyant fur fabrics — everything from bold plaids and curly poodle wools to mock animal prints. Dress up everyday skirts and trousers with short boxy boleros and bottom-skimming jackets with wide 40s shoulders. Best of all, go vampy with shiny satin trousers or shorts and add a final sparkling touch of diamante.

Photographed by Brian Downes.

Scanned by Miss Peelpants from Honey, November 1971

Long haired brown Acrylic jacket with plain straight from by Gordon King. Scarlet satin trousers from Wallis Shops. Black and white orchid print blouse by John Craig. Diamante comb by Adrien Mann. Musical note brooch and doggy brooch by Corocraft. Other jewellery by Bus Stop.

Long haired brown Acrylic jacket with plain straight from by Gordon King. Scarlet satin trousers from Wallis Shops. Black and white orchid print blouse by John Craig. Diamante comb by Adrien Mann. Musical note brooch and doggy brooch by Corocraft. Other jewellery by Bus Stop.

Scarlet and navy Courtelle plaid bolero jacket and black satin shorts both from Martha Hill. Cherry red and multi coloured cotton voile shirt by Jasper from Stop the Shop. Sheer tights by Sunarama. All jewellery by Bus Stop.

Scarlet and navy Courtelle plaid bolero jacket and black satin shorts both from Martha Hill. Cherry red and multi coloured cotton voile shirt by Jasper from Stop the Shop. Sheer tights by Sunarama. All jewellery by Bus Stop.

Furry tiger printed Courtelle bolero jacket and pale lemon, coffee and white coin spotted cotton satin Oxford bags, both from Martha Hill. Rust and black confetti spotted blouse by John Craig. Cherries and bangles by Adrien Mann.

Furry tiger printed Courtelle bolero jacket and pale lemon, coffee and white coin spotted cotton satin Oxford bags, both from Martha Hill. Rust and black confetti spotted blouse by John Craig. Cherries and bangles by Adrien Mann.

Boxy Borg jacket with scarlet satin lining and satin trousers both by Sujon. Bubble printed silk shirt by Jasper. Cherries and other jewellery by Adrien Mann.

Boxy Borg jacket with scarlet satin lining and satin trousers both by Sujon. Bubble printed silk shirt by Jasper. Cherries and other jewellery by Adrien Mann.

Shaggy Courtelle jacket by Maudie Moon from Che Guevara. Slinky satin trousers from Wallis Shops. Crepe de chine blouse by John Craig. Star brooches by Adrien Mann. Diamante musical note brooch by Corocraft.

Shaggy Courtelle jacket by Maudie Moon from Che Guevara. Slinky satin trousers from Wallis Shops. Crepe de chine blouse by John Craig. Star brooches by Adrien Mann. Diamante musical note brooch by Corocraft.

Square shouldered shaggy jacket by Sheridan Barnett for Simon Massey. Slippery sati shorts from Martha Hill. Floppy crepe de chine by John Craig. Butterfly brooch by Adrien Mann. Other jewellery by Bus Stop.

Square shouldered shaggy jacket by Sheridan Barnett for Simon Massey. Slippery sati shorts from Martha Hill. Floppy crepe de chine by John Craig. Butterfly brooch by Adrien Mann. Other jewellery by Bus Stop.

Dateline Persia: Putting the peasants in their place

1970s, Alan Rodin, anello and davide, Angela at London Town, aristos, Baltrik, british boutique movement, clobber, Dolcis, gordon king, Herbert Johnson, Honey Magazine, Inspirational Images, Martha Hill, Miss Impact, Ricki Reed, Sacha, Shelana, Simon Ellis, Sportaville, Vintage Editorials

Dirndl skirt and bolero by Sportaville. Boots by Anello & Davide.

Currently inspiring me (as someone who doesn’t enjoy stripping off in the much-awaited heat…) is this photoshoot from Honey, April 1970. Pretty much perfection, as far as I am concerned. Astonishingly, there is no credited photographer for any of the photoshoots in this magazine, so I’m afraid they will have to remain anonymous…

Dress by Martha Hill.

Dress by Miss Impact.

Shirt by Aristos. Trousers by Gordon King. Skirt by Alan Rodin. Boots by Sacha. Hat by Herbert Johnson.

Harem pants and bare-midriff top by Angela at London Town.

Peasant shirt by Baltrik. Trousers by Clobber. Skirt by Alan Rodin. Boots from Anello & Davide.

Dress by Ricki Reed

Dress by Simon Ellis

Dress by Shelana. Boots by Dolcis. Hat by Herbert Johnson.