LEFT: Flower-appliqued denim sundress with back ties £19.90, from Fiorucci, Brompton Rd, SW1. RIGHT: Lace, beaded denim skirt £15.95, and lace-up appliqued waistcoat £7.95, both by Jump Jeans, from Wallis, Oxford St, W1 and branches; Miss Selfridge, Duke St, W1 and branches; all branches of Top Shop Debenham’s, Oxford St, W1 and branches; Jane Norman, Oxford St, W1.
Summers may come and summers may go but denim never fails us.
Modelled by Joanna Jacobs and unknown model.
Photographed in Florida by Roelof Wennink.
Scanned from Honey, April 1976.
White cotton broderie anglaise lace-up camisole top with ribbon trim, Charles Grahame £6, from Bombacha, 104 Fulham Rd, SW3.
Denim shorts £8.90, from Elle, New Bond St, W1 and branches. Cotton jersey T-shirt £2, from Martha Hill, Marylebone High St, W1. Denim waistcoat with popper fastening and ‘V’ stitched front, Eagle £6.95, from Dickins & Jones, Regent St, Wl. Red velvet pouch bag, Macondo.
Button-through denim boiler suit, £18.99, from Jean Junction, King’s Rd, SW3 and branches. Red shoulder purse, Macondo ; scarf from a selection at Fenwick.
Skimpy striped cotton tube sun top with thin halter-neck straps, Jap £5.95, from Jap & Joseph, 20 Brompton Rd, SW1. Denim stitched Bermuda shorts, Eagle £6.95, from Miss Selfridge, Duke St, W1; Dickins & Jones, Regent St, W1.
LEFT: Navy and white striped cotton back buttoned sundress with kick pleated front, Inega £10.95, from Jigsaw, Heath St, NW3 and Putney; DJ Girl, Dickins & Jones, Regent St, W1; Superstar, Leeds. Sunhat, Charles Batten £7; pale blue sandals, Russell & Bromley £18-99. RIGHT: Denim jeans with detachable cream braces £12.99, from Jean Junction, King’s Rd, SW3 and branches. Tropical printed cotton shirt, £6.50, from Tropical Belt, Beauchamp Pl, SW1. Boots, model’s own.
Oatmeal sweater with maroon and green trim, Ivory £13, from Harvey Nichols, Knightsbridge, SWI ; Miss Selfridge, Duke St, W1; Virgin Rags, Hull and branches. Denim painter’s jeans, Marshall Lester £10, from Harrods, Knightsbridge, SW1 ; Jane & I, Blackheath, SE3 ; Sidney Smith, King’s Rd, SW3. Sunhat, Charles Batten £7.
Hooded zip-up denim anorak £10.50, from Jean Junction, Kensington High St, W8, King’s Rd, SW3 and branches. Denim shorts, Marshall Lester £7, from Harrods, Knightsbridge, SW] ; Jane & Blackheath, SE3 ; Boa, Sheerness. Lime green and white striped cotton T-shirt, Stirling Cooper £2.95, from Ronnie Stirling, Bond St, W1; Top Shop, Oxford Circus, W1; Owen Owen, Coventry and branches.
LEFT: Zig-zag knitted acrylic skirt and jacket. £7.50 each from Martha Hill, 39 Marylebone High Street, WI (mail order 30p). Scarf from The Orange Box. RIGHT: Loose crêpe-de-chine overblouse and matching skirt. Wendy Dagworthy £39. from Crocodile. 98 Bond Street. WI (mail order 30p and all branches: lsmat, 313 Brompton Road, SW3. Belt, Bombacha £2.30: silky scarf. Nostalgia £2.25.
Photographed in Ricci Burns’s drawing room. Hair by Mr Ricci of Ricci Burns.
Photographed by Mike Berkofsky.
Scanned from Honey, January 1975.
LEFT: Chocolate brown fitted wool jacket with top-stitched yoke and pockets and side-buttoning skirt £27.95. both from Gingernut. 40 James Street. W1. Floppy crepe-de-chine tie-neck blouse £5.50. David Fielden, at Antiquarius: thin leather belt with cream carved buckle, from Baggage & General. RIGHT: Tailored jacket with nipped-in buttoned waist and wide lapels and flared panelled skirt £27.95, both from Gingernut, 40 James Street, W1. 50s silky printed `scarf’ blouse. Nostalgia £3: brown chiffon scarf, from a selection at Fenwick.
Russet hopsack double-breasted jacket £22.95, and mid-calf skirt with front pleat £12.95, both by Stirling Cooper, from Ronnie Stirling, 94 New Bond Street, W1 ; Top Shop, Oxford Circus and branches; Owen Owen, Coventry, Liverpool and Wolverhampton. Maroon and white scarf, Nostalgia £2.00; shoes, Chelsea Cobbler £17.99.
LEFT TO RIGHT: Yellow jacket, Stirling Cooper £13.95. Shetland polo neck, Twomax, £3.70. Scarlet wool jacket, Alexon Youngset, £17. Polo neck £3.50, from Joseph, 33b King’s Road, SW3. Fluorescent pink jacket, Stephen Marks £26 (sold as a trouser suit). Shetland polo neck, Twomax £3.50. Acid green wool flannel jacket, Mary Quant £17.90. Cable-stitched sweater, McCauls £2.40. Sunglasses by Correna. All trousers by Sujon, £9.50. Hats by Edward Mann; gloves by Dents.
Jackets are the brightest you’ve ever seen, with enormous checks and swirling swingy backs. They go with vivid sweaters and the widest possible Oxford bags, worn shorter than usual to reveal gleaming white lace-ups and tappy 46 two-tone shoes. What a way to get yourself noticed!
Second model from the left in the top image looks to be Ika Hindley.
Photographed by Peter Castellano.
Scanned from Honey, October 1972.
LEFT TO RIGHT: Bold checked wrapover jacket, Stirling Cooper, £20.95. Sunglasses from a selection by Correna; scarlet knitted gloves, Morley 80p. Lime green. royal blue and white big checked jacket, Stirling Cooper £20.95. Olive green gloves, Dents 70p; sunglasses by Correna. Sugar-pie pink, blue and white bobbly jacket, Gordon King £10. Royal blue woolly gloves, Dents 55p; Lolita glasses from Paris. Wrapover pure wool chequered jacket, Stirling Cooper £19.95. Sunglasses by Correna; gloves, Dents 80p. All skirts £3.50 from Martha Hill, 39 Marylebone High Street, Wl, mail order 25p extra. Hats £2.40 by Edward Mann; sweaters £3 by John Craig; tights 39p, Mary Quant; shoes Annello & Davide.
LEFT TO RIGHT: Brilliant green, orange, yellow and cherry-red swing jacket, Stirling Cooper £19.95. Polo neck, McCauls £2.40. King-fisher blue, white and royal blue jacket Jeff Banks £12. Button-up jacket in orange, mulberry and yellow wool. Reldan £17.75. Yellow-yoked jacket in cherry red, yellow and royal blue, Get, £20. All gloves from Dents; sunglasses by Correna; hats £2.40 by Edward Mann.
LEFT TO RIGHT: Sunshine yellow waisted flannel jacket with batwing sleeves, Stephen Marks £20. Red and white pinstripe trousers, made in woollen mixture, Mistermonte at Dolly Day £5.25. Brilliant red, yellow and pink checked woollen jacket, Dranella £13. Plain red gabardine Oxford bags, Sujon £9.50. Pillar-box red wool velour jacket with tie belt, Peter Martin £9 from all brancles of Richard Shops. Navy and while pinstriped trousers, Mistermonte at Dolly Day £5.25. Fluorescent pink, yellow and purple plaid acrylic jacket, Elgee £30. Scarlet gabardine Oxford bags, Sujon £9.50. Red woolly gloves, Morley, 80p. All hats Edward Mann, £2.40; gloves (except Morley) Dents 70p; glasses Escalade £2.95; umbrellas with imitation ivory handles Miss Selfridge £2.45.
Flamboyant concertina-pleated Courtelle wrapover blouse with elasticated frilled waist £4, and skin-tight Lurex toreador pants £5 50, both by Martha Hill, 39 Marylebone High Street, W1, mail order 25p extra. Waist-cinching leather belt £4.70 and diamante bracelet £2 both from Biba , sheer seamed tights, Mary Quant 75p, diamante-studded snakeskin shoes, Leicester Shoes £13.99; egg-shaped choker, Baggage & General £1 50; plastic bobble earrings, 43p, carved plastic bangle 40p, both by Adrien Mann chiffon scarf 15p from Woolworths
Lurid Lurex, sexy satin and slinky leopard skin make the wildest look of all. Not to be confined to parties, dance halls or even billiard rooms—this is what you wear anywhere and everywhere.
Just one of the most deliciously styled and shot editorials. As so often happens with Terry de Havilland, his shoes are credited to Leicester Shoes in this editorial but they’re definitely his as they also feature in Vogue in 1972.
Photographed by Gilles Ben Simon.
Scanned from Honey, October 1972.
Jet black embossed satin wrapover blouse, John Craig, £4.50 from Miss Selfridge, Duke Street, W1. Luminous pink satin trousers, Mistermonte at Dolly Day, £4.25 from all branches of Werff ; Satisfaction, Ilford and Harrow; Habit, York. Cube-shaped choker, £1.50, carved plastic bangle, 40p, both by Adrien Mann; diamante studded earrings, Paul Stephens, £2.85; chiffon scarf, Woolworths, 15p.
Glittering ruched Lurex top with fluted sleeves, Ian Batten at Stirling Cooper, £5.95 from Peter Robinson, Oxford Circus, Slippery silver satin jeans, Seasons, £7 50 from Peter Robinson, Oxford Circus, W1 ; Pinnochio, Fulham Road, SW10 ; Brighton; Garbo, Edinburgh. Wide leather belt £4.75, oval plastic bracelet 50p, both from Biba; long pearl rope 85p, kaleidoscopic jewelled “shubsilk” bag, £1250, both by Paul Stephens; Lurex ankle socks, Mr Freedom 65p; metallic snakeskin shoes, Leicester Shoes, £12-99; flocked chiffon scarf, Woolworths, 25p; bobble earrings, Adrien Mann, 43p.
Startling yellow and black leopardskin printed dress with ruched bodice, Martha Hill, £4.50 from Martha Hill, 39 Marylebone High Street, W1, mail order 15p extra. Pearlised purple leather belt £4.70, plum plastic beads, £1.25, both by Biba; dangly jet earrings, Paul Stephens, £2.85.
Sparkling knitted Lurex halter-neck sweater, John Craig, £3 50 from Snob, 18 Golders Green Road, NW11, mail order 25p extra; also available from other branches of Snob. Pencil slim Lurex skirt, Brave New World, £5 50 from Che Guevara, Kensington High Street, W8. Fluorescent leather belt £4 75, pink plastic bracelet 50p, both from Biba; pearl rope wound round wrist 85p, diamante studded earrings 85p, both by Paul Stephens.
Black slash-neck Banton dress with tiered flounced skirt, Anne Tyrell for John Marks, £11-50 from Miss Selfridge, Duke Street, W1 ; Hobby, Cardiff ; Topaz, Oxon; Chez Monique, Brighton. Fishnet tights, Wolford 50p; jet drop earrings £2.85, large pearl bobble necklace 75p, both by Paul Stephens; diamante zig-zag bracelet, Biba £2; flocked pink chiffon scarf, Woolworths 21 p.
Slinky Tricel jersey vest with swirling handkerchief pointed hem, Martha Hill, £7.50 from Martha Hill, 39 Marylebone High Street, W1, mail order 1 5p extra. Dusty pink rose from a selection at Miss Selfridge; oval elasticated bracelet, Biba 50p; scarlet chiffon scarf, Woolworths 15p; sheer tights, Mary Quant 75p; patent wedge-heeled shoes, Derber £6.99.
Skimpy cold and black Lurex vest £3 50, silver and black zig-zag printed jacket £5.50, both from Martha Hill, 39 Marylebone High Street, W1, mail order 1 5p extra. Black satin trousers, Richard Green, £5.60 from main branches of Irvine Sellars; Peter Robinson, Croydon, Norwich and Cardiff ; Gillian Richard Shop, Kendal Milne, Manchester. Scarlet leather belt, £4.75, black plastic bangles, 45p each, both by Biba ; white poppet beads, Woolworths 25P; black drop earrings, Paul Stephens £2.85.
Bold zi g zag pure wool swagger coat with sailor collar by Sheraton. Polo neck sweater by John Craig. Navy tights by Mary Quant. Peep toe ankle strap shoes by Biba. / Swirly blanket check coat with pleated back by Bus Stop. Suede sunray shoes by Dolcis. Both pairs of gloves by Kir.
The incredible swagger is back. We all know you’ve seen it before, hidden away in mother’s wardrobe, but forget the mothball version and look out for bold stripes, zig-zags and checks in bright primary colours. The difference is that these coats have neat tight-fitting shoulders and wide swirling skirts which swing when you walk-surprisingly flattering and easy to wear. So let the wind blow, all you need is a flash of panache and a splash of colour.
Photographed by Denis Peel.
Scanned from Honey, October 1971.
Window pane check swagger coat by Martha Hill. Lemon tights by Twiggy. Suede ‘Garbo’ shoes by Ravel. / Ritzy scarlet shaggy coat with wide swinging back by Martha Hill. Glace kid leather shoes by Zapata.
Bottle green and yellow McNeal tartan swagger coat by Richard Shops. Black leather shoes by Russell and Bromley. Navy leather shoulder bag by Biba. / Sage green wool tweed swagger coat by Elgee. Rust and burgundy suede shoes by Lilley and Skinner. Bottle green suede bag by Biba.
Tissavel-lined Galaxy coat by Beged’Or approx. £50; cotton blouse by Mexicana, £13; fur fabric jeans by Newmans, 12 gns; hairy slipper boots at Russell & Bromley, £6 19s; velour hat by Bermona, £3 11s; hatband made from an Estonian tie at the Russian Shop, 7s 6d; fur bag at The Souk, £3 5s; wool gloves at Dickins & Jones, 10s:
Leather and fur get more expensive every year. It’s not only the taxes and rising costs of production. It’s just that there aren’t enough good animal skins for leather around to meet the consumer demand. Furs are there in quantity for the fabulously rich. Luckily a good substitute has been found – the nylon-spun, man-made sort. Some, especially in the leather field, are so like the real thing the only way you can tell the difference is by the smell. Take the white coat on pages 46 and 47. It’s fake and costs about £50. It has a double in real fur and leather for £270. Made by the same people who have duplicated most of their collection this way and it takes an eagle eye and nose to tell the difference. Others are just furry, woolly fabrics, obviously not imitating some four-legged friend, which is one of the nicest things about them. This fur fabric is now getting the treatment it deserves. Nairn Williamson (more famous for their Vinyl floor and wall coverings) were the first to see its potential and got six designers to use their Velmar fur fabric in their winter collections. Jane Whiteside for Stirling Cooper (new label getting famous fast for their beautiful jersey co-ordinates) was the cleverest of them all. She used the best sludgy colours, mixed it with needlecord to make a group of jackets and coats to go with trousers, skirts and blouses. Borg (American originated and the pioneers in England of this deep pile fabric) has been around for a long time, mostly on the inside of duffle and raincoats but it’s on the outside as a normal fabric that it looks its best. Next winter there will be a lot more of it around, now that designers are getting less snobby about plastics. Not only is it as warm as fur, it is, of course, much cheaper and you don’t smell like a wet dog when you come in from the rain, either. So you can wear it herding sheep on lost weekends, or in town queuing for the cinema without any guilt feelings about ruining your assets.
Insert obligatory ‘I don’t agree with the thrust of the argument for fake furs as just a financial consideration here’ caveat from me, your content provider. Don’t shout at me, basically. But it’s an interesting insight into the mindset of 1970, and the proliferation of fake furs and skins at that time. It’s also a breathtakingly styled and photographed work of art from Caroline Baker and Jonvelle.
Fashion by Caroline Baker.
Photographed by Jonvelle.
Scanned from Nova, January 1970.
Mediaeval velvet applique dress by Laura Jamieson at The Sweetshop, 20 gns; Tissavel and Galaxy waistcoat by Beged’Or, £22.
Velmar jacket and needlecord trousers by Stirling Cooper, £8 10s., £5 1Gs; leggings by Chelsea Cobbler, to order, 10 gns; cotton shirt from selection at Dada, Kensington Antique Market from 2 gns.
Acrilan jacket by Lizzie Carr approx. 24 gns; suede trousers by Morel, 17 gns, tied with leather strips from John Lewis Haberdashery Dept, 1s 10d per yard; wellingtons at Russell and Bromley, £3 19s; woven sash wrapped around neck at Herbert Johnson, 25s; velour hat by Bermona, £3 11s; wool gloves at Selfridges, &s 11d
Velmar and Courtelle trousers by Martha Hill, approx. 8 gns; poncho at Peter Robinson, £7; wool shirt by Stirling Cooper, £4 5s; studded wristlet by Knees at Kensington Antique Market, 1 gn; suede moccasin boots by Anello & Davide, £8 15s; velour hat by Bermona, £3 11s; sheepskin rug from The Souk from £3 19s 6d to £6; flask from Kensington Antique Market.
Velmar fur fabric floor length coat trimmed with canvas by Mog, £20, over long cotton nightgown by Laura Ashley, £5; knitted wool socks at Feathers, £1 1s 6d
Velmar coat with needlecord and zipper trims (top left) by Stirling Cooper, 18 gns; pale suede and leather lace-up boots by Kurt Geiger, 35 gns; wool gloves at Selfridges, 8s 11d; leather belt by The Wild Mustang Manufacturing Co., approx. £3 12s 6d; fur shepherdess hat, bag and drinking flask from a selection at Kensington Antique Market
Velmar jacket and needlecord trousers (top right) by Stirling Cooper, £12 19s 6d, £5 10s; big polo-neck ribbed Shetland wool sweater at Aquascutum, £6 15s; corrugated leather lace-up boots at Russell and Bromley, £29 19s; knitted Aran mitts at Selfridges, 16s 11d; velour hat by Bermona, £3 11s, furry bag from a selection at Kensington Antique Market.
If you can’t tango, simply steal into the spotlight in these flamboyant rumba dresses. The slipped shoulder strap, the bared midriff and the full-blown flouncy skirts all spell out the sexiest numbers for summer.
The main difference between the content of a magazine like Honey, as opposed to Vogue or Queen, is that the designers tend to be the more intriguing and less well-known of the period. If you want names like Miss Mouse, Granny Takes a Trip or Antony Price, these magazines should always be your first port of call. This shoot alone features one of my Holy Grail pieces by Granny Takes a Trip: the ruffled tie front top and skirt ensemble designed by Dinah Adams. Previously a designer for two other cult London boutiques, Mr Freedom and Paradise Garage, painfully little is known about Dinah Adams (misattributed as ‘Diana’ in the original credits). Which is why it’s always lovely to see her work represented anywhere.
Also shown here is a frothy, frilly delight of a frock by Miss Mouse, a.k.a Rae Spencer-Cullen. A personal favourite of mine, the Miss Mouse aesthetic is precisely why this early Seventies period is my favourite for fashion. Her work was heavily Fifties-inspired, quite ahead of the curve in the scheme of things, but always with a novel twist. Spencer-Cullen is yet another designer whose life remains something of a mystery, despite being a part of a hugely influential circle which included artists Duggie Fields and Andrew Logan. It seems that this anonymity was (at least initially) intentional, as an article from the Glasgow Herald in 1976 declared.
“At first, six years ago, when presenting her quirky designs on fashion, she seemed shy and utterly retiring. Miss Mouse could not be contacted easily by the press. She was elusive, hazed in shadows, a real mouse about publicity in fact. The only evidence of her entire existence was her clothes.”
In a world where we are so used to having information at our fingertips, there is something quite enchanting about this; tiny scraps must be stitched together to create a flimsy silhouette of a creative genius.
Photographed by Roy A Giles.
Scanned from Honey, July 1973.
(Please note – this blog originally appeared in 2016 on Shrimpton Couture’s ‘Curated’ blog project which has since been removed. It seemed a shame to let the posts disappear completely so I hope to eventually repost all my work here.)
Rose-strewn wrapover cotton bolero and long frilled skirt from Spectrum. Raffia and cotton tie belt by Herbert Johnson. Right: Tightly ruched off-the-shoulder top and long skirt with deeply riched waistband from Wallis.
Ritzy ruffled satin bolero top with frilled skirt by Dinah Adams for Granny Takes a Trip. Wavy leather sandals by Samm. Right: Slinky spotted Tricel dress by Ian Batten at Stirling Cooper. Crackly taffeta long flounced skirt by Antony Price for Che Guevara. Wooden and patent sandals by Russell & Bromley.
Flouncy black and white gingham off-the-shoulder dress printed with orange and lemon flowers by Gillian Richard. Canary yellow sandals by Samm. Embroidered cummerbund by Herbert Johnson.
Swirling striped cotton skirt by Jean Junction. Off-the-shoulder pleated blouse by Martha Hill. Polished leather boots from Dolcis.
Black cotton ruched and flared rumba dress printed with multi-coloured flowers and birds by Miss Mouse. Apple green shoes by Russell & Bromley.
Left: Crisp cotton gingham blouse and flounced skirt both by Martha Hill. Oval bead choker and bangles by Paul Stephens. Right: Ruffled cotton check blouse and tiered skirt by Polly Peck. Cummerbund by Herbert Johnson. Shoes by Russell & Bromley.
Nik Nik floral print dress. Stirling Cooper satin pants. Ravel mules. / Striped skirt at Martha Hill. Blouse with embroidered flowers at Forbidden Fruit branches. Bata mules. Jane Giunchi brooch.
You can take the summer’s pastels just the way you want. When you’re not wearing neat and co-ordinated nursery prints, try pink and blue in peasant style. You’ll find a pettiness you thought had vanished.
Fashion by Sue Hone.
Photographed by Roger Charity.
Scanned from Petticoat, 10th June 1972.
Floral print skirt at Britannia Land of Plenty. Plain Clothes short sleeved vest at Sidney Smith. Brooch and print scarf both at Van der Fransen.
It’s the girl who still looks slinky by the time it’s light again who gets taken home by the Prince. We’ve found eight party frocks which look amazingly ritzy into the dawn when other night-birds have wilted.
A rescan from 2010, partly because it deserved it anyway but also in tribute to the legendary and much-missed Terry de Havilland, whose tiered snakeskin wedges make an early appearance here (credited to Rowley and Oram, who stocked his shoes).
Photographed by Francois Lamy and Malcolm Scoular.
Scanned from Honey Magazine, December 1970.
Dress by Medusa. Choker by Esme Young. Two tone green snakeskin shoes from Rowley & Oram (Terry de Havilland)
Lurex laced up dress by Gillian Richard. Snakeskin party shoes from Rowley & Oram (Terry de Havilland)
Cocoa brown panne velvet dress by Syndica. Brown patent bar shoes by Bata.
Crepe dress by Bus Stop. Shoes by Bata. Black beaded belt found in Grandma’s old attic. Dressing gown cord tied as a choker by Biba. Artificial violets from Biba. Black bag by Martha Hill.
Slippery satin jet black dress with black and tan spotted voile jacket by Martha Hill. Two-coloured snakeskin shoes from Rowley & Oram (Terry de Havilland).
Chunky fake fox Borg jacket with orange satin lining and shiny satin trousers both from Wallis Shops. Feather embossed crepe de chine shirt by Ronnie Stirling at Stirling Cooper. Dog brooch by Corocraft. Rings by Adrien Mann. Flocked peaches and cherries both by Adrien Mann.
Add a bit of extravagance to your life with freaky shaggy jackets in flamboyant fur fabrics — everything from bold plaids and curly poodle wools to mock animal prints. Dress up everyday skirts and trousers with short boxy boleros and bottom-skimming jackets with wide 40s shoulders. Best of all, go vampy with shiny satin trousers or shorts and add a final sparkling touch of diamante.
Photographed by Brian Downes.
Scanned by Miss Peelpants from Honey, November 1971
Long haired brown Acrylic jacket with plain straight from by Gordon King. Scarlet satin trousers from Wallis Shops. Black and white orchid print blouse by John Craig. Diamante comb by Adrien Mann. Musical note brooch and doggy brooch by Corocraft. Other jewellery by Bus Stop.
Scarlet and navy Courtelle plaid bolero jacket and black satin shorts both from Martha Hill. Cherry red and multi coloured cotton voile shirt by Jasper from Stop the Shop. Sheer tights by Sunarama. All jewellery by Bus Stop.
Furry tiger printed Courtelle bolero jacket and pale lemon, coffee and white coin spotted cotton satin Oxford bags, both from Martha Hill. Rust and black confetti spotted blouse by John Craig. Cherries and bangles by Adrien Mann.
Boxy Borg jacket with scarlet satin lining and satin trousers both by Sujon. Bubble printed silk shirt by Jasper. Cherries and other jewellery by Adrien Mann.
Shaggy Courtelle jacket by Maudie Moon from Che Guevara. Slinky satin trousers from Wallis Shops. Crepe de chine blouse by John Craig. Star brooches by Adrien Mann. Diamante musical note brooch by Corocraft.
Square shouldered shaggy jacket by Sheridan Barnett for Simon Massey. Slippery sati shorts from Martha Hill. Floppy crepe de chine by John Craig. Butterfly brooch by Adrien Mann. Other jewellery by Bus Stop.
Liz Eggleston 