. . . or how to wear furs this winter without hurting your pet’s feelings.
There is nothing, absolute nothing quite like wrapping yourself in fur. As a sensuous experience, it is in the same class as a new love, old champagne or fresh truffles. But even the most hedonistic of women are relieved that the threatened species are no longer imported. Snow leopards, tigers and other cats can go their own way and sensibly sybaritic female will look for furs that are farmed, such as fox and mink. This winter, too, the fakes are so wayout and wildly coloured that only a girl without a heart could resist their charms, albeit synthetic. Perhaps that’s why the fur trade have taken the hint and dipped their favourite fox pelts in the dye pot, Furrier Maxwell Croft offers his explanation of the female urge to wear and the male urge to bestow furs: “For many men it is a primitive desire to see his woman in furs.”. Very nice,too.
Plenty to scoff at the end of the copy there, but oh goodness the clothes – the clothes! And the glorious photography of Alice Springs, whose work doesn’t turn up nearly enough for my liking.
This is the moment for evening clothes that feel as delicious as they look… they’re soft voile or fine jersey or crushed muslin, they’re cut out over suntanned backs and arms, they’re crisp cotton printed with cottage curtain flowers, they’re as easy to wear as nightdresses: and some of them are.
Photographed at Lake Windermere and the Beech Hill Hotel, Cartmel Fell.
It’s the girl who still looks slinky by the time it’s light again who gets taken home by the Prince. We’ve found eight party frocks which look amazingly ritzy into the dawn when other night-birds have wilted.
A rescan from 2010, partly because it deserved it anyway but also in tribute to the legendary and much-missed Terry de Havilland, whose tiered snakeskin wedges make an early appearance here (credited to Rowley and Oram, who stocked his shoes).
Photographed by Francois Lamy and Malcolm Scoular.
From left to right: White satin bib shorts, with blue bow print, by Electric Fittings, £6., from Fifth Avenue, Wl., Mr Freedom, W8., and Edward Bates, Chatham. Blue stretch vest by Medusa, SW3., £1.40. Blue, red and pink striped scarf, £1., from a selection at Rosie Nice, SW3. Lady’s face badge by Gay Designs, 49p at Peter Robinson. Quant suede turn-down boots, £10.50. Floral cotton bib bloomer shorts by Jayne Swayne, £450 at Just Looking, SW3. Purple vest, Medusa SW3., £1.40. Multicoloured plastic pendant on leather, £2.75 at Miss Selfridge. Quant boots, £10.50. Printed denim bib shorts with scalloped edging by Big Scene, £5 at Marshall & Snellgrove, Wl., and Santa Fe, Croydon. Yellow sweater with striped sleeves, designed by Phyllis Collins at Stirling Cooper, Wl., £3.50. Also available from Che Guevara, W8. Yellow schoolboy cap, Mr Freedom, £3.15. Coloured hearts strand on leather, £2.25 from Miss Selfridge. Quant boots, £10.50. Blue denim bib shorts with pockets, £2.49 at all branches of Girl, Shades and In Scene shops. Red gingham smock shirt, £3.50 from Medusa, SW3. Cash Graphics strawberry brooch, 75p. Red and white check scarf, £1., from a selection at Rosie Nice, SW3. Blue velvet bib shorts with yellow detail stitching by Gordon King, £5.77 from 27, SW3 and also at Way In, Harrods, SW1. Blue and white spot smock with yellow ric-rac trim by Kadix, £4.95 at Stop The Shop, SW3. Rainbow brooch by Cash Graphics, 75p. Dark print floral cotton blouse with navy gaberdine shorts, by Anji, £6.95 from the Anji Boutiques at Peter Robinson’s Top Shops in the Strand and at Oxford Circus.
Skinny spencer vests or ready-to-buy matching shirts—here’s two ways round the problem of what to wear under hotweather bib shorts when you want to look cool and neat or pretty and summerfresh—with enough cash left over to enjoy wearing them as well …
Illustrated by Alan Cracknell.
Scanned by Miss Peelpants from Petticoat, 26th June 1971.
Left: Violet pullover from C&A. Black knickers by Erica Budd. Shoes from Sacha. Right: Lilac pllover and matching knickers both by Erica Budd. Blue shoes by Anello and Davide. Leather belt from Medusa. Scarf from Rose Nice in Kensington Market.
Photographed by John Bishop.
Scanned by Miss Peelpants from 19 Magazine, September 1970
Black crochet hat by Sally Levison. Black jersey shirt by John Craig. Black gaberdine midi skirt by Lee Bender for Bus Stop. Shoes from Anello and Davide. Crochet shawl from Catherine Buckley.
Both knitted outfits by Alice Pollock for Quorum. Boots by Ravel. Scarves by Rosie Nice at Kensington Market.
Left: Dress by Gillian Richard. Hand-knitted Shetland wool shawl by Foale and Tuffin. Shoes by Ravel. Right: Petrol blue jumper from C&A. Rust jersey skirt by Mary Quant’s Ginger Group. Blue lace shawn by Foale and Tuffin. Shoes by Anello and Davide.
Deep ochre wool hat found at a jumble sale. Tomato red and white long line pullover by Shar-cleod. Gaberdine skirt by Travers Tempos. Boots from Ravel. Silk scarf from a selection at Rosie Nice in Kensington Market.
Royal blue crochet hat found at a jumble sale. Blue and white flecked pullover and matching skirt by Erica Budd. Boots from Ravel.
Barbara wears halter top and pleated skirt by Mary Quant, £23 for the rigout, and shoes by Chelsea Cobbler. He wears intarsia sweater by Ballantyne.
Nice girls are turning a cold shoulder on some of the best looking men around. Perfectly enchanting girls, like Twiggy, who flashes her famous shoulder blades at Christopher Gable through her sleeveless, backless The Boy Friend costumes. And who can forget Lauren Bacall and lngrid Bergman acting with their backs turned on Bogie in all those Late Late Show films. Now you can make some of the best exit lines in the backless—and fairly frontless—cIothes previewed here. lt’s clear that fashion is on the side of the female female in clothes that show off a nice warm back and allow plenty of MANoeuvring room. Putting the Back-to-Basics through their paces in many of the pictures are Barbara Trentham and Gary Myers, a couple of Cosmo people to watch. Blonde, brainy Barbara with the 1,000-watt smile will soon be seen in her first film, opposite Shirley MacLaine. called, if you can believe it, The Possession of Joel Delaney, and Aussie Gary is tall, dark and one of television’s busiest tough guys. Together they show that a cold shoulder never turned a good man off…
Scanned from the very first UK edition of Cosmopolitan, March 1972. Photographs by Norman Eales.
Paulene wears chamois leather blouse and pleated skirt by Jean Muir, £46 and £31.50
Paulene Stone in a robe from Browns, £20
Barbara wears dress by Early Bird, £7. Gary’s sweater is by Harold Ingram, £3.30
Barbara wears dress by Mary Quant, £15
Barbara wears strappy crepe dress by Medusa, £9.95
Barbara wears dress by Tsaritsa, £29. Shoes by Mary Quant.
When both ladies turn up in identical tank tops scooped low, a man scarcely knows where to put his eyes. Dark Janni and tawny Kari-Anne [sic] fill out backless sweaters by Stirling Cooper, £2.95. Janni’s red jersey trousers are £9.60, also by Stirling Cooper. Yellow satin jeans by Medusa, £17.91.
I feel sad for the summer which never quite came to these shores. We had some nice days early on, but nothing consistent. I’m no sun worshipper, and I freely admit to preferring autumn, but it would have been nice to have been out and about a little more frequently in a little less clothing. I’m considering a little seaside jaunt in October, so I’ll just have to wear this kind of gear with some thick tights, hat and a coat over the top.
Stunning illustrations from 19 Magazine, May 1971, by Michael Roberts. I did a little reading up on Roberts, and he seems like a fascinating, Renaissance-style man. I pay far more attention to the names of illustrators these days, for obvious reasons, and it’s always nice to discover something about these all-too-often unsung artists.