
Softly, softly, ever so gently, it’s velvet— printed! It’s as pretty as a picture—so cling to it
Styling by Sue Hone.
Photographed by David Finch.
Scanned from Petticoat Magazine, 3rd October 1970.

Softly, softly, ever so gently, it’s velvet— printed! It’s as pretty as a picture—so cling to it
Styling by Sue Hone.
Photographed by David Finch.
Scanned from Petticoat Magazine, 3rd October 1970.
Beautiful and gay knits are 19’s answer for post-summer blues; dazzling bright and eye-catching in an array of primary colours. The styles are the simplest possible—tiny tops with cross-over fronts and, for those who prefer the classic, pullovers in cleverly co-ordinated stripes. This style of knitwear is best worn with toning jersey skirts, preferably in a midi length, and trousers. To complete the kaleidoscope look, add brightly coloured shoes, stockings, a scarf or a choker.
Photographed by John Stember.
Scanned from 19 Magazine, October 1970.
Photographed by Barry Lategan.
Scanned from Vogue, May 1974.
The look is tarty—and where better to go for background atmosphere than Hong Kong, sinful city of the Orient, perfect setting for saucy ladies of ill-repute. In this rich, bustling East/West meeting point, with its maze of colourful streets and endless shops bursting with tax-free jade, pearls and cameras. one gets the feeling that beyond these elegant facades are hidden opium dens, James Bond intrigues, and seamy Suzie Wong bars. We took the ferry across from Kowloon to Hong Kong and travelled to Aberdeen—a small, picturesque harbour inlet filled with over eight thousand junks and sampans, ornate floating restaurants selling delicious, fresh seafood, and crowded local markets.
Styled by Norma Moriceau.
Photographed by John Bishop.
Scanned from 19 Magazine, July 1971.
The styling and clothes in this editorial (I mean, green tights and red platforms? Swoon!) are something close to flawless. Unlike the copy -which I have still posted as a historical document- and also, possibly, the use of local residents as ‘extras’. I occasionally feel the need to clarify that I don’t necessarily endorse all elements of things I post, but I also don’t think it benefits us to completely censor history – especially when one is creating an archive.
Visiting London friends, and working for Vogue’s June issue, Cathy [sic] Dahmen took a turn around the square wearing delicious soft chamois leather smock shirt and laced shorts, above, £12 and £7, and wraparound dressing-gown coat and trousers, left,. £30, £20. From Gurney Slade, who have a brand new stall in the Kensington Super Store and the Chelsea Market. They make to order, too.
Photographed by Annette Green.
Scanned from Vogue, April 1971.
The Young St. Michael range power-packed with its new mid-May collection.
The Young St. Michael range is only available at Oxford Circus. Glasgow, Brighton, Liverpool and Manchester at the moment.
Curiously, I have the scarf she’s wearing in the top photo and I had always assumed it was authentic 1930s – as it was sold to me. Now I look closer, I can see the faded signature of Chester Martin. Whilst I’m disappointed that it’s not actually as old as I thought, I can’t resist a documented bit of vintage!
Fashion by Sue Hone.
Photographed by David Hurn.
Scanned from Petticoat, 22nd May 1971.
This is definitely the Season of the Midi, which involves a whole new set of fashion rules. Midis look best without an inch of leg showing, which means either long tight-fitting boots to take over where the midi finishes, or coloured tights matching clumpy-heeled shoes. So keep gulping; daily doses will keep you in the pink, fashion wise.
Aside from all the dreamy autumnal clothes and the fact that the blonde model is Charlotte Martin, it’s so lovely to see Terry de Havilland’s early and legendary three-tier wedges. As so often with Terry’s shoes, they are erroneously credited to the stockists (here ‘Jolly Boy’), but it’s still lovely to see them.
Photographed by Elisabeth Novick.
Scanned from Honey, August 1970.
With the colours and the mood of an open air market are ribbons bordering the prettiest pinnies and the sweetest yokes.
Fashion by Sue Hone
Photographed by David Finch.
Scanned from Petticoat Magazine, 7th August 1971.
Add a touch of delicate, soft lace trimming to your clothes and accessories this summer for a really feminine, fragile look.
Hair by Colin at Ricci Burns.
Photographed by Roger Charity.
Scanned from Honey, May 1974.
The main attraction of this summer’s printed dress is their little-girl, Sunday-best quality. The star fabric is floral crepe-de-Chine, now beautifully revived, featuring softly shaped skirts, Peter Pan collars and puff sleeves.
Another flawless example of early Seventies nostalgia for the Thirties and Forties, which might seem frivolous or twee if it wasn’t in the talented hands of Mr Peccinotti.
Photographed by Harri Peccinotti.
Scanned from 19 Magazine, March 1971.