
Fresh, fine and tiny on white. Two views of the new hooded dress, both lissom and long and framed in a froth of bright feathers. By John Bates at Jean Varon.
Photographed by David Bailey.
Scanned by Miss Peelpants from Vogue, March 1969.

Fresh, fine and tiny on white. Two views of the new hooded dress, both lissom and long and framed in a froth of bright feathers. By John Bates at Jean Varon.
Photographed by David Bailey.
Scanned by Miss Peelpants from Vogue, March 1969.

For crazy cartoon lovers, blue long sleeved tee-shirt with super leather motif of ‘Roger the Dodger’ sewn into the front, 4gns.. also available are many other comic characters. Red velvet trousers, £6 15s.
Hey, Supergirl! Are you a match for Superman? Or even Mickey Mouse? A girl can have too much of looking smart and neat – there comes a time when we all like to lounge around with a cute comic book and an even cuter guy. So get tuned in to this crazy clobber. And Captain Marvel will be yours for the asking…
Photographed by Chris Holland.
Fashion by Annette Grundy. Toys by Polypops.
Scanned by Miss Peelpants from Rave, December 1969


Satin jacket with ‘Jack Flash’ motif on front and back. Also in black and red, 6gns.

Beautiful calf-length blue crepe dress tied at the waist with the New York skyline around the hem, 11gns.

For all Mockey Mouse fans a mauve crepe blouse with pleated front and satin Mickey Mouse motif on the back.

Warm and cuddly coat to brave a winter’s night. Belted and snug double-breasted fur fabric maxi-style to wear over anything except gala gear. Great with trousers. Foale and Tuffin, 18gns long or 16gns short. Long white kid boots by Anello and Davide, 12gns.
Nothing is more depressing than dolling yourself up to the nines – and putting an everyday coat over your party hear. Mink stoles are too ageing for words and short coats over long dresses look awful.
Photographed by David Stanford.
Scanned by Miss Peelpants from Vanity Fair, November 1968.

If you go out a lot and wear long or short evening dresses or lots of trouser suits, a full-length velvet coat looks marvellously dramatic. This one in scarlet or black has a great romantic collar and elegant arum lily sleeves. At Biba, 8gns. Knitted dress by Jean Allen.
This luxury’s a look, a feel and a fact, and nothing to do with money. It’s satin and silver and velvet and ciré, it’s snowy fake-fur. We show it in layers. You look like a million dollars. Alice Pollock of Quorum designed this satin lingerie to be the softest thing next to your skin. There’s a small bra, shaped quite naturally, knickers that button to the side, and a languid caped dressing-gown that fastens once and touches your toes. All spun round with satin ribbons and made in the most appealing pale shades – magnolia, pink or powder blue.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, December 1968.

Long turquoise satin dress, about 21 gns. White kid boots, 18 gns to order from The Chelsea Cobbler.
The setting is one of undefined menace. The situation, traumatic. The girl, intrigued. But the message of the fashion is crystal clear. Dramatic, beautifully made clothes are rare. When they combine fine fabrics with feminine shapes they become almost impossible to find. Now, at last, one designer, Leslie Poole, is making them. The supplies and outlets are limited – so far. The demand, however, is quite undeniable.
Scenario by Gerard Brach. Production by Molly Parkin.
Photographed by Bob Freeman.
Scanned by Miss Peelpants from Harpers Bazaar, April 1969

Crepe zipper upper dress with patent belt by Gordon King. Jersey trousers by Concept. Patent high-tongue shoes by Ronald Keith. Hearts and flower power satin top by Downtown. Red cotton trousers by Slimma.
British Birds hip it, add ribbon round foreheads squaw-style, and dress-over-pants. Slip into pull-on jersey dresses over matching tights and way out shoes. Hair a-fuzz, English looks are a-buzz with interest…
Photographed by Monty Coles.
Scanned by Miss Peelpants from Honey, April 1969.