One thing that designer Antony Price really understands is pattern cutting : “I can think of a shape and create an optical illusion — people’s figures don’t change, clothes make figures.” Price, who designed all these clothes, wants women now to start looking artificially female, but “in a sumptuous way — this time it’s bosoms, hips and tiny waists”. He admits to being influenced by the Fifties and his ex-showgirl sister who lives in Miami and looks like his idol Jayne Mansfield. “The Fifties were less extreme, taste was incorporated into everything.” He wants shoes tall and dangerous like his own cowboy boots, but insists that his clothes (available direct or mail order from Che Guevara, 23 Kensington High St, W8) are comfortable. “What’s more comfortable than swimming costume tops?”
So, so good. Model, designer and photographer are the most perfect combination. It even has Manolo Blahnik shoes for good measure.
Model is Gala Mitchell.
Story by Valerie Wade.
Photographed by Karl Stoecker
Scanned from The Sunday Times Magazine, February 13th 1972.
DRAINPIPE TROUSERS, PATENT STILETTOS, LUMINOUS SOCKS COME ROCKING BACK
Wonderful to see the combination of Let It Rock, Wonder Workshop and Terry de Havilland in one shoot by Roxy Music cover photographer Karl Stoecker. I’m not the biggest fan of the original Fifties look, if I’m honest, but there’s just something magical about the way this revival scene bridges the Seventies from Glam Rock to Punk and New Wave.
If anyone can identify the male models (or indeed the female ones) let me know. I think Mickey Finn might be one of them (third image, hanging out of the right hand car door), and possibly Antony Price. Which would make sense with Stoecker as photographer.
Red and white striped halter neck sweater by Crochetta. Black cotton pants by Sujon. Shoes by Chelsea Cobbler. Red leather belt from Bus Stop.
Relax in these beautiful cruise clothes. Wear your white baggy pants with red and white striped tops, cotton berets or little ‘Forties’ pull on hats. Wear white leather shoes with bows or ruched fronts and high heels. White pearls and bangles look just right this summer. This is the year of the female female, so start purring…
Photographed by Karl Stoecker
Scanned from 19 Magazine, April 1971.
Red and white striped beret by Titfers. Halter neck wool sweater by Stirling Cooper. White cotton suit by Sheridan Barnett for Simon Massey. White leather shoes from Biba. / White cotton beret by Titfers. Cotton windcheater by Lizzie Carr for Plain Clothes. White trousers by Sheridan Barnett for Simon Massey. Striped socks by Mr Freedom. White leather shoes from Biba.
White sailor hat by Titfers. Red and white striped halter neck and Oxford bags all in one by Sheridan Barnett for Simon Massey. White leather shoes by Biba.
White cotton hat by Herbert Johnson. White acrylic sweater by Harold Ingram. Blue palm tree with white lady and black tree print jacket by Stirling Cooper. White cotton bags by Sheridan Barnett for Simon Massey. White leather sandals by Biba.
White cotton beret by Titfers. Red cotton shirt, red and white cotton blazer and white cotton bags all by Sheridan Barnett for Simon Massey. Red leather sandals by Chelsea Cobbler.
White straw hat by Herbert Johnson. Navy acrylic singlet by John Craig. White cotton bags by Sheridan Barnett for Simon Massey. White leather shoes from Biba.
White hat by Herbert Johnson. White cotton suit, top trimmed in tartan, huge wide clown pants by Sujon. White leather shoes by Biba. Red and white scarf from Herbert Johnson.
White angora sweater by Crochetta. White cotton bags by Sheridan Barnett for Simon Massey. Red leather shoes by Chelsea Cobbler. Headscarf by Herbert Johnson.