And the award for Boutique Bandwagon-jumping goes to…
(I’m still placing my time-travelling order for the second one though…)
Scanned from 19 Magazine, May 1971
As a complete contrast to this season‘s brightly-coloured outfits, here are some really delicate and feminine, pastel-coloured dresses. They can be worn for a variety of occasions when dressing up is a must — even on your wedding day, if you’rc looking for something different. You can buy them new or you could be lucky, as we were, and find one in perfect condition in a second-hand shop. However, these dresses are quite expensive, second-hand clothes do tend to be over-priced in London, so keep an eye out for equally stunning outfits in your local secondhand shop.
Photographed by Tom Leighton. Props by Sue Leighton. Hair by Rocky at The Model Agency. Model is Vivienne Lynn.
Scanned by Miss Peelpants from 19 Magazine, March 1979

Pink straw hat by Jean Charles Brosseau. Cotton satin jacket with floral design and spotted cotton pants both by Lizzie Carr for Plain Clothes. Shoes from Anello and Davide.
Photographed by Franz Gruber. Scanned by Miss Peelpants from 19 Magazine, May 1972

Swimsuit with cigarette packet print by Miss Mouse. Hat from a selection at Nostalgia. Black suede stilettos from Biba.
I have waxed lyrical on the wonders of James Wedge many times before. I’ve even waxed lyrical specifically on the subject of his version of pin-up photography and how it is vastly superior to the current swathe of poorly executed pin-up and burlesque photography. So I need not repeat myself too much. Suffice it to say, this man was looking backwards to a mere twenty/thirty years beforehand, at a time when this was still all generally considered to be rather naff and – also – an affront to the cause of feminism. He was creating images like this, in his darkroom. By hand. By trial and error. No going back if you cock it all up. No ‘vintage’ movement to motivate him. I certainly consider him to be more artist than mere fashion photographer.
Photographed (and hand-painted) by James Wedge. Scanned by Miss Peelpants from 19 Magazine, May 1974.
Photographed by James Wedge, inspired by Hope by George Frederic Watts.
Scanned by Miss Peelpants from 19 Magazine, January 1975
A slightly belated RIP to Michael Winner. While he became something of a national joke/treasure/pompous buffoon in his later life, I maintain that his early films show a brilliance which very few people appreciate. The Jokers and I’ll Never Forget What’s ‘isname are two of my most favourite films of that period, the latter has a depth which few people would or could ever associate with Winner. Also, thanks to him, I have some prime Oliver Reed lusting material. I salute you Sir and offer my greatest respect and condolences.
I also have a weakness for Parting Shots. I mean, how can you argue with a cast list that includes Diana Rigg, Joanna Lumley, Oliver Reed, Gareth Hunt, Peter Davison and Nicola Bryant? You can’t.