Felt hat. by Jean-Charles Brosseau from Feathers, £5.75 (£5 15s.). Crêpe shirt. by Jeff Banks. £6.30 (6gns.). Natural calico blazer has yellow braid edging and matching shorts, by Wallis, £7.95 (£7 19s.). Tights, by Mary Quant, 75p. (15s.). Artificial flowers from a selection at John Lewis. Photographed at the Purple Shop, Antiquarius, 153 Kings Road, London, S.W.3.
Yves St. Laurent’s ‘Blast From The Past’ award is taken by the blazer. Fashioned a la Dietrich, casual but smart, it looks especially good with shorts, hot-coloured tights and long knee-socks, or pleated skirts. The best choice is plain white, black or red; or hot checks and stripes.
A superb editorial, giving us an insight into the short-lived but legendary Hollywood Clothes Shop and The Purple Shop in Antiquarius (which I feel like I’m regularly crediting in other posts on here) and also designer David Mellor’s shop. It also has the unusual element of every price being given in new and old money – with decimalisation having been introduced in February of the same year. I’m surprised I don’t see this a lot more in editorials from 1971.
Modelled by Sue Baloo
Styled by Norma Moriceau.
Photographed by Michael Berkofsky.
Scanned from 19 Magazine, May 1971.
Denim hat, by Jean-Charles Brosseau from Feathers, £6. Cotton shirt in browns and blues, by Jasper, £4.48 (89s.7d.). ‘Forties’ rayon hopsack blazer, double-breasted with Square padded shoulders and two large pockets, matching shorts with turn-ups (sold as a three-piece with trousers), by Shubette, £13.95 (£13 19s.). Green tights, by Mary Quant, 75p. (15s.). White Orlon socks, by Sunarama, 59p. (11s.10d.). Blue mules with white thonging, by Ravel, £3.75 (75s.). Pretend watch-brooch from Universal Witness, 50p. (10s.). Photographed outside Green’s of Chelsea, fruiterer and florist.
Brown felt hat, by Jean-Charles Brosseau from Feathers, £5.75 (£5 15s.). Canary yellow cotton jersey shirt, £3.20 (64s.). Multi-coloured random striped cotton jersey vest, £1.38 (27s.7d.). Both by Erica Budd. Wine jersey blazer edged in turquoise, with turquoise shorts, by Clobber, £10. Blue over-the-knee socks, from Fenwicks, 50p. (10s.). Doggie brooch, from Universal Witness, 50p. (10s.). Ribbon on hat, from a selection at John Lewis. Photographed at the Hollywood Clothes Shop.
Felt hat by Feathers, £5.75 (£5 15s) Red jersey shirt with elasticised waist, £5.95 (£5 19s). Navy knitted cotton vest with red trim, £1.75 (35s). Madras cotton blazer, £9.50 (£9 10s). Shorts, £4.45 (£4 9s). All by Lee Bender for Bus Stop. Tights by Mary Quant, 75p (15s). Peep-toes by Ravel, £5.99 (£5 19s 10d).
Straw hat, from Biba, £1.25 (25s.). Spotted cotton voile shirt in red, yellow, blue and green, by Simon Ellis, £4.25 (85s.). Single-breasted blazer and shorts suit in black givreine, from Biba, £9.75 (£9 15s.). Sheer black tights, from Biba, 54 ½p. (10s.11d.). Crêpe scarf, from Biba, £2. Artificial flowers, from Biba, £1.05 (1gn.). Photographed at David Mellor, Ironmonger, London, S.W.1.
Brown felt hat, from Feathers, £5.75 (£5 15s.). Cotton oatmeal shirt, by Jasper, £3.98 (79s.7d.). Checked waistcoat in shades of tan with rust stripes, £5.25 (5gns.). Shorts, £5.25 (5gns.). Matching single-breasted tan blazer in washable Telenka with flap patch-pockets and belt, £10. All by Gladrags. Brown tights, by Mary Quant, 75p. (15s.). Long rust socks, from Feathers, £1.50 (30s.). Suede wedge shoes, by Ravel, £4.50 (90s.). Bright green satchel, by Baggage and General Holding Co. Ltd., £1.50 (30s.).
Denim hat, by Jean-Charles Brosseau from Feathers, £6. Spotted blouse, from a selec-tion at Van Der Fransen. Single-breasted rayon blazer suit by Elgee, jacket in blue and beige checks on white has padded shoulders and flap pockets, and comes with either plain white or matching shorts, 2_15.75 (15anq Navy tights, by Mary Quant, 75p. (15s.). White Orlon over-the-knee socks, by Sunarama, 59p. (11s.10d.). Navy mules, from Ravel, £3.75 (75s.). Pretend watch-brooch from Universal Witness, 50p. (10s.). Photographed at Parsons, Fulham Road, London, S.W.10.
Navy denim hat, by Jean-Charles Brosseau from Feathers, £5.75 (£5 15s.). Red cotton jersey shirt, £5.95 (£5 19s.). Red, navy and white jersey vest with side button fastening, £2.50 (50s.). White bonded jersey blazer, £7. Navy jersey shorts, £3.75 (75s.). All by Lee Bender for Bus Stop. Navy socks, from Fenwicks, 50p. (10s.). White sandals with cork soles from Ravel, £4.50 (90s.).
Red spotty blouse in burnt out crepe, worn over black, red and white printed Dycella skirt by Ian Batten at Sportaville. Red tights by Lovely Lady. Scarf by Jasper. Black leather t-bar shoes from Sacha. Bag and bangles from a selection at Jolly and Marsh. Sweetheart brooch from Universal Witness. / Red cloche hat by Titfers. Dress in three different prints by Van der Fransen. Tights by Mary Quant. Shoes by Sacha. Red gloves from Van der Fransen. Necklace and bangles from Jolly and Marsh, Kensington Market. / Little pink bows on a white moss crepe dress by Florrie Carr. Artificial flowers in hair are by Fogg and Wakefield.
The main attraction of this summer’s printed dress is their little-girl, Sunday-best quality. The star fabric is floral crepe-de-Chine, now beautifully revived, featuring softly shaped skirts, Peter Pan collars and puff sleeves.
Another flawless example of early Seventies nostalgia for the Thirties and Forties, which might seem frivolous or twee if it wasn’t in the talented hands of Mr Peccinotti.
Photographed by Harri Peccinotti.
Scanned from 19 Magazine, March 1971.
Multi coloured rayon crepe dress from a nearly new selection at Van der Fransen. Blue suede shoes by Mary Quant. / Calf-length crepe de Chine dress by Marielle. Black leather high heeled shoes from The Hollywood Clothes Shop. / Yellow sisal hat by Jean-Charles Brosseau. Crepe de Chine dress by Mary Quant. Lilac suede shoes by Mary Quant.
Brown cotton voile dress and tights by Mary Quant. White strappy sandals by Ravel. / Brown rayon jersey dress by Ian Batten at Sportaville. Beige suede slingbacks by Mary Qant. Scarf from a selection at Rosie Nice, Kensington Market. / Navy felt hat from Herbert Johnson. Navy spotted rayon crepe dress from Van der Fransen. Brown suede shoes by Sacha. / Lilac cloche by Edward Mann. Rayon georgette blouse and purple velvet skirt both from Crowthers. Mauve patent sandals from Ravel.
Brown printed georgette suit from Bus Stop. Green leather wedge heeled shoes from The Hollywood Clothes Shop. / Burgundy felt hat from Herbert Johnson. Black georgette suit from Bus Stop. Black three bar shoes by Sacha. / Green straw hat from a selection at Van der Fransen. Rayon georgette dress by Mary Quant. Green leather shoes from The Hollywood Clothes Shop. / Yellow hat by Jean-Charles Brosseau. Red, white and bloue dress by Ian Batten at Sportaville. Patent wedge sandals by Ravel.
Pale mustard puff sleeved dress by Biba. Brown patent two-strap shoes by Sacha. Scarf by Jasper. / Cream sisal hat by Bermona. Black tea dance dress with delicate white flowery print by Biba. White leather sandals by Ravel. / Navy felt hat from Herbert Johnson. Navy cotton dress by Harriet. Black shoes from The Hollywood Clothes Shop.
Long creamy cotton dress by Foale and Tuffin. Blue cotton paisley blouse and skirt by Foale and Tuffin. Embroidered woollen belt around head by Rosie Nice in Kensington Market.
Sunny Spain conjured up visions of hot summer days in picturesque surroundings, ideal settings for 19’s summer fashions. And we had a fantastic oppotunity when 4S Travel arranged a trip to Malaga and Torremolinos. We flew BUA Super Jet to stay at the Hotel Al Andalus, within easy reach of the mountains overlooking the Costa del Sol. Here we discovered quaint villages, sun-drenched and white-washed, their customs and dress crystallised in the past. No cars to be seen, only mules and donkeys. Our clothes echoed the feel of these places – colours stark black and white, brightened with touches of gayer hues, clean hot printed cottons, soft peasant blouses, sandals, light fishnet shawls, casual sun hats. The garments are easy to take care of, and enhance a tan – midi skirts that button to above the knee and give alluring glimpses of brown thigh, and large brightly printed squares of fabric which can be used as shawls, or skirts tied at the side.
Making me yearn for a proper holiday. The closest I’ll get is looking at this editorial whilst sitting on the balcony, trying to avoid all humans for the time being. I hope it brightens your day as well…
Blonde model is Willy van Rooy.
Photographed by John Bishop.
Scanned from 19 Magazine, July 1970.
Black velour towelling dress by Lee Bender for Bus Stop. Shawl by J. C. Brosseau from Feathers. Green and red snakeskin shoes by Terry de Havilland from Jolly Boy in Kensington Market. Belt bought locally.
Black and white cototn printed skirt and top by Tony Berkeley. Shawl from J. C. Brosseau. Shoes by Sacha.
White cotton skirt, blouse and bolero all by Annie for Rosie Nice in Kensington Market. Bright red and green dress by Foale and Tuffin. Black fishnet shawls by J. C. Brosseau from Feathers.
White towelling hat by Bermona. Dress by Sujon. Shoes from Ravel.
Dress by Tony Berkeley. White patent shoes by Sacha.
Dusty pink skirt and blouse by Ian Batten. Brown felt hat by J. C. Brosseau from Feathers.
Both outfits by Tony Berkeley. Both pairs of shoes by Ravel.
Dress by Foale and Tuffin. Snakeskin shoes by Terry de Havilland at Jolly Boy. Belt bought locally.
White midi skirt by Lee Bender for Bus Stop. Red and white silk rayon blouse by Annie for Rosie Nice. Mock snakeskin shoes by Dolcis.
Tawny shades of hazel and honey: Brown cloche hat, veiling, long brown and white cotton dress all from Biba. Shell ring from Hope and Eleanor. / Long brown and white cotton voile dress from Biba. Large brown crochet shawl by Catherine Buckley. Heart shaped ring from Hope and Eleanor.
Spring has taken on a romantic air – with light dresses, billowing skirts and full sleeves. The fabric for day is cotton, especially voile. For evening, crepe is a great favourite. The lines are seductive – wear low v-necks, hats with lots of veiling and an antique brooch. Find an old shawl or crochet your own. If you’ve time to hunt you needn’t spend much money.
Some of my favourite designers, my favourite looks, one of my favourite photographers and two of my favourite models: Charlotte Martin and Mouche. Perfection.
Photographed by Harri Peccinotti.
Scanned from 19 Magazine, April 1970.
Old Fashioned Prints in Pink and White: All clothes from Biba. Ivory brooch from The Purple Shop.
Caviar and Champagne dresses: Hats from J. C. Brosseau from Feathers. Veiling from Biba. Dresses by Tony Berkeley. Beige shoes found by our model in a junk shop.
Melange of navy, white and pink: Crochet hat from J. C. Brosseau. Short navy crepe dress from Tony Berkeley. Shoes from Ravel. Brooch and ring from The Purple Shop.
Art deco revived: Silvery lace hat from Feathers. Dress and coat by Lee Bender for Bus Stop. Black patent shoes from Ravel. / Beige lace pull on hat from Biba. Dress by Lee Bender for Bus Stop. Red leather shoes by Anello and Davide. Beads from Hope and Eleanor. Brooch from The Purple Shop.
Interludes of brown and white crepe: Hat from Biba. Dress by Tony Berkeley. / Hat from Feathers. Dress by Tony Berkeley. Both shoes by Ravel.
Burgundy wool suit from Bus Stop. Leather gloves from Biba. Leather and suede boots by Anello and Davide. / Burgundy wool trousersuit and hat from Biba. Boots by Anello and Davide.
Romantic white afternoon dresses: Dresses by Louis Caring. Hats from Biba and J. C Brosseau. Scarf from Emmerton and Lambert.
Nuances of delicate navy and white: Hat by J. C. Brosseau. Dress by Tony Berkeley.
One of a selection of hats designed by Andreas George that are decorated with anything from fake flowers, ribbons, plastic fruit to tiny furry animals. £7 from Alkasura, 304 King’s Road, SW3
Suddenly this summer the shops are selling masses of hats that before would have only been dug up for garden parties, weddings, sports days or camping it up. For years magazines and designers have shown their clothes with hats, but they don’t usually turn up in the street. Fashion editors often feature ‘picture hats’ like those on the previous page posed in some romantic setting or framing an immaculate new make-up, but one never actually sees them on a number 19 bus. Now hats have gone the way of all clothes; there are no rules; you can wear anything with anything. Any hat, whether it’s wide-brimmed and floppy with half a haberdashery department stuck over it, or a small crocheted cloche pinned with a bunch of plastic fruit, i fine with either nostalgic Forties’ dresses or a dirty old pair of jeans. And you can still wear it to a wedding if you want to.
Modelled by Jean Shrimpton.
Photographed by Hans Feurer.
Scanned from The Sunday Times Magazine, June 20th 1971.
Smooth straw hat with fake anemones, by Bermona, £2.85 from Dickins and Jones.Cotton cloche pinned back with a bunch of cherries if you like, £4.50 from Quorum. Check and spot crepe shirt £4.20 from Mr Freedom, 20 Kensington Church Street. White cotton shorts by Ritva £7.88 from Countdown, 137 King’s Road.Pink felt hat with bright harlequin pattern under the brim by Jean Charles Brosseau, £7 from Feathers, 43 Kensington High Street.Plain wide-brimmed panama hat, £2.85 from Liberty’s.
19 visualises a Summer Vamp, and make-up is geared for a seductive summer. Shades of Dietrich abound – lips are invitingly red, eyes are lowered and stained with yellows, greens, plums and browns… Our model’s hair was dressed by Jason at Jingles. For a romantic effect we covered it with a black fishnet shawl by J.C.Brosseau from Feathers.
The stunning model is Willy van Rooy, who also happens to be the model that my mannequin is based on. For more background on this connection pleaseclick here. Willy is also a very talented designer, so do check out her website http://willyvanrooy.com/ or follow her on Instagram.
Photographed by John Bishop.
Scanned by Miss Peelpants from 19 Magazine, August 1970.
Pink straw hat by Jean Charles Brosseau. Cotton satin jacket with floral design and spotted cotton pants both by Lizzie Carr for Plain Clothes. Shoes from Anello and Davide.
Photographed by Franz Gruber. Scanned by Miss Peelpants from 19 Magazine, May 1972
Black cotton voile shirt by David Silverman. Black and white cotton culottes by Angela at London Town. Blue leather peep-toe shoes trimmed in white by Bata.
Pink straw panama hat by Jean Charles Brosseau. Cotton smock and cotton trousers by Lizzie Carr for Plain Clothes. Shoes by Anello and Davide.
Liz Eggleston 