Khaki cotton jersey swimsuit with fantail fish on shoulder and hip, by Jap. Hat by Jean-Charles Brosseau for Jap. Gold shoes by Manolo Blahnik.
Photographed by Willie Christie.
Scanned by Miss Peelpants from Vogue, April 1977.
Fire red paisley for a Celtic summer: The haunted house at Parc, near Afon Crosesor, where ghostly things happen all the time. Wild red flickering skirt, paisley and red gold organdie blouse with gold Turkish bodice. Skirt, blouse and top to order from Thea Porter. Fire red boots by Elliott. Sash pin from Ken Lane. Amber beads ,wrist scarf and long red scarf by Ascher.
Photographed by Norman Parkinson.
Scanned by Miss Peelpants from Vogue, July 1969.
Handpainted landscape on silk light as air. By Hilary Floyd, painted by Ross Ball.
Back to the beginning, back to the elements: these dresses are air and water in both of those blues, mingling handwork and waves of sheer silk in dresses of destiny.
Photographed by Clive Arrowsmith.
Scanned by Miss Peelpants from Vogue, July 1970.
Waves of Aquarian blue in tremulous layers. By Zandra Rhodes.
Artist uncredited. Scanned by Miss Peelpants from Vogue, April 1977.
Fresh, fine and tiny on white. Two views of the new hooded dress, both lissom and long and framed in a froth of bright feathers. By John Bates at Jean Varon.
Photographed by David Bailey.
Scanned by Miss Peelpants from Vogue, March 1969.
This luxury’s a look, a feel and a fact, and nothing to do with money. It’s satin and silver and velvet and ciré, it’s snowy fake-fur. We show it in layers. You look like a million dollars. Alice Pollock of Quorum designed this satin lingerie to be the softest thing next to your skin. There’s a small bra, shaped quite naturally, knickers that button to the side, and a languid caped dressing-gown that fastens once and touches your toes. All spun round with satin ribbons and made in the most appealing pale shades – magnolia, pink or powder blue.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, December 1968.
Grey wool cardigan, oatmeal overchecked, pale grey silk shirt, both at James Drew. Grey felt hat by Edward Mann.
Meet the new fashion collector. She will be about for a long time. Her lipstick is red. She wears only navy, ivory and grey, but so cleverly that there’s no limit to the flattering effects she can compute. Her clothes are so simple and beautiful. It all looks easy. She spends more money on her clothes than most woman, but, when they’re searching around for something to wear, she’s already perfectly dressed. When their clothes are beginning to look wrong, hers are right. So in the end, she probably spends no more than they. Here’s how she does it…
Illustrated by Eric Boman.
Scanned by Miss Peelpants from Vogue, February 1974.
Left: Muffler, long cardigan with scroll embroidery, sleeveless putty crepe de chine gilet, skirt loosely pleated in front at Annacat. Hat by Jacoll. Right: Ivory crepe de chine open-work dress, couldn’t be simpler, tied at the waist by Salvador. Straw hat by Bermona.
Choker and earclips by Coppola & Toppo. Available from Liberty.
Grace Coddington photographed by Helmut Newton.
Scanned by Miss Peelpants from Vogue, February 1966
Swag the rest in violet jersey: Jersey two-piece dress by John Bates.
Photographed by Michel Momy.
Scanned by Miss Peelpants from Vogue, March 1978.
Why not… show a leg with lemon, cream and gold: Hurel jersey top and culottes by Bill Gibb. Shoes by Bally.
“What are Vidal Sassoon, Barbara Daly and Ossie Clark doing in Vogue studios? Vidal did the hair, Barbara the make-up, Ossie designed the dress … Lipstick matched to the flowers in Celia Birtwell’s printed chiffon. Ossie Clark twined his own gold chain and lizard over the shoulder and, snap, David Bailey. Dress to order from Ossie Clark.”
Photographed by David Bailey.
Scanned by Miss Peelpants from Vogue, July 1974
Liz Eggleston 