Penelope Tree by Avedon

1960s, avedon, Hair and make-up, Inspirational Images, Make-up, penelope tree, Vogue

Penelope Tree, nineteen, daughter of Mr Ronald and the Hon. Marietta Tree – the look of a dreamy Petrouchka. “I am all make-up,” she once said: she sees her face as a canvas, brushing on colour to strange, beguiling, sometimes extraordinary effect. While the effect on other people can be startling, she remains totally serene. Her imaginative face-painting began when she was thirteen. “I did it first to get attention, now I don’t notice it.” With a bright acquisitive mind that absorb countries, people, books, her heroes are Mailer and Nabokov, aesthetics and politics her life, and she takes a beautiful picture. This one, with bird feather eyes, by Avedon.

Photographed by Richard Avedon.

Scanned from Beauty in Vogue, 1969.

Maudie James in Ossie Clark

1960s, barry lategan, celia birtwell, hair, Inspirational Images, maudie james, ossie clark, quorum, vidal sassoon, Vogue

Maudie James in an Ossie Clark for Quorum silk chiffon dress with print by Celia Birtwell.

Illustrating ‘The New Hair Colour Story’ with hair by Christopher of Vidal Sassoon.

Photographed by Barry Lategan.

Scanned from Beauty in Vogue, 1969.

Put on your party face

19 magazine, 1970s, Hair and make-up, Inspirational Images, John Bishop, Make-up, Richard Sharah, Vivienne Lynn
Nothing is too daring, nothing too outrageous. In fact, the more the fantasy, colour and individuality you create, the better.

Model on the right is Vivienne Lynn. Hair is by Keith at Smile. Make-up by Richard Sharah.

Photographed by John Bishop.

Scanned from 19 Magazine, December 1976.

What See-throughs did for breasts, Gala Lip Pen does for mouths.

1970s, cosmopolitan, Make-up, Vintage Adverts

Scanned from Cosmopolitan, December 1972

Simply Natural

19 magazine, 1970s, Antiquarius, chelsea cobbler, Essenses, hand tinting, Herbert Johnson, Inspirational Images, james wedge, Sacha, stirling cooper, Vintage Editorials, wigs

Long cardigans, long skirts, long scarves add up to a rustic setting in a relaxed mood. A casual look forward to restful autumn days.

Photographed by James Wedge.

Scanned from 19 Magazine, August 1973

Maroon hat with turn up front. Matching sweater in maroon and camel, with plain camel collar. Brown pencil skirt with pleats at the side. All by Stirling Cooper. Cream tights by Mary Quant. Beige and brown leather bootees from Chelsea Cobbler. Long knitted scarf by Herbert Johnson. Wig in all pictures from Wigwham.
Camel sweater with red and blue Fair Isle pattern. Brown wool tweed mixture cardigan with cream and maroon trim. Brown pencil skirt. All by Stirling Cooper. Knitted scarf from Herbert Johnson.
All clothes by Stirling Cooper. Brown bootees from Chelsea Cobbler. Gloves from Ambalu. Scarf by Herbert Johnson.
All clothes by Stirling Cooper. Boots by Chelsea Cobbler. Scarf by Herbert Johnson.
Clothes by Stirling Cooper. Shoes from Sacha. Scarf from Essences at Antiquarius. Cane from Emmerton and Lambert.
Clothes by Stirling Cooper. Suede sandals by Baby Shoes. Scarf from Essences at Antiquarius.

Don’t cry your eyes out

19 magazine, 1970s, Hair and make-up, Make-up, mary quant, Vintage Adverts
“Don’t cry your eyes out”, says Mary Quant. “I’ve just added some new colours to my Tearproof Mascara range. You can now get chocolate, grey, bottle-green as well as black, brown-black and blue.”

Scanned from 19 Magazine, September 1975.

A blaze of frosted colour

19 magazine, 1970s, Almay, Hair and make-up, Make-up, Uncategorized
These brilliant frosted lipsticks in 10 glowing glistening colours give you tantalising lips that even feel beautiful and Almay call them ‘Colour Moist Pearls’.

Scanned from 19 Magazine, September 1971.

Take a flower for your hair

1970s, barbara daly, barry lategan, Hair and make-up, Inspirational Images, Mouche (model), pablo and delia, Vogue

Take a flower for your hair, gather up a halter top, now dust on the glamour…

First flower, airy petals of summer pink net, outlined in white stitching, round white button for stamens. By Pablo and Delia, to order at Browns. Ruched halter top, flower printed seersucker, also by Pablo and Delia.

Make-up by Barbara Daly. Hair by John at Leonard. Model is Mouche.

Photographed by Barry Lategan.

Scanned from Vogue, May 1972.

The Seven Faces of Beauty

1970s, barry lategan, beauty, Gina Fratini, Hair and make-up, Herbert Johnson, Inspirational Images, Make-up, Sujon, Vintage Adverts, Vivienne Lynn, Vogue
Monday’s Child is Fair of Face. Blue flowers from Novelty Imports. Blue silk blouse by Sujon.

A stunningly styled and photographed advertisement feature for Boots No7 cosmetics, based around the ‘Monday’s Child’ nursery rhyme (although they’ve muddled up Friday and Saturday as far as I remember it). As a Tuesday’s child, I’m pretty happy with my lot although never sure how graceful I am. Which one are you? I particularly love Vivienne Lynn’s mournful Wednesday’s Child.

Photographed by Barry Lategan.

Scanned from Vogue, June 1972.

Tuesday’s Child is Full of Grace. Pink voile blouse by Plainclothes. Hat by Herbert Johnson.
Wednesday’s Child is Full of Woe.
Thursday’s Child has Far to Go
Friday’s Child works hard for her living.
Saturday’s Child is Loving and Giving.
And the child that is born on the Sabbath Day is Bonny and Blithe, Good and Gay. White smock top by Gina Fratini.

Easy on the eye

19 magazine, 1970s, Hair and make-up, Illustrations, Miners, philip castle, Vintage Adverts
Miners make the most of your eyes

(Uncredited artist but it looks like it could well be the work of Philip Castle)

Scanned from 19 Magazine, July 1979.