
THE NEW SPOT CHECK ‘N STRIPE SHOW
Cottons crisp, cotton knit, hats as large as saucers, trousers wide, heels high, black and white giving positive power on a summer’s day.
Photographed by Peter Knapp.
Scanned from Vogue, May 1972.
THE NEW SPOT CHECK ‘N STRIPE SHOW
Cottons crisp, cotton knit, hats as large as saucers, trousers wide, heels high, black and white giving positive power on a summer’s day.
Photographed by Peter Knapp.
Scanned from Vogue, May 1972.
. . . or how to wear furs this winter without hurting your pet’s feelings.
There is nothing, absolute nothing quite like wrapping yourself in fur. As a sensuous experience, it is in the same class as a new love, old champagne or fresh truffles. But even the most hedonistic of women are relieved that the threatened species are no longer imported. Snow leopards, tigers and other cats can go their own way and sensibly sybaritic female will look for furs that are farmed, such as fox and mink. This winter, too, the fakes are so wayout and wildly coloured that only a girl without a heart could resist their charms, albeit synthetic. Perhaps that’s why the fur trade have taken the hint and dipped their favourite fox pelts in the dye pot, Furrier Maxwell Croft offers his explanation of the female urge to wear and the male urge to bestow furs: “For many men it is a primitive desire to see his woman in furs.”. Very nice, too.
Plenty to scoff at the end of the copy there, but oh goodness the clothes – the clothes! And the glorious photography of Alice Springs, whose work doesn’t turn up nearly enough for my liking.
Fashion by Deirdre McSharry.
Photographed by Alice Springs.
Scanned from Cosmopolitan, November 1972.
Fresh and pretty is the look you should aim for this summer, with maybe an inch or two of knee bravely peeping out from under floral prints on crepe de Chine or crisp cotton. Match your dress with brightly coloured tights and wear straw hats adorned with bunches of fruit and flowers, or a silk scarf and wedge shoes to complete your summer ensemble.
Photographed by Duc.
Scanned from 19 Magazine, June 1971.
Photographed by Barry Lategan.
Scanned from Vogue, May 1974.
Jackets are the brightest you’ve ever seen, with enormous checks and swirling swingy backs. They go with vivid sweaters and the widest possible Oxford bags, worn shorter than usual to reveal gleaming white lace-ups and tappy 46 two-tone shoes. What a way to get yourself noticed!
Second model from the left in the top image looks to be Ika Hindley.
Photographed by Peter Castellano.
Scanned from Honey, October 1972.
The way we’ll look this summer is very relaxed, very casual and very, very LA. T-shirting is the fabric, white is the colour and soft is the mood. Look cool and feel fresh in glamorous dresses, gathered skirts and drawstring trousers, all in jersey. Where best to show the new sweatshirt style but in sunny California? So we skytrained west to LA, thanks to Laker Air Travel’s new low London-Los Angeles air fare, which costs from £159 for the round trip. The private pool-side life in Beverly Hills is a plush style we could easily become addicted to . . . well, couldn’t you?
Pages 132 -135, 138-139 photographed at the house of interior designer, William L Chidester. Pages 136-137 photographed at the house of photographer Norman Eales.
Fashion by Liz Smith. Make-up by Bjorn.
Photographed by Norman Eales.
Scanned from Cosmopolitan, May 1978.
Slip a shawl over summer and dream the days away in a land of your imagination. There couldn’t be a more beautiful way of letting a long sticky heatwave slip by than with these gentle colours made by a bleaching sun and these homespun clothes in soft country shapes. Whether you make it all the way to a shady plantation or just as far as the nearest cornfield, the scenery around any home this summer should look pretty good. Build up layers of cotton checs, sand suede overslips and warm rainbow knit waistcoats because even the sun can havee tantrums sometimes. Pack a pair of laced sandals and one huge-brimed straw hat.
Fashion by Sue Hone.
Photographed by John Carter.
Scanned from Petticoat, 22nd May 1971.
This autumn there are bags everywhere: Oxford ones on your pins and clutch ones in the hand. The return of the straight trouser has brought with it wing lapelled jackets with padded shoulders and neat waistcoats. Underneath, a feminine touch to soften the butch look, blouses with floppy painters’ bows. And don’t forget your clutch bag tucked neatly under your arm.
Illustration by Caroline Smith.
Scanned from Flair, November 1971.
Party wear for the getogether season takes all the best of blazers and pants and sleeks them up in satins and velvets… or cools off with the prettiest dresses ever.
Clearly Christmas 2020 is going to be a uniquely muted season as far as partying is concerned, but I often avoid the throngs of people anyway. Years of working in theatre over the festive season meant that when I had downtime I would prefer to lounge around in satins and velvets in the comfort of my own home. I’m just glad you’re all finally catching up with how nice it is! In all seriousness though, sometimes the smallest things can make us feel the nicest – so even if you don’t feel like getting togged up in satin and velvet, I highly recommend doing something you would normally find ridiculous for sitting around at home. Sparkly hair clip, red lipstick or those skyscraper platforms you can’t walk in.
Photographed by kind permission of Mecca Dancing at the Empire Ballroom, Leicester Square, WC1
Fashion by Sue Hone.
Photographed by Roger Charity.
Scanned from Petticoat, 4th December 1971.
Photographed by Monty Coles.
Scanned from Honey, May 1975.