Jackets are the brightest you’ve ever seen, with enormous checks and swirling swingy backs. They go with vivid sweaters and the widest possible Oxford bags, worn shorter than usual to reveal gleaming white lace-ups and tappy 46 two-tone shoes. What a way to get yourself noticed!
Second model from the left in the top image looks to be Ika Hindley.
These are the ties that go with the shirts that are all part of the big 40s revival. Floppy silky shirts with subtly embossed patterns, and ties and scarves galore; they can be tied in bows, pinned with brooches, loosely knotted or worn like the men do. In fact, as long as they trail elegantly down the front of your shirt you can wear these ties just any way you like.
As a dedicated fan of long silk scarves (and silky blouses, and novelty brooches in fact) I’m just taking this editorial as my one stop guide to getting dressed this autumn.
Photographed by Christa Peters.
Possibly modelled by Ika Hindley (it looks like her mouth).
For some years now the London fashion designers have had the edge on their Paris rivals for ideas and innovations. Tomorrow evening a film on this subject will be shown on BBC1. Today we photograph the key London designers with their favourite clothes. What do they think of the London fashion scene? Where do we go from here?
Photographed by Terence Donovan. Fashion by Cherry Twiss.
Scanned from The Telegraph Magazine, May 25th 1973.
One of the many interesting things about a steadily growing magazine collection is that you start to identify original source images for illustrations. I imagine that Mr John Storey never imagined that anyone would remember a single photo of Ika Hindley in Cosmopolitan from a year earlier, even less that someone yet-to-be-born would later scan and connect the two images.
Illustration by John Storey. Scanned by Miss Peelpants from Honey, December 1974.
From the same spread in Cosmopolitan as the Gabrielle Drake post, and eagle-eyed readers might recall that we have seen Ika Hindley before… There are still a few beauties to come, but I decided they were all worthy of their own post.
The spread was styled by Deirdre McSharry and she is really speaking my sartorial language. Dress by Annacat, shoes by Chelsea Cobbler and hat by Sarah Frearson. Make-up is by Pierre LaRoche (Bowie’s make-up artist and also for the Rocky Horror Picture Show) for Helena Rubenstein.
Cosmopolitan, June 1973. Photographed by David Montgomery. Scanned by Miss Peelpants.
“She arrived in the studio like an early Garbo, plain and drab. One hour and much make-up later she is fashion’s own superstar”.
Photo by Richard Imrie. Cosmopolitan. Cosmo Tells All. July, 1972
Ika Hindley is the twenty-three year old temporarily red-haired model who out-acts Bernhardt or Garbo on the catwalk. Give her a dress and she gives it soul. When wearing Bill Gibb’s vamp dress at his headline-making launch collection, BBC cameramen filmed a three-minute take of Ika doing her number. “I’m hoping it will get me into films. Underneath all this pink paint there’s a frustrated actress,” says Ika who takes voice, dancing and singing lessons. All of which give her catwalk appearance extra oomph. And oomph is what Bill Gibb’s clothes have in plenty. Film star Twiggy and actress Irene Worth are favourite customers of the shy Scottish lad with the special fashion flair.