Cotton knit jacket and pink gauchos by Rosalind Yehuda. Feather print blouse by Jeff Banks. Felt cloche at Biba. Over the knee socks by Mary Quant.
Completely flawlessly perfectly early Seventies…
Photographed by Max Maxwell. Scanned by Miss Peelpants from Vogue, February 1971.
Silk dress by Marielle. Glass beads from Cardine’s Stall, Kensington Market. Suede sandals by Charles Jourdan.
Smock blouse with muffler and crepe gauchos by Simon Massey. Shoes by Mary Quant.
Swirly skirt in lilac suede from Patti Searle. Cotton t-shirt in pale pink by Sun and Sand. Tan leather boots by Mary Graeme. Photographed at the Renaissance monastery La Cartuja, outside Jerez, which still houses monks of the Carthusian order.
One of my favourite looks; one I return to again, and again, in the winter time.
Photographed by Francois Lamy.
Scanned by Miss Peelpants from Harpers and Queen, December 1975.
Out on a limb… Ossie Clark as always. His new collection bristles with exclamation marks that point to Ossie the inimitable – the coat-hanger shoulders on his suits, the bright bunches-of-flowers prints by Celia Birtwell, the fluid lines and bosomy curves of his dresses.
Annabel Hodin, twenty-four years old, and a girl who believes in extremes. She changes the way she looks with the seasons, likes to be very, very brown in summer, white in winter, wears little make-up by day, lots at night. Daughter of Dr Josef Hodin the art historian, she lives in Hampstead, loves London, feels European, is at home everywhere.
Photographed by Barry McKinley at the home of Michael Chiu, owner of the Chiu Gallery. Make-up by Barbara Daly.
Scanned by Miss Peelpants from Harpers and Queen, February 1973
“Over and over again. The same scene, the same woman, the same violent ending. No normal dream, but the other explanation was unthinkable.”
Illustration by Plourde. Scanned from Cosmopolitan, January 1975
Lui: Jacket by Harry Lans. Shirt and tie by Francesco Smalto. Trousers by Brummell. Elle: Dress by Ossie Clark. Silver fox fur by Robert Beaulieu.
“Pour ceux que le triste smoking ennuie, << Lui >> propose une mode du soir facile à porter. Certains vont mourir à Venise, << Lui >> a décidé pour un soir d’y vivre en beauté.”
Un éditorial parfait, from Lui, January 1972. Photographer sadly uncredited.
Lui: Jacket, shirt, tie and trousers by Elysees Soieries. Patent black boots by Charles Jourdan. Elle: Panne velvet outfit (tunic, trousers and scarf) by Tan Giudicelli. White fox fur by Robert Beaulieu.
Lui: Sweater by Francesco Smalto. Shirt by Elysees Soieries. Satin neck tie by Elysees Soieries. Elle: Dress by Vesscheringe Brard. White fox fur by Robert Beaulieu.
Lui: Outfit by Renoma. Elle: Dress and midnight blue fox fur by Tan Giudicelli.
Photographed by John Carter. Scanned by Miss Peelpants from Petticoat, November 1971.
From left to right: She wears a curly fake fur short jacket by Elgee. Suede bib gauchos by 3 AM. Boots from Sacha. Canvas hat from Paradise Garage. He wears a leather flying jacket from Badges and Equipment. McCaul’s pullover. Pants from Take 6. Ravel lace-ups.
She wears: Suede jacket with furry trim by Hidegrade. Waistcoat by Take Six. Plus fours by Gordon King. Crochet hat from Biba. Watch from Paradise Garage. Boots from Russell and Bromley. He wears a suede hooded coat from C&A. John Craig polo jumper. Check pants from Bus Stop. Lace-up boots from Ravel.
Dress by Victor Edelstein
Photographed by Francois Lamy.
Scanned by Miss Peelpants from Harpers and Queen, December 1978
Outfit by Spaghetti, 32 Beauchamp Place
Tunic, belt and trousers by Basile from Browns Shoes by Pancaldi. Leather laurel wreath by Ragence Lam from Browns
Dress, jacket and trousers by Basile
Hooded top and skirt by Anne Buck from Lucienne Phillips. Gold sash by Linette Greco
Illustration by John Ireland
Scanned by Miss Peelpants from Honey, February 1974
Detail from an advert for Bal a Versailles by Jean Desprez, Paris – at the hall of mirrors, Versailles
Photographed by Sarah Moon.
Scanned by Miss Peelpants from Harpers and Queen, December 78
The straight and narrow path is open to any girl at Dorothy Perkins with straight skirts, waisted dresses and a full complement of knitwear, silky blouses and slightly shaped jackets.
Scanned by Miss Peelpants from Cosmopolitan, October 1979
Liz Eggleston 