Inspirational Editorials: Coats at the Barbican

1960s, Architecture, Barbican, Elgee, Inspirational Images, petticoat magazine, Richard Dunkley, stirling cooper, Vintage Editorials, wallis

Coat by Elgee

I spent a month working at the Barbican last year, and fell in love with its strange beauty while I wandered around on my breaks. Sometimes these things need to grow on you, or for time to pass on past experiences; it is safe to say that I was never much of a fan during the seemingly endless trips to see the RSC there in my schooldays, nor when I went for a rather traumatic audition at Guildhall…

Amazing to see this glorious Petticoat spread, photographed at the Barbican when it was still a little Brutalist Baby in 1973.

Photographed by Richard Dunkley. Scanned by Miss Peelpants from Petticoat, October 1973

Coat by Shapes

Coat by Stirling Cooper

Coat by Sheraton

Coat by Wallis Shops

Vintage Adverts: Deodorant and a free Marc Bolan poster

1970s, marc bolan, Vintage Adverts

Scanned from 19 magazine, June 1973

So disappointed that I’m 39 years too late to get my free Marc Bolan poster. Dang.

Far From the Madding Crowd

1970s, Ann Reeves, biba, british boutique movement, bus stop, Inspirational Images, irvine sellars, jeff banks, John Carter, lee bender, miss selfridge, mr freedom, peter robinson, petticoat magazine, topshop

Left to right: Dress, Jeff Banks, £9.90, P.R’s Top Shop. Dress, Ann Reeves, £9.25, Miss Selfridge,

Soft country girl dresses falling just below the knee in dark flowery prints ready for autumn, great for now. Looking sweet and old-fashioned with padded shoulders, sweetheart necklines or rever collars and cuffs – and all they really need is you and some romantic thoughts!

Very David Hamilton/Sarah Moon influenced shoot by John Carter. Scanned from Petticoat, July 1973.

Left to right: Beige dress, Jeff Banks, £9.90, Lady Tramp SW3. Mr Freedom hat, £2.50. Cream dress, Bus Stop, £9.95.

Left to right: Floral dress, Jeff Banks, £15.90, Irvine Sellars, sizal hat £2.50 from Biba. Black print dress, Ann Reeves, £9, Miss Selfridge.

 

Inspirational Illustrations: Lipsticks are a girl’s best friend

1970s, Hair and make-up, Illustrations, Make-up, philip castle, Vintage Adverts

Boots 17 cosmetics advert. Scanned from 19 Magazine, June 1973.

Illustrator sadly uncredited but it certainly has the Philip Castle look.

Vintage Adverts: Pimm’s

1960s, celia hammond, pimm's, susan small, Vintage Adverts

Queen, July 1968. Dress by Susan Small.

Inspirational Illustrations: One law for sons, another for daughters

1960s, Dick Sawers, Illustrations, nova magazine

By Dick Sawers

Scanned from Nova, June 1967

The Cover Girl Look

1970s, alice pollock, Inspirational Images, John Adriaan, laurence harvey, paulene stone

Photographed by John Adriaan

Paulene Stone, this month’s cover girl*, is one of the last of the Great Glamour Girls. In the tradition of Katharine Hepburn, Rita Hayworth and Fiona Von Thyssen, she has had lots of exposure and most of the perks. Like her carpet-sweeping ranch mink, walk-in wardrobe, heated swimming pool and her dishy boyfriend, film star Laurence Harvey.

She’s come a long way from Brighton where, at sixteen, she won a model contest. But Paulene’s solid gold glamour takes work—lots of it. Swimming twenty lengths of her heated OUTDOOR swimming pool, for instance. Especially in winter, Paulene says. “Though I’m not your full sporty type . . . I never get my eyelashes wet.”

She tackles cellulite the tough way. with water massage. Four jets on each side, one at the back, this brisk Japanese water treatment really works, says Paulene. “Every dimple on my buttocks went.” Standing five foot nine inches in her Biba boots, American jeans and sweater—the model girl uniform- she weighs only 8 st. 12 lb. And l’ve seen her eat strawberry jam on bread for lunch, followed by a doughnut. Paulene has plenty of incentives, of course. Her boyfriend is one. “I hate to be outdone by Larry,” she says. He takes daily saunas. She skips this because it dried her skin. A built-in softener in the water tank, lashings of Fenjal and regular sessions with Nair depilatory on her legs, keep that milk-maid skin impeccable.

Paulene casts a cold eye on her skin in the clear light of a fluorescent tube, set in a mirror just above eye-level—very revealing. Like most enduring beauties she knows her flaws down to the last missing eyelash. On the current natural kick. most models have thrown away their false eyelashes. Not  Paulene. “I can’t NOT wear them, I have none of my own. Larry calls me: ’No Eyes’.” Putting her face together starts with Boots No. 7 foundation in a beige tint, spread very fine with a sponge. For pictures she adds a fluff of Germaine Monteil sheer powder which doesn’t add any colour. Estée Lauder’s brick coloured brush-on powder hollows her cheeks. She rings her eyes with Mary Ouant’s dark blue crayon, then adds Cardinelli eyelashes. She plucks her pale eyebrows to a fine arc. then shadows them with Almay’s brown brush-on shadow. Her red hair is streaked twice a year and she prefers to wash it, in herbal shampoo, and set it herself. Her lipstick and nail varnish are currently red.

“Not blood-red, Larry hates obvious red lips. It’s idiotic to irritate a man with your make-up or clothes; the whole point is to attract the opposite sex, not repel them.” says Paulene. Like most men, her fella doesn’t notice clothes unless he doesn’t like them. She remembers when they first met he asked why she didn’t own a little black dress. “He even bought me pearls. That was when l wore white mini kilts and Courreges boots!”

Paulene’s been through several styles from the all-white bit, through Chanel suits to hippy gear, and now she’s back to classics. Her walk-in wardrobe holds clothes by the rackful and several furs. A Herbert Johnson hat box holds two swash-buckling hats with sweeping brims and pheasant feathers and the place reeks lushly of Calandre, Paco Rabanne’s scent. The bathroom wall is lined with nicely narcissistic pictures of Paulene with Larry, plus prints and paintings of leopards, a fox, a Thai tiger in brass and other beautiful felines. Paulene, a well-groomed and well-loved feline herself says: “I’m saving up for my first face lift now. I shall not grow old gracefully.”

Scanned from Cosmopolitan, April 1972.

*Curiously, she isn’t actually the cover model for the issue this appeared in!

Of course Larry and Paulene get their own cover a few issues down the line…

Photographed by John Adriaan

Photographed by John Adriaan

 

Mensday: Cosak Spells Action

1960s, Mensday, menswear, nova magazine, space age, Vintage Adverts

Scanned from Nova, June 1967

Actually I think you’ll find it spells ‘Cosak’, but never mind…

‘Think about COSAK for light relief’, combined with that suspicious looking pump thing they’re holding…? I’m not even going to fall into that dirty mind trap!

See also “Cosak is orbiting

Inspirational Images: Hairpins and lipstick

1970s, Inspirational Images, Jacques-Henri Lartigue

By Jacques-Henri Lartigue. Scanned from the British Journal of Photography Annual 1972

Inspirational Images: Jane Birkin in Wonderwall

1960s, Dennis Stone, Inspirational Images, jane birkin, Queen magazine, Wonderwall

Photograph by Dennis Stone

Jane Birkin and Iain Quarrier in Wonderwall, the first production of Alan Clore Films, which will be released later this ear. Wonderwall is the story of Oscar, a mother-dominated scientist, who lives a lonely and solitary life until one day he throws an alarm clock at the wall in protest at the noise which is coming from the flat next door. The wall cracks and light coming though the hole turns Oscar’s room into a wonderful camera obscura. Peering through the hole, Oscar is able to watch Penny, the model girl next door, as she embraces her lover.

Images and text from Queen, January 1968

Photographs by Dennis Stone