
Bright girls use their grey matter and use flannel as a platform for colour
Photographed at St. Pancras Station, London. Hair by Gerald at Evansky.
Photographed by Frank Murphy.
Scanned from Flair, September 1972.




Bright girls use their grey matter and use flannel as a platform for colour
Photographed at St. Pancras Station, London. Hair by Gerald at Evansky.
Photographed by Frank Murphy.
Scanned from Flair, September 1972.
The time: mid-morning coffee-break The place: The Post Office Confravision Studios, Euston Tower* The clothes: At last, working gear (you’ll be delighted to see) to cope with both formal and permissive working environments. The fabric: calico, strong and hard-wearing, cotton-based, so it’s comfortable for over-heated offices. Add a dash of towelling, team it with crocheted string vests, scarves, tights and bags for a little wit. The colour: cream—soothing and harmonious for worn executives. Enliven it with a touch of colour here and there (and to pick you out from beige office walls — remove if you need the camouflage).
* One of five office studios provided by the Post Office for its conference-by-TV service. Designed by Kenneth Grange of Pentagram.
An incredibly apposite photoshoot featuring the Post Office’s futuristic ‘Confravision’ studios. To read an original brochure, click here.
Photographed by Andreas Heumann.
Scanned from Over 21 Magazine, April 1976.
No excuse for looking a wash-out with these rainy-day separates. Showerproof three-quarter length Dannimac cotton jacket. Black Simon Massey shirt. Keep-the-worst-off cotton hat by Malyard. Bouncy beads by Adrien Mann. Bumper sunglasses by Oliver Goldsmith.
Photographed by Willie Christie.
Scanned by Miss Peelpants from Over 21, September 1972