We cheered the twinset revolution earlier this year, now amazing things are happening to sweaters. They look good and they’re warm as well. It’s no wonder that they’re the fastest selling items in the shops!
Pictures taken at Picketts Lock Centre, Picketts Lane, N9. Hair by Christine at Mane Line.
Black and silver are this year’s popular Christmas colours. Sweaters are in silver lurex striped in black, black wool flecked with silver and endless other combinations. Shapes are halter-necks, dolmans, or little wrap-over cardigans – almost any shape will do. Accessories are bright and glittery. Add touches, like sticking sequins on your hats, and shoes, and you’re all set to outshine the fairylights.
Photographed by Christian Laroque.
Scanned from 19 Magazine, December 1972.
What a year. It’s hard to summon up a great deal of enthusiasm for the Christmas we’re about to have, but I’m looking backwards to look forwards, as I often do. I still seem to find joy and solace in art and aesthetics and I hope my posts have given you the odd moment of enjoyment and inspiration this year. Thank you for your support and to everyone who has bought vintage from me or liked/shared/commented on my blog and Instagram posts. Sending you my love and best wishes for a better year ahead.
First-job salaries can present problems when you’re not used to juggling the rent around a new skirt or sweater. But there are ways—as you’ll see on these pages—of looking not just good, but positively great on a tight budget. Learn the rules of the “looking-good-on-a-little” game . . . remember that one pair of pants at £10+ will outlive two pairs that split whenever you sit down; that washable fabrics mean you’ll have no cleaning bills. Learn how to bleach and dye, starch and press properly—so you’ll be able to match vest tops and T-shirts to your new longer flowery skirts and keep them looking fresh. Invest in beautiful leather shoes: they last and look good if polished every day. Spend more on accessories —sometimes—than a new dress. Build your wardrobe around two or three colours—as crazy as you like—and find jolly extras to pull it all together. . . . This may be the summer you always wear a hat. Here is my choice of nine outfits . . . chic, very wearable and all cheap at the price. That’s fashion knowhow.
Striped top and matching crepe cardigan. Cream crepe trousers, all by Jackie Ross at Jon Elliot. Clutch bag by Biba. Blue and white striped scarf from Essences. Beige straw hat by Diane Logan / Green,, white and black striped cardigan is a 19 Magazine knitting pattern. Long cream gored skirt by Brave New World. Cream strappy straw sandals from Chelsea Cobbler.
back to romance with nostalgia and nostalgic clothes in romantic settings. Long, flowing scarves, mysterious veils and soft, sensuous fabrics for Sunday strolls or super dates — a wardrobe for summer sentimentalists
Hair by Robert at Ricci Burns.
Photographed by Gian Barberis.
Scanned by Miss Peelpants from 19 Magazine, May 1974.
Green straw hat by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Cream knitted cardigan from Essences. Grey suede shoes from Bombacha. / Dark green chip straw ht by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Navy blue shoes from Bombacha.
Cream beret by Kangol. Halter top, matching white and blue silk knitted long cardigan. Matching calf-length knitted skirt all by Lison Bonfils at Joseph. Grey suede shoes from Bombacha. / Salmon pink beret by Kangol. Cream crepe sleeveless top with sequin motif. Matching below-the-knee culottes. Both by Jackie Ross for Jon Elliot. Salmon pink silky cardigan from Essences. Sandals from Chelsea Cobbler.
Brown felt hat from Nostalgia. Black and white crepe de chine dress by Jeff Banks. Cream cardigan by Essences. Shoes from Bombacha. / White suit with black pattern and reverse on cuffs and collar from Essences. Black suede shoes from Bombacha. Black scarf from Bus Stop.
Pink straw hat by Diane Logan. Crepe crepe jacket and matching mid-calf skirt by Bus Stop. Cream straw shoes by Chelsea Cobbler. / Black and tan cloche from Diane Logan. V neck top and matching crepe jacket and skirt all from Bus Stop. Straw shoes by Chelsea Cobbler. Scarf to match suit from Bus Stop.
Sandra and Di-Di have got bouncy berets. Ginny’s got a crazy bobble beret. Tasmin has a pull-on push-about willy woolly and Carol-Anne a kiddy cap. They’ve all got the Kangol Craze! Daffy dizzy colours. Gorgeous shapes. Soft super feel. Wonderfully wind and winter-proof. Don’t get left in the cold. Catch on to Kangol… and go!
Scanned by Miss Peelpants from 19 Magazine, November 1968.
She: Felt hat by Edward Mann. Pink sweater and matching cardigan by Ossie Clark for Radley. Skirt by Danielle Claire. Scarf from Essenses. He: Army sweater from Laurence Corner. Cord jodhpurs from Badges and Equipment.
Featuring the beautiful Pat Cleveland…
Photographed by Pelito Galvez.
Scanned by Miss Peelpants from 19 Magazine, September 1975
She: Red beret by Kangol. White blouse with red velvet ribbon tie by Sheridan Barnett at Quorum. Grey fleck suit by Strawberry Studio. Snakeskin strappy shoes by Sacha. Scarf from Essenses. He: Army jacket and trousers from Laurence Corner. Boots from Badges and Equipment.
She: Hat, sweater and scarf all by Lionel Fisher. Skirt by Danielle Claire. Shoes by Mary Graeme. He: Cream and black pin stripe shirt by Nostalgia. Jodhpurs and boots from Badges and Equipment.
She: Black felt hat by Charles Batten. Black skirt and cream coat both by Sheridan Barnett at Quorum. Black suede shoes by Russell and Bromley. Clutch bag from Boots. Black scarf from BHS. He: Army jacket and trousers from Laurence Corner. Boots and kit bag from Badges and Equipment
Skirt by Sujon. Polo by John Craig. Beret by Kangol. Scarf from Van der Fransen.
This spread is everything I love about Autumn and Winter, and how I am often attired. Interesting clothes: textures, colours and embellishments; hats, scarves, tights etc. But sometimes I seem to forget to post more daywear spreads, I suppose because they were often less interestingly photographed and displayed; sometimes even borderline chaotic. But I don’t see why that needs or needed to be. Daytimes can be the most expressive times for me…
This shoot is particularly beautiful and, for me, inspirational.
Photos by Bill Klein. Petticoat, November 1974
Skirt by Wallis Shops. Polo by John Craig. Beret by Kangol. Scarf from Van der Fransen. Shoes by Saxone.
Skirt by Wallis. Sweater by Mushroom. Beret by Kangol. Scarf from Van der Fransen. Sox by Kickers. Saxone shoes.
Skirt by Left Bank. Sweater by John Craig. Beret by Kangol. Scarf from “208″ SW10. Shoes by Saxone
Skirt by City Swingers. Sweater from Leaves. Quant sox. Shoes by Elliott.
Tweed skirt and hat from Bombacha. Polo from Dorothy Perkins. Shoes by Saxone.
Velvet skirt by Stirling Cooper. Shirt by John Craig. Waistcoat from Dorothy Perkins. Beret from Marida.