Inspirational Images: Ear Coquetry

1960s, Bert Stern, Brossin de Méré, hair, Hair and make-up, Inspirational Images, Make-up, Revlon, Vogue, yves saint laurent
With the ear coquetry, Revlon's Natural Wonder watercolour eye shadows -- beige brown, and white from a three-part compact. Black cola and Cola Frost liners. Lipstick is Great Grannt Red. . . . Saint Laurent's "gypsy" bride dress: Brossin de Mere's silk patchwork ogranza. Ro order: I Magnin.

With the ear coquetry, Revlon’s Natural Wonder watercolour eye shadows — beige, brown, and white from a three-part compact. Black Cola and Cola Frost liners. Lipstick is Great Granny Red. . . . Saint Laurent’s “gypsy” bride dress: Brossin de Méré’s silk patchwork organza. To order: I Magnin.

At last! We have a term for when your ears poke through your hair: Ear Coquetry.

Photographed by Bert Stern.

Scanned by Miss Peelpants from American Vogue, August 1969.

Vintage Adverts: Amanda! Compose yourself…

1960s, Alec Murray, nova magazine, Tonik, Vintage Adverts
Photographed by Alec Murray

Photographed by Alec Murray

Scanned by Miss Peelpants from Nova, April 1968

Inspirational Images: Cool-Cut Hot Raspberry

1960s, british boutique movement, clive arrowsmith, georgina linhart, Inspirational Images, just looking, Vogue
Cleverly-cut bra top, just tied in a knot in burning hot pink, with loose low trousers of the ame. By Georgina Linhart, 91/2 gns, at Just Looking.

Cleverly-cut bra top, just tied in a knot in burning hot pink, with loose low trousers of the ame. By Georgina Linhart, 9½ gns, at Just Looking.

Photographed by Clive Arrowsmith.

Scanned by Miss Peelpants from Vogue, April 1969

Inspirational Images: Clothes in Camera

1960s, alice pollock, british boutique movement, Inspirational Images, jean varon, john bates, John Beale, Palisades, Prudence Glynn, quorum, wallis, woman's mirror
Left to right: Herringbone dress  by Quorum, Ansdell Street; Striped dress by Quorum. Large Onyx ring from Palisades. Shoes from Lennards; Three-coloured gaberdine dress by Wallis; Wool jersey dress by John Bates at Jean Varon. Low heeled shoes by Character.

Left to right: Herringbone dress by Quorum, Ansdell Street; Striped dress by Quorum. Large Onyx ring from Palisades. Shoes from Lennards; Three-coloured gaberdine dress by Wallis; Wool jersey dress by John Bates at Jean Varon. Low heeled shoes by Character.

Television is a terrific stimulus to fashion. What Cathy McGowan wears on Ready, Steady, Go! may be in your High Street dress shop a matter of days later in a mass-produced copy. And John Steed’s immaculate Avenger image has played its part in the male peacock revolution. For our television issue here is an ‘outside broadcast’ collection of action clothes.

Produced by Prudence Glynn. Camera by John Beale.

Scanned by Miss Peelpants from Woman’s Mirror, October 1965.

Mild Sauce: Merry Christmas one and all…

1960s, christmas, mild sauce
paola quattrini - cine revue - janvier 1969

Cine Revue, Janvier 1969

Fire up the Quattrini!

I hope you all have a peaceful day tomorrow, and beyond, whatever you are doing and whatever your culture. I’ve scheduled as many lovely images as time would allow, but I will be back to normal with the usual goodies (imagery and real life frocks you can buy) in the New Year.

Thank you and Happy New Year!

Inspirational Interiors: Kayser Advert

1960s, interior design, Kayser, Vintage Adverts

kayser honey december 69

I’m afraid the tights are irrelevant to me. Check out that carpet! And that wall!

Scanned by Miss Peelpants from Honey, December 1969

Inspirational Editorials: Get Knitted

1960s, biba, british boutique movement, Browns, bus stop, Cerruti, cherry twiss, Inspirational Images, Ken Lane, Kutchinsky, lee bender, Sarah Moon, telegraph magazine, Vintage Editorials, Virginia, Worth
Knitted dress from The House of Worth. Hat at Brown's.

Knitted dress from The House of Worth. Hat at Brown’s.

Photographed by Sarah Moon. Styled by Cherry Twiss. Hair by Carita Salon.

Scanned by Miss Peelpants from The Daily Telegraph Magazine, November 14th 1969

Skinny cardigan in boucle acrylic by Lee Bender at Bus Stop. Ring from Kutchinsky. Gold ring by Ken Lane.

Skinny cardigan in boucle acrylic by Lee Bender at Bus Stop. Ring from Kutchinsky. Gold ring by Ken Lane.

White ribbed catsuit by Sally Levison. Brass belt from David Elliott. Ring by Kutchinsky.

White ribbed catsuit by Sally Levison. Brass belt from David Elliott. Ring by Kutchinsky.

Maxi coat and trousers knitted by Women's Home Industries. Roll neck sweater dress by Virginia. Hat by Cerruti.

Maxi coat and trousers knitted by Women’s Home Industries. Roll neck sweater dress by Virginia. Hat by Cerruti.

Marled knit polo neck sweater with sleeveless waistcoat by Biba. Leather belt by Cerruti.

Marled knit polo neck sweater with sleeveless waistcoat by Biba. Leather belt by Cerruti.

Inspirational Editorials: Cheap Thrills

1960s, british boutique movement, bus stop, clobber, Inspirational Images, janice wainwright, jeff banks, lee bender, observer magazine, ritva, simon massey, Steve Hiett, Vintage Editorials
Rich brown satin dress slashed to the waist by Lee Bender for Bus Stop

Rich brown satin dress slashed to the waist by Lee Bender for Bus Stop

An expensive dress bought to wear just for evenings can spoil your party fun. You’ll worry about spilt wine and cigarette burns while you’re engaged in unarmed combat with the crowd. You don’t want to pay a lot for something you and your friends might tire of after just one round of parties. So find yourself a dress that’s memorable like the four shown on these pages, in shiny satin, cire, Tricel, jersey or sparkling Lurex, and if its life is hort, it might break your heart but not your bank. So buy your glitter cheaply, and spend your sixpences on having fun.

Photographed by Steve Hiett.

Scanned by Miss Peelpants from The Observer Magazine, 7th December 1969

Purple tricel jersey shirtdress shimmying to ankle length by Clobber. Smoky grey pearl rope, 10 feet long, from Paris House.

Purple tricel jersey shirtdress shimmying to ankle length by Clobber. Smoky grey pearl rope, 10 feet long, from Paris House.

Lurex jersey dress, memorably low-cut, by Janice Wainwright for Simon Massey. Pale silver crochet hat from Ritva.

Lurex jersey dress, memorably low-cut, by Janice Wainwright for Simon Massey. Pale silver crochet hat from Ritva.

Inspirational Editorials: Legs Go Under Cover

1960s, british boutique movement, Browns, celia birtwell, chelsea cobbler, Flora Boutique, fulham road clothes shop, Gina Fratini, Harpers Bazaar, Harri Peccinotti, Inspirational Images, Ken Lane, kurt geiger, molly parkin, mr fish, ossie clark, Piero de Monzi, quorum, sylvia ayton, thea porter, Vintage Editorials, zandra rhodes
Left to right: White crepe bolero and trousers by Gina Fratini. White shoes by Kurt Geiger / Satin trousers and matching chiffon top in print by Celia Birtwell, both by Ossie Clark at Quorum. Red leather shoes by Chrystal of Copenhagen. / Black silk organza shirt and trousers in Bianchini's black silk organza flocked with velvet, both from Thea Porter. Cord belt from Piero de Monzi. Wide jewelled belt and double chain and green stone belt from Ken Lane. Black satin shoes by Kirt Geiger. / Black cire trouser suit from The Fulham Road Clothes Shop. Black letaher boots by Thea Chelsea Cobbler. Black and cream silk scarf from Thea Porter

Left to right: White crepe bolero and trousers by Gina Fratini. White shoes by Kurt Geiger / Satin trousers and matching chiffon top in print by Celia Birtwell, both by Ossie Clark at Quorum. Red leather shoes by Chrystal of Copenhagen. / Black silk organza shirt and trousers in Bianchini’s black silk organza flocked with velvet, both from Thea Porter. Cord belt from Piero de Monzi. Wide jewelled belt and double chain and green stone belt from Ken Lane. Black satin shoes by Kirt Geiger. / Black cire trouser suit from The Fulham Road Clothes Shop. Black leather boots by The Chelsea Cobbler. Black and cream silk scarf from Thea Porter

Everyone is tired of hearing that the mini skirt is on the way out.
Nearly as tired as when they heard it was on the way in.
These things in fashion die a very slow death,
but in this case one reason has been the lack of alternative.
Designers made too great a leap with the maxi,
and too indefinite a move with the midi.
After extremely short skirts,
something flapping around mid calves did feel extremely frumpish.
This was tied in with the fact that no boot manufacturers at
that time were making them with high enough heels,
essential with a longer skirt,
and it was very difficult to find feminine unclumpy
shoes which gave enough of a lift.
Now footwear is changing.
Boots are tall and beautifully fitting.
l-ligh-heeled shoes — very high — are pretty,
well proportioned and extremely flattering.
And so one branch of fashion may well be influencing another.
ln the end everything is a matter of proportions.
When skirts went up, heels came down.
The high stilettos we used to hobble around in so painfully,
not really that long ago,
looked far too tarty with hemlines halfway up the thigh and even
worse with trousers, especially tight ones.
Since most women feel their legs to be too short,
and the wearing of the heel as very necessary to a feeling of femininity,
this cancelled out the wearing of trousers for a very large number.
Until a short time ago trousers were being worn by,.
apart from men of course,
women who looked like men — that is, girls with no curves.
Lean hips. Long legs — in flat shoes.
Now for the first time comes the alternative to the mini skirt. Trousers.
That is, until hemlines decide exactly how far they will drop.
As drop they will.
Footwear has helped provide the solution.
It will comfort many to know that the models in the
pictures which follow, averaging 32″-35″ hips, still have
to choose, very carefully, shapes which suit them.
Their legs are long but still need the added inches that a high
heel gives them. Their shapes are slim, but female.
Still sometimes round enough to need the camouflage of a long jacket,
cardigan or tunic. They show that closely fitting
trousers can be sexier and will also make you look fatter.
They show that a small waist is made smaller by a high
cut rather than a hipster style.
Most of the trousers for evening lit well over the hips but flare out
in a very feminine, flattering way.
They are glittery, shiny, and see-through.
Beautiful in fact; better than ever before.

Alas, now that mini skirts are accepted just about everywhere.
we have to warn that trousers, for women that is, aren’t.
An appalling number of top London hotels
still hold fast to outdated rules about them.
Officially they are not allowed in, even to drink,
let alone to dine or to have lunch.
ln the Dorchester they can’t even have tea!
In the Mirabelle: Ofhcially, trousers are not admitted.
The question does not arise much at lunch—tirne
as there are never very many women there.
ln the evening the rule has now been relaxed and you
would be permitted to dine in trousers.
Talk of the Town: Certainly you may wear trousers.
Savoy: They now allow very dressy evening trousers in public rooms
but no daytime trousers at all.
Wearing them to private functions in private rooms
is left to the discretion of the organisers.
Dorchester: You would not be served anything
when wearing a trouser suit.
This applies to all public rooms,
but for banquets and other private functions it is up to the organisers.
Connaught: Officially not allowed at any time in the bar or restaurant,
but it is a decision left to the manager.
Carlton Tower: Trousers are not encouraged in the Rib or
Chelsea Rooms, but they are coming to accept them.
They prefer lunch-time trousers to evening ones.
Westbury: Trousers are not allowed in the bar or restaurant;
this applies to evenings too.
However, this rule, like others, is relaxed from time to time,
eg, when Brigitte Bardot arrives in trousers from the
airport – or Lord Snowdon arrives for dinner in a roll-neck shirt.
Hilton: Officially no trouser suits in the Roof Restaurant.
Unofficially you could get away with it if it’s
a very beautiful catsuit or something similar.
At private functions it depends on the organisers.
Ritz: No rule for the daytime, it just depends on the trousers!
Usually it is permitted to wear trousers
in the evening, but again it depends . . .
Claridge’s: Very strict,
definitely no trouser suits in the public rooms,
though they say you can wear what you like in private!
Crockford’s: They don’t object to them at all.
Coq d’Or: They much prefer to see a lady dressed as a lady.
During the day they prefer skirts
but don’t object to trousers in the evening at all.
White Tower: lf the woman looks elegant and well-dressed she is let in,
otherwise she may be told that the restaurant is full.
Brown’s: No objections at all for either day or evening
in either restaurant or bar provided the wearer looks neat and tidy.
Les Ambassadeurs: Don’t mind couture—cut or evening trouser suits,
but don’t like anything untidy like blue jeans.
Caprice: Quote from the reservations man:
‘l am sure we can have no objections.
women eat here in trousers all the time’

Words by Molly Parkin. Photographed by Harri Peccinotti.

The eagle-eyed among you may have spotted the Ossie Clark ensemble which won Dress of the Year in 1969. For an item which won such a prestigious award, it’s always amazed me that I haven’t seen more contemporary images of it. I suppose it’s quite ‘out there’, even by late Sixties standards, but thankfully Molly Parkin was always pretty way out there.

If you can make your way through all the text, it’s a pretty impressive and important insight into the attitudes towards women in trousers in late Sixties Britain. It’s easy to forget how scandalous it could be, even in 1969 – a good four years after we first saw Emma Peel in John Bates’s trouser suit designs in The Avengers, for a woman to wear trousers. People obviously did it, you see enough fashion spreads to know that, but the list of swanky hotels and restaurants who still would refuse entry and service to a woman in trousers is quite extraordinary.

Scanned by Miss Peelpants from Harpers Bazaar, April 1969.

legs go under cover 2

Left to right: White voile peasant shirt and wide pink, blue and turquoise brocade belt with gilt buckle, both from Thea Porter. Trousers in shell pink silk chiffon with sequins by Gina Fratini / Cyclamen silk shirt with full extravagant sleeves and purple trousers in Warner’s silk damask furnishing fabric, both by Thea Porter/ Brocade belt with gilt buckle by Swordtex from a selection at Mr Fish. / Gipsy bolero in silk brocade and cream organdy trousers, both from Thea Porter. Long orange and yellow scarf wound around waist from Flora Boutique. Chain belt studded with flowers from Browns. More jewelled belts and chains from a selection at Ken Lane.

Designer Focus: Alistair Cowin

19 magazine, 1960s, alistair cowin, british boutique movement, Designer Focus, John Carter
Alistair Cowin photographed by John Carter for 19 Magazine, April 1969

Alistair Cowin photographed by John Carter for 19 Magazine, April 1969

You might not have heard of Alistair Cowin before. Like many other superbly talented designers in the 1960s and 1970s, he has rather fallen off the radar in recent years. But all it takes is a little article from a contemporary magazine, and an original garment, and I’m hooked. I’ve just listed this dress over on Vintage-a-Peel, and it’s a beauty. A vision in white chiffon, and very reminiscent of designs by his contemporaries John Bates and Gerald McCann. I only have one other piece by Cowin so far, so I think it’s safe to say his work doesn’t show up very often. And how often does a wearable collectable piece, in a non-teeny tiny size ever pop up?

Available now over at Vintage-a-Peel.co.uk

Alistair Cowin 1960s chiffon mini dress at Vintage-a-Peel

Alistair Cowin 1960s chiffon mini dress at Vintage-a-Peel