
Take browns, oranges, greens and gold, mix them, match them and make them work for you.
Make-up by Barbara Daly.
Hair by Gerald at Mod’s Hair.
Photographed by David Bailey.
Scanned from Beauty in Vogue, Summer 1973.


Take browns, oranges, greens and gold, mix them, match them and make them work for you.
Make-up by Barbara Daly.
Hair by Gerald at Mod’s Hair.
Photographed by David Bailey.
Scanned from Beauty in Vogue, Summer 1973.

Revlon’s make-up. Creamy Ivory Touch & Glow Liquid Make-up, and Frosty Sienna Blush-On so that it shows. Touch & Glow Translucent Powder dusted on and dusted of again. Eyes outlined with Midnight Blue Liquid Eyeliner. Black Super Rich Mascara for lashes. Lemon Frost merged into Meadow Green Super Rich Eye Shadows. Charcoal Grey Fineline Pencil for brows. Copper Coral Lipstick, brush-outlined for cut-out clear edges.
Make-up artist, Barbara Daly; hair by Nick at Leonard.
Herbaceous silk chiffon dress, with chiffon rose necklet, by Salvador, about £150, Liberty.
Photographed by Barry Lategan.
Scanned from Vogue, February 1975.

Kathleen and Kenneth Tynan live in Kensington with their children, Roxana, 5, and Matthew, 2, when they’re not abroad: they’re often either just off or just back – now it’s just back from four weeks in a cottage in Wales. Kathleen Tynan is an excellent journalist, specialising in arts features and interviews, and is working on her first book.
Photographed by Norman Parkinson.
Scanned from Beauty in Vogue, 1973.

Hair by Alex at Ginger Group.
Make-up by Barbara Daly.
Photographed by Francois Lamy.
Scanned from Harpers and Queen, May 1975.



Take a flower for your hair, gather up a halter top, now dust on the glamour…
First flower, airy petals of summer pink net, outlined in white stitching, round white button for stamens. By Pablo and Delia, to order at Browns. Ruched halter top, flower printed seersucker, also by Pablo and Delia.
Make-up by Barbara Daly. Hair by John at Leonard. Model is Mouche.
Photographed by Barry Lategan.
Scanned from Vogue, May 1972.
“What are Vidal Sassoon, Barbara Daly and Ossie Clark doing in Vogue studios? Vidal did the hair, Barbara the make-up, Ossie designed the dress … Lipstick matched to the flowers in Celia Birtwell’s printed chiffon. Ossie Clark twined his own gold chain and lizard over the shoulder and, snap, David Bailey. Dress to order from Ossie Clark.”
Photographed by David Bailey.
Scanned by Miss Peelpants from Vogue, July 1974
Out on a limb… Ossie Clark as always. His new collection bristles with exclamation marks that point to Ossie the inimitable – the coat-hanger shoulders on his suits, the bright bunches-of-flowers prints by Celia Birtwell, the fluid lines and bosomy curves of his dresses.
Annabel Hodin, twenty-four years old, and a girl who believes in extremes. She changes the way she looks with the seasons, likes to be very, very brown in summer, white in winter, wears little make-up by day, lots at night. Daughter of Dr Josef Hodin the art historian, she lives in Hampstead, loves London, feels European, is at home everywhere.
Photographed by Barry McKinley at the home of Michael Chiu, owner of the Chiu Gallery. Make-up by Barbara Daly.
Scanned by Miss Peelpants from Harpers and Queen, February 1973
“Start squaring your shoulders, tightening your belt and walking on four-inch heels…”
A phenomenal editorial which feels very ahead of its time. This is really the birth of ‘Power Dressing’, from February 1979. There’s a curious juxtaposition of old and new, the old telephone and boudoir chair in the final photo suggest the origins of these suits in the Forties while the clunky ‘mobile phone’ is the signpost to the unknown future. Pre-Eighties and pre-Thatcher (just) – even pre-Miss Peelpants (also, just!) – there’s something quite charming about the modest silhouette here – which is really rather hard to equate with the horrors which were to come. These feel more in line with the New Romantic and Goth garments from the 1980s which I feel passionate about and choose to collect (like Sarah Whitworth, Symphony of Shadows etc), than with Yuppies and Dynasty, although you can just as equally see their genesis here.
Photographed by Christa Peters. Scanned by Miss Peelpants from Cosmpolitan, February 1979.