
Photographed by Alain Walsh.
Scanned from Honey, March 1972.

Photographed by Alain Walsh.
Scanned from Honey, March 1972.

Daytime dresses in pretty prints and purely simple plains – warm and practical for everyday but special enough for best.
Photographed by Allan Walsh*.
Scanned from Honey, January 1972.
*Usually credited as Alain Walsh, I think it must be the same photographer.






Brighter and brighter, the new brand of knits is coming. Bolder than ever, with huge batwing sleeves, flaring kimono arms and rainbow stripes. Piled on top of one another or over a striking shirt – without any doubt the greatest knits ever seen.
I don’t know about you, but clown and circus-influenced editorials are one of my favourite themes and really quite a staple of the late Sixties and early Seventies youth magazine boom.
Photographed at Foire & Cirque de Rancy, France.
Photographed by Alain Walch.
Scanned from Honey, February 1972.




Left: Embroidered long skirt and embroidered Mexican shirt, both by Souk. John Craig shaggy wool waistcoat. Buckle Under Enterprises balaclava. Right: Long skirt by Souk. Biba gloves. Clobber blouse at Stop the Shop. Jasper kimono from Miss Selfridge.
Warm folkclothes for the part of you that needs freedom and a soft, beautiful way of dressing even through the cold months of winter. These are the long skirt, blouses and shawls to pick up in the markets, the pinnies and shaggy wool coats to take off the peg and lounge around in.
Fashion by Sue Hone. Photographed by Alain Walsh.
Scanned from Petticoat, 11th December 1971.

Left: Clobber gingham skirt with frill. Calico pinny from Laura Ashley. Knit jacket by Crochetta for Knits and Leathers. Feathers hat. Play balls from Inca. Right: Clobber seersucker skirt with print. John Craig rib polo sweater. Calico pinny at Laura Ashley. Embroidered jacket and Hessian belts at Inca. Herbert Johnson mittens.