Heavy red cotton blazer, red bows on white voile shirt, blue check shorts, all by Electric Fittings.
Five looks gone to blazers here, five separate ways to be wearing them all summer through – with baggy Oxford bags, check shorts, short trousers, pleated skirts. Other best things to go with blazers are fake flowers, cloche hats, shady straws, veiling, hair nets, print shirts, a bevy of built up shoes. Go get a blazer.
Photographed by David Montgomery. Modelled by Gala Mitchell.
Scanned by Miss Peelpants from Vogue, May 1971
Long double breasted white cotton brocade blazer, fuchsia velvet cloche, petrol green crepe pleated skirt, all at Saint Laurent Rive Gauche.
Navy denim blazer, navy, ivory and scarlet plaid seersucker bags, white polka dot scarlet acrylic shirt, all at Bus Stop.
Navy denim blazer pin striped extra fine, white with navy stripe trousers, both by Alistair Cowin.
Champagne satin blazer in bow print, blue print Chinese alphabet short dungarees, both by Electric Fittings. Sandals and tomato tights at Saint Laurent Rive Gauche.
…contrived in Van Dongen colours.
Gala Mitchell photographed by Barry Lategan.
Make-up by Estee Lauder. Hair by Daniel and Oliver of Leonard.
Black straw hat and ivory satin-ribboned blouse from Sharron’s Shoppe, Kensington Market.
Scanned by Miss Peelpants from Beauty In Vogue, 1970.
Rosalind Russell wore this soft grey georgette evening dress with cross-draped bodice, for The Velvet Touch.
[Proving that nostalgia is nothing new…]
You are forgiven if you think the pictures on these pages are fashion circa 1971. In a sense, they are; but in fact, these are original Hollywood – the clothes of the stars, people like Bette Davis, Katherine Hepburn, Olivia de Havilland, Jean Seberg, Shirley Temple — worn in their films, coming up for a gala auction at Sotheby’s Pantechnicon in Motcomb Street at 7pm on December 1.
The man who made it possible is Michael Fish — Mr Fish, no less — who bought the whole collection of 30s, 40s and 50s creations from Max Berman & Son of Hollywood, and is putting them to auction in aid of Immigrant Community Services. So you could help to provide a new children’s playground in Brixton, say, while treating yourself to a great fashion original . . . like Jane Russell’s navy pleated chiffon coat over crepe culottes ; Bonita Granville’s pink chiffon dress with Alencon lace and fine pleating; not to mention the original mini worn by Betty Hutton in Annie Get Your Gun.
Patrick Procktor is contributing to the programme for Mr Fish’s ‘frock fantasy’. Ossie Clark’s sensational model, Gala, will wear some of the clothes, as she did for us in company with Barbara Trentham. Make-up here by Barbara Daly; hair by Smile; location, Mr Paul Hamlyn’s house.
Harpers and Queen, December 1971. Photographs by Tim Street-Porter
Square-shouldered 40s suits, as worn by Maureen O’Hara and Ginger Rogers.
Agnes Moorehead starred in this vampy black crepe dress with sequins and a matching shoulder cape fastened with jet.
Photographed by Celia Birtwell
“Usually I lack confidence, but when I wear Ossie’s designs I know I’m beautiful and sexy. His clothes are like a play. I act to suit the mood of the dress. Fashion now is very sophisticated – as always Ossie had that feeling first.”
Gala Mitchell quoted in Vanity Fair, July 1971
Dress by Antony Price from Che Guevara
I must admit that I am generally pretty ambivalent when it comes to model worship, but two of my absolute favourites are Pat Cleveland and Gala Mitchell. So imagine my delight when I found another issue of Vanity Fair from 1971 (December this time. Again, falling apart. What’s with the Vanity Fair binding?) and an entire spread with the two ladies I love? Imagine my further delight when I realise the shoot contains phenomenal clothes by Antony Price, Alice Pollock and Alcasura [sic]. It helps that it was photographed by the great David Montgomery (whose photos always seem to tickle my fancy).
Outfit by Alice Pollock. Shoes from Zapata.
Outfit by Alkasura. Shoes by The Chelsea Cobbler.
Dress by Simon Ellis from Just Looking
Dress by Martha Hill
A lady never wears fake jewels, coloured underwear, diamonds before breakfast
Amazing images, ludicrous etiquette I’m happy to be breaking on a regular basis, clothes I want desperately. Ahhhh……it has to be more from Vogue, June 1971.
It is in bad taste to dress extravagantly or showily with people who are all plainly dressed.
I’m starting to wonder if this Ossie is actually meant to be mine. Firstly I find a photo of a model wearing it with Ossie in front of Quorum, then it spends months languishing on my website without being sold, then finally I spy it being worn on the catwalk in British Style Genius. A programme which otherwise made me want to hurl things at my television, I’m still composing myself to attempt to write a longer, non-ranty post about it, and proves yet again that Ossie is a god-like figure who makes the world beautiful and balanced when all around is irritating and miserably depressing.
Here is the best screenshot I could muster, it was a teeny tiny snippet of the dress but doesn’t she look delighted to be wearing it? It’s that kind of dress. And Ossie is that kind of designer.
On a side note, I’m not sure you can better a Hockney painting but I was also delighted to see Ossie’s favourite model, Gala, wearing the legendary portrait dress – which I’m lucky enough to have hanging in my closet.
It greatly entertained me that she was wearing flesh coloured pants, most of his models and muses would never be so straight-laced as to wear underwear normally, because that dress actually really does conceal nothing if you so much as move in it. Hence mine had a hook and eye stitched onto the skirt by its original owner, who told me she wore it at the premiere of Waterloo in 1970. Useless factoid for you there!