Legendary Beauty

alice pollock, bus stop, celia birtwell, fashion mouse, janice wainwright, john kelly, ossie clark, pre-raphaelite, quorum, seventies fashion, simon massey, vanity fair, wightwick manor

By Alice Pollock at Quorum*, 19gns. The settee is covered in the original William Morris Bird Design.

There’s a marvellously romantic feeling about the Pre-Raphaelite look. It starts with your hair…soft, natural, framing your face in a ripple of tiny waves. It touches your skin…pale, delicate, un-made-up looking. It colours your clothes…crepe, chiffons and satins in rich hues. Start wearing this great, romantic look today – who knows, he might just start being very romantic to you!

Scanned from Vanity Fair, May 1970. Photographed by John Kelly at Wightwick Manor.

*This is a misattribution, the dress is actually an Ossie.

Dress by Simon Massey, £15. Photographed against a Burne Jones tapestry.

Dress by Fashion Mouse, £22. Photographed against the Kempe stained glass windows.

Dress by Bus Stop, £5. Photographed against a painting by Rossetti pupil Treffry Dunn.

Wild about prints

1960s, angela gore, celia birtwell, georgina linhart, kleptomania, ossie clark, paul misso, petticoat magazine, quorum

Jacket by Kleptomania

The season of mists gets shattered into life in the riot of autumn’s wide-awake prints in all the colours of the rainbow.
Petticoat, October 1969. Photographed by Paul Misso.

Dress by Georgina Linhart from the Victoria and Albert Boutique, W.8. Silk printed scarf by Kleptomania.

Patchwork print trousers and tie top by Clobber. Blue and white print dress by Quorum.

Black and white flowery dress by Angela Gore. White boots by Sacha. Red and orange cord dress and scarf by Angela Gore. Jacket by Kleptomania.

Dress by Sujon.

Shrimpton Supernova

celia birtwell, Foale and Tuffin, jean muir, jean shrimpton, nova magazine, ossie clark, seventies fashion, thea porter

Dress by Thea Porter

Absolutely breathtaking spread from Nova, December 1970, featuring Jean Shrimpton in some mouth-watering pieces by Ossie Clark, Jean Muir, Foale and Tuffin and Thea Porter.

Photos by Hans Feurer.

Dress by Ossie Clark with print by Celia Birtwell

Blouse by Laura Jamieson at The Sweetshop

Blouse by Jean Muir, gaucho pants by Foale and Tuffin.

A long, long time ago…

1970s, celia birtwell, Illustrations, Ms Peelpants' rants, ossie clark, peter robinson, topshop, Vogue

…Topshop didn’t exist. I know it’s hard to believe, but it’s true. It sprang from the loins of the Peter Robinson department store, which was originally located near the present Oxford Circus flagship site. Like a greedy devil child, it surpassed and devoured its progenitor.

This rant is brought to you by this gorgeous illustration from Vogue, April 1970. If only I could saunter up to Oxford Circus, enter an old-fashioned department store and buy myself such a delicious Ossie Clark dress today, I’d be a happy lady.

Inspirational Images: Marianne Faithfull

celia birtwell, marianne faithfull, ossie clark, seventies fashion
Marianne Faithfull in Ossie Clark, by David Redfern 1973.


She looks so sad here, and this contrasts in a perversely beautiful way with the most exquisite Ossie Clark dress she’s wearing. I’ve been listening to her a fair bit lately and she often makes me snivel in public. A feat managed only by a handful of people…

Inspirational Images: Gala Mitchell

1970s, celia birtwell, gala, Inspirational Images, ossie clark, quotations

Photographed by Celia Birtwell

“Usually I lack confidence, but when I wear Ossie’s designs I know I’m beautiful and sexy. His clothes are like a play. I act to suit the mood of the dress. Fashion now is very sophisticated – as always Ossie had that feeling first.”

Gala Mitchell quoted in Vanity Fair, July 1971

My Day by Alice Pollock

1970s, alice pollock, celia birtwell, ossie clark, quorum

Banal and enthralling in equal measures; I love all the effortless (innocent or just clichéd?) cultural references. From Vogue, September 1972.

Inspirational Images: Joan Buck in Ossie Clark

1960s, celia birtwell, Inspirational Images, joan buck, ossie clark, radical rags

Joan Buck in Ossie Clark. Didier Duvall. Date unknown, late Sixties. Scanned from Radical Rags.

A delicious image in so many ways. A messy bed, creativity flowing, casually pulling on your Celia-print Ossie whilst looking into an impossibly tiny but beautiful mirror…

Smartie Pants

1970s, antony price, british boutique movement, bus stop, celia birtwell, christian dior, clobber, Diana Crawshaw, hotpants, mary quant, mr freedom, ossie clark, Patrick Russell, ritva, stirling cooper, telegraph magazine, universal witness, yves saint laurent
Smartie Pants

Shorts have been with us for some time now – “hot pants” making even starlets front page news – but the big question was whether they were here to stay, or were just a gimmick. Increasing sales seem to show that they are really catching on, and now the big stores are stocking them. For those with the youth and legs to enjoy them, we bring the very latest designs.

Photographed by Patrick Russell.

Scanned by Miss Peelpants from The Telegraph Magazine, April 1971
Outfit by Anthony for Stirling Cooper. All menswear by YSL.

Outfit by Antony for Stirling Cooper. All menswear by YSL.

Shorts and top by Bus Stop. Shirt by Toto from Crowthers

Shorts and top by Bus Stop. Shirt by Toto from Crowthers

Outfit by Diana Crawshaw for Mr Freedom

Outfit by Diana Crawshaw for Mr Freedom

Top and scarf by Ossie Clark from Quorum. Shorts by Clobber

Top and scarf by Ossie Clark from Quorum. Shorts by Clobber

Outfit on left by Diorling at Christian Dior. Outfit on right by Sheilagh Blagden at Stirling Cooper

Outfit on left by Diorling at Christian Dior. Outfit on right by Sheilagh Blagden at Stirling Cooper

Outfit on left by Ritva. Outfit on right by Paul Reeves for Universal Witness.

Outfit on left by Ritva. Outfit on right by Paul Reeves for Universal Witness.

 

Bite Me

art, botticelli, celia birtwell, florence, italy, outfit posts
Reflection perfection. Sunset over the Arno


I return from Florence with the tiresome evidence of my having provided a gourmet meal for the mosquitoes who reside therein. But I will save you the gory, bumpy details. I had a wonderful time with M in possibly the most beautiful city in the world (I say that as though I’ve seen all the others, but I’m just making a sweeping generalisation as ever…) and had a wonderful birthday.

We gorged ourselves on art and spiritual atmosphere more than pasta (although I managed to get a bowl of my beloved gnocchi on the last night, upon realising this mammoth error) at the Uffizi, Santa Croce and several other smaller places besides.

It’s a weird thing for me, as a hugely lapsed Catholic*, to actively want to spend time wandering around monuments to something I’ve obviously rejected as a way of life. But I always loved the bells and the smells and grew up in a family who actively sought out Latin Masses. (There’s a photo of my Grandmother meeting with the current Pope. Serious stuff people!) The atmosphere is intoxicating at times, inspirational and spiritual even if you have vastly differing ideas to those who created and decorated them.

*I sometimes think that lapsed Catholicism is a religion in itself…

Hello!

[Baptistery Doors]


The Uffizi gave me the chance to indulge my (yes, I know, hugely mainstream. So sue me.) passion for Botticelli. It may not be everyone’s cup of tea, and even I can see that overexposure can render something like The Birth of Venus rather tedious, but there is something about that level of perfection which makes me catch my breath and my eyes well up. Not physical perfection, whatever on earth that may be, or literal perfection like, say, Ingres, but an attempt to capture the beauty of nature in the most perfect way he could. After rooms and rooms of devotional religious scenes, the more allegorical scenes of Botticelli’s best works are rendered even more extraordinary.

[I also enjoyed noting the clear inspiration Celia Birtwell took from those paintings. They look as though they’ve been dressed by Quorum.]

I maintain a healthy love for those who are brave enough to outline their subjects. I had regular confrontations with my art teacher in relation to this, he felt I should smudge every line to reflect reality. And then wanted me to write an enthusiastic essay on the merits of Picasso. Weird.

Someone else who liked to outline his subjects was De Chirico, who was the star attraction of an exhibition at the Strozzi. It was pretty incredible to see so many incredible surrealist masterpieces contained within a Florentine Palazzo, and it’s always nice to pick up a few new favourite artists along the way.

I know everyone takes the same photo, but I care not.

What with the views from the Piazzale Michelangelo, the Ponte Vecchio, the gelati, the endless beautiful streets of beautiful buildings and, finally, a sweltering train journey through the heavenly countryside of Tuscany, I have had an almost overwhelmingly lovely time.

Doctor Who viewers will know exactly why I find statues even more deliciously creepy than ever.
This one was so unbelievably beautiful; that sculpted fall of fabric down the stairs…

[Santa Croce]


I note, with some resignation, that the good people of Florence do not tend to dress for dinner. Tourists are pretty useless for this too, obviously. So I took it upon myself to fly the flag for vintage for my birthday dinner at Zàzà (thanks to the gorgeous Laurakitty for the recommendation). A Polly Peck moss crepe empire line early-mini which nobody wanted when I listed it on eBay last year, I subsequently tried it on and realised it was a perfect fit, and my beloved green silk DeLiso Debs. Good rule of thumb: If you’re feeling a bit gloomy about ageing another year, wear something which is 70-odd years old. My dress was also about 45 years old, so I was doing a good job of being the youngest thing about…..er…..me.

Mmmmm. Prosecco. Hic!

Thank you all for your good wishes for my holiday and for my birthday. Back to work now, and I feel even luckier than ever that my work is something which I actually enjoy! I also note that this is my 400th post, which surely deserves another bottle of Prosecco? Si?