For the Discotheque

1960s, beauty, hair, Hair and make-up, Inspirational Images, leonard, Make-up, paul misso, petticoat magazine, Piero de Monzi

When you go to a nightclub – don’t look nice! Nice means safe make-up, a little eyeshadow and ordinary hair. That’s the best way to get lost when you should be turning every head.

Go wild, wear crazy colours – cause a sensation whatever you do, don’t play safe. Looking so sensational, you’re going to be dancing a lot, so be sure of your cool. Have a crazy bath with the water coloured blue with Weil’s Antilope Bain de Mousse, £1.10s. Deodorise from top to toe with Arrid’s anti perspirant for underarms, 4s.6d. which you wisely defuzzed the night before, and use Bidex vaginal deodorant spray, 8s.11d. Give feet a treat with Windsor Gold Foot Freshener, 18s.6d.

Then wear lashings of cologne and matching talc touch of the exotics with Kiku’s Talc Ball £1.7s. 6d. and After Bath Cologne, £2.9s.6d. by Faberge.

Jayne’s wig comes from Leonards and it really stopped the traffic. Her foundation is Rubinstein’s Illumination Souffle Stick £2.7s.6d., then a polished glow with a few deft slicks of Vanilla Souffle stick £2.7s.6d. On her eyes—Lumina Silver Cake Eyeshadow, 35s. by Rubinstein, Gala’s Iced Mauve Matte Shadow 7s.9d., in the socket line. Pale mauve real feather lashes by Piero de Monzi, £3.13s.6d., top lashes 18s.6d., by Cardinelli. Mauve eyeshadow painted on lips or Cydax Apricot Gold Colour Creme Lipstick, 14s.6d. Kiku perfume stick, £2.17s.6d. for bosom, behind ears, wrists and back of knees. Give nails crystal lights with one of Cutex’s new exciting colours like Zircon Glaze, 5s.3d. Soften hands with Rubinstein’s Hand Delight. 16s.

Clothes from Fenwick. Golden Disc and Sidney Smith.

Beauty by Ann Morrow.

Photographed by Paul Misso.

Scanned from Petticoat, 8th November 1969.

Mirror, Mirror

19 magazine, 1970s, Angela at London Town, Antiquarius, barbara trentham, Barbara Trentham, biba, bus stop, Chelsea Antiques Market, David Tack, hand tinting, Inspirational Images, lee bender, Margrit Ramme, mr freedom, Norma Moriceau, ossie clark, radley, ravel, Ricci Burns, Rose Bradford, Sacha, sheridan barnett, simon massey, Titfers, Vintage Editorials
Black satin beret, by Titfers, £8.50. Black satin blouse with shooting stars embroidered in beads, £6.95; half-mast trousers, £4.95, both by Lee Bender at Bus Stop. Diamante star brooch on beret, by Paul Stephens, 75p. Dangly fake diamond earring from a selection at Marie Middleton, Chelsea Antique Market. Fake diamond necklace from a selection at the Purple Shop, Antiquarius. Black satin beret with rhinestone stars, by Titfers, £8-50. Black satin ‘Superstar’ zipper jacket and trousers, by Angela At London Town, £17. Dangly fake diamond earring, from a selection at Marie Middleton, Chelsea Antique Market. Art Deco wall mirror, £6 and black and silver hand mirror, from a selection at Antiquarius. Lipstick and make-up by Biba.

Christmas is coming, so take a good long look at the new you and your clothes. Look for something sexy in black with lots of spangles, for diamonds are a girl’s best friend again.

Just one word from me: Perfection.

Hair by Ricci Burns. Fashion by Norma Moriceau.

Photographed by David Tack.

Scanned from 19 Magazine, December 1971

Floral print, crepe de Chine backless dress with halter neck, by Sheridan Barnett at Simon Massey, £8.75. Black sequin snood, from Crocodile, £4. Sheer black tights, by Elle, 65p. Black suede shoes, by Ravel, £6.50. Diamante clip on velvet band, from a selection at Marie Middleton, Chelsea Antique Market. Diamante bracelet, £3.45. Ring, 60p. By Paul Stephens. Black fur fabric jacket, £15.95. Floral-printed, crepe de Chine dress with black bodice, £12-75. Both by Sheridan Barnett at Simon Massey. Sheer black tights, by Elk, 65p. Black suede shoes, from Sacha, £5.99. Diamante slides, 30p. each. Crescent moon diamante slides, 75p. each. Rings, 60p. each. All by Paul Stephens. Choker, from a selection at Marie Middleton, Chelsea Antique Market. Garter, from Crocodile, £1.50. Mirrors, from the Purple Shop, Antiquarius.
Black satin beret, by Titfers, £8.50. Floral printed rayon blouse with batwing sleeves and knitted waist, cuffs and collar, by Lee Bender at Bus Stop, £6-50. Two-tone panelled satin skirt, by Mr Freedom, £6.25. Sheer black one-size tights, by Elle, 65p. Black suede peep-toe shoes with red patent butterfly, from Ravel, £6.50. Black velvet beret, by Titfers, £4. Satin spot blouse with knitted rib trim and zipper fastening, by Lee Bender at Bus Stop, £6.50. Two-tone satin skirt, by Mr Freedom, £6.25. Sheer black one-size tights, by Elle, 65p. Black suede shoes with bow, by Sacha, £5.99. Purse from Q.9 at Antiquarius, £2. Small star brooch and crescent moon brooch, 55p. each, both by Paul Stephens. Diamante bracelets on wrist and ankle, by Paul Stephens, £3.45 each.
Little black knee-length dress in ribbed crepe with satin insets and neck tie, by Ossie Clark for Radley, £13. Black veiling net, from all leading department stores. Sheer black tights, by Elk, 65p. Black suede shoes with red patent trim, by Ravel, £6.50. Diamante bracelet, £3.45. Ring, 60p. Both by Paul Stephens. Moss crepe bolero, in shocking pink with black spots, over bonded-crepe halter-neck dress with spotty trimming, by Rosy Bradford for Quorum, £15.50. Sheer black tights, by Elk, 65p. Black suede shoes, by Sacha, £5.99. Diamante bracelet, by Paul Stephens, £2.

Judy Bowker in Annacat

1970s, annacat, Annette Green, beauty, Hair and make-up, Inspirational Images, Judy Bowker, Make-up, Vogue
Judy Bowker: 17-year-old actress soon to be seen as Saint Clare in “Brother Sun, Sister Moon”, chosen by director Franco Zeffirelli for her young, calm and serene beauty. Here she wears Innoxa’s Satin Sheen Peach moisturised foundation with a touch of Terra Glaze Colour Sheen on her cheeks, her eyes shine with Doeskin Shadow Gleam, the lashes with Dark Brown Master Stroke Mascara, and on her lips the new Jewelfast lipstick Flapper. Dress from Annacat. Hair by Manfred of Vidal Sassoon.

Photographed by Annette Green.

Scanned from Vogue, September 15th 1971.

Shades of Autumn

19 magazine, 1970s, art deco, celia birtwell, francois lamy, Hair and make-up, Ingmari Lamy, Inspirational Images, karl lagerfeld, Make-up, ossie clark, quorum, Revlon

We’ve tried to capture the golden richness and mellow nuances of a well-preserved old oil painting, and create our October face with the new Moody Hues make-up from Revlon’s Natural Wonder collection. Face tone should be warm and tinged with a hint of tan, and we used foundation colour ‘Bisque Beige’, 66p., dusted over very lightly with translucent pressed powder in the ‘Medium’ shade, £1.02. We rouged the cheeks with Cheek Shine in ‘Red’, £1-32. Pursuing the same rustic-toned theme we chose ‘Soulful Plum’ mascara and lashed it on both top and bottom lids, 85p. Eyes are a muted melange of ‘Tortoiseshell’ Eyeshadow Stick, 66p., and the same shade in Lid Lights, the powder version, fading to complementary ‘Minty Green’ powder shadow just under the brows, £1.10 each. We dabbed over the eyelids with ‘Brown Shine’ cream blusher for extra gloss and softness, £1.32. Lips are outlined in ‘Bracken Brown’, 62p.

Model is Ingmari Lamy.

Make-up was applied by visagiste Jean Duval of Revlon, Paris.

The beautiful décolleté dress with huge winged sleeves is in black with a yellow, red and blue feather print, from Quorum, £24.

‘Forties-style hair was dressed by Tina of the Jean-Louis Davide Salon in Paris.

Photographed in the apartment of Karl Lagerfeld, the designer, by Francois Lamy.

Scanned from 19 Magazine, October 1971.

Mary Quant’s New Greasepots

1970s, barbara daly, Cathee Dahmen, Hair and make-up, Honey Magazine, Make-up, mary quant, Vintage Adverts
Advert for Mary Quant greasepot cosmetics.
“Dip your fingers in my colours. Give your eyes and lips a shine.”

Model is Cathee Dahmen.

Make-up by Barbara Daly.

Scanned from Honey, October 1971.

Look smooth, no matter what

1970s, Hair and make-up, Make-up, Miners, petticoat magazine, Vintage Adverts
Miners Smoothie is a creamy powder. Creamy to go on smoothly. Creamy to look smooth when it’s on. Creamy to make your skin as natural as the real thing, only better. And it comes in a handy compact, complete with mirror. So wherever you are, whatever you do, you’ll always look smooth. Want to add colour or shadow? Choose from Miners Face Fixers, Glo Bare and Stick Make-up. It’s the secret of how to look good when someone takes a good look.

I wish I looked that cute when I was doing the decorating!

Scanned from Petticoat, 4th September 1971.

Drink to me only in pink champagne

1970s, guy bourdin, Hair and make-up, Inspirational Images, Make-up, Marcel Fenez, Vogue
Now look for evening, mood glamorous, and the colour to watch is rose. Make-up by Heidi Morawetz with Max Factor Truly Fair Whipped Creme Make-up and Natural Rose Face Powder (blended down the neck for an even skin tone); Frosted Dusky Rose Brush-On Blusher on eyelids (with Pink Pearl Shadow Creme along inner corners) and down the cheekbones; Brownish-Black Comb-On Mascara and the dazzle of new Poppy Frost Whipped Creme Lipstick. Hair curled and waved by Guillaume of Mod’s Hair, Paris. Cigar brown dress, in Hurel jersey, Roland Klein at Marcel Fenez, about £42, from Harrods; sizes, colours, other shops, see Stockists. Champagne: Moet et Chandon Dry Imperial Rose, Vintage 1966.

Photographed by Guy Bourdin.

Scanned from Vogue, September 15th 1973.

Thirties lips are Here’n Now

19 magazine, 1960s, Deco Inspired, Hair and make-up, hand tinting, Lentheric, Make-up, Vintage Adverts
Lentheric cosmetics advert
“Only Lentheric have it. Here ‘n Now Red. The today way of saying the Thirties. Memorably.”

Scanned from 19 Magazine, August 1968.

Kathleen Tynan by Norman Parkinson

barbara daly, Hair and make-up, Kathleen Tynan, norman parkinson, thea porter, Vogue
With her vivid dark blonde hair, shining hazel eyes and pale skin, Mrs Tynan looks marvellous in white: here it’s her Thea Porter dress of white voile embroiderpd in green and bronze. She wears Balenciaga scent Le Dix; the Eau de Toilette during the day, and the scent at night. Some time ago Mr Tynan had made for her a copy of the dress that Garbo wore in As You Desire Me”; a delicious compliment. “I use Hydriane by Dr Payot, powder, mascara and a bit of green eye shadow. Eyeliner in the evening. I’m skinny and I’d like to be fatter, but no one can tell me how. I sometimes exercise at Lotte Berk, but more often don’t, and I like swimming in warm waters.” She loves roses and cornflowers, her favourite restaurant is L’Etoile “for sentimental reasons and because it has the best food in London.” Here, her hair by David of Michaeljohn, her make-up by Barbara Daly.

Kathleen and Kenneth Tynan live in Kensington with their children, Roxana, 5, and Matthew, 2, when they’re not abroad: they’re often either just off or just back – now it’s just back from four weeks in a cottage in Wales. Kathleen Tynan is an excellent journalist, specialising in arts features and interviews, and is working on her first book.

Photographed by Norman Parkinson.

Scanned from Beauty in Vogue, 1973.

Discerning Palette

1980s, Ally Capellino, Hair and make-up, harpers and queen, Inspirational Images, leonard, Make-up, Sandra Lousada, Sophie Ward, yves saint laurent

Put aside everything you’ve ever been taught about make-up. Look at colour afresh, not as a consumer of cosmetics but as a painter might.

Oatmeal cotton smock by Ally Capellino, from all branches of Whistles. Straw hat by Extras from Hobbs. Palette and brushes from a selection at George Rowney.

Make-up by Ariane using colours from Yves Saint Laurent’s L’Eté Bleu collection.

Hair by Leonard.

Modelled by Sophie Ward.

Photographed by Sandra Lousada.

Scanned from Harpers and Queen, June 1983.