Arabella Churchill and violet velvet choker: Bead in flower and loop, £3 at Thea Porter (her ribbons have butterflies too). Gibson Girl hair by Patricia of The Cadogan Club, Sloane St.
Photographed by Richard Imrie.
Scanned by Miss Peelpants from Vogue, April 1970.
More about Bibette here.
Indian glass bead choker, clever pretty patterns and tinkling fringe. One wide and black and white, £12, one narrow and yellow and orange, £6. By Bibette, at Thea Porter, 8 Greek Street.
Max Clendinning’s carpet revolution. Furniture and lamp, from Christopher Strangeways’s shop, Kings Road — Jon Wealleans, Charles Dillon good design here too.
Max Clendinning, designer, has burnt his polystyrene sausage seating, is changing his totally white low-lying living-room into burnished gold and has changed his primary yellow studio into this new Indian red and richly carpeted affair. He has rediscovered tables, chairs and comfort, covering chairs in deep pile with velvet and lacquer paint, making unit, table, lamp and unifying it all with a mural. Originally inspired by the Islamic carpets at the Hayward, it changed course into something far more freewheeling.
Photographed by Michael Boys.
Scanned by Miss Peelpants from Vogue, April 1973
Long turquoise satin dress, about 21 gns. White kid boots, 18 gns to order from The Chelsea Cobbler.
The setting is one of undefined menace. The situation, traumatic. The girl, intrigued. But the message of the fashion is crystal clear. Dramatic, beautifully made clothes are rare. When they combine fine fabrics with feminine shapes they become almost impossible to find. Now, at last, one designer, Leslie Poole, is making them. The supplies and outlets are limited – so far. The demand, however, is quite undeniable.
Scenario by Gerard Brach. Production by Molly Parkin.
Photographed by Bob Freeman.
Scanned by Miss Peelpants from Harpers Bazaar, April 1969
Samba dress by Quorum. Sandals by Sacha.
Photographed by Sacha.
Scanned by Miss Peelpants from Cosmopolitan, June 1976
Crushed white silk shirt Katharine Hamnett. Silk toga as flag Katharine Hamnett. Navy herringbone trousers at Demob. Ghillie shoes at Scotch House
A young Colin Firth in a white shirt? You’re welcome…
Styled by Hamish Bowles. Photographed by Robert Erdman.
Scanned by Miss Peelpants from The Face, October 1984
Black wool coat by Body Map. Red cotton jersey shirt by Tim Hall at Demob. Black fur pile shapka by Dexter Wong at Post, Hyper Hyper. Badges from Covent Garden and Berwick Street Markets.
The living room with Jane Holzer in gipsy dress with ribbon-swagged sleeves and wildly flowered skirt by Sant’Angelo; an 18th-century Chinese screen, thirteen foot high and covered with precious bird and flower paper; white iron lace stools first ordered by Queen Victoria from her Indian Empire; Larry Zox’s vast 1968 abstract; a low table of polished petrified wood with a collection of coral and sea creatures shells, and, in front, Mrs Holzer’s own design for the sofa, several suede pillows thrown accurately at random.
Photographed by Horst.
Scanned by Miss Peelpants from Vogue, March 1970
Cushion fabrics from Liberty, Antiquarius, Horrockses amongst others. Feathers, vase, coffee set and tray all from Biba. Hokensai prints and frames from Neal Street Shop.
Photographed by Brian Stowell. Room and text by Gwenda Saar.
Scanned by Miss Peelpants from 19 Magazine, February 1975.
Chunky fake fox Borg jacket with orange satin lining and shiny satin trousers both from Wallis Shops. Feather embossed crepe de chine shirt by Ronnie Stirling at Stirling Cooper. Dog brooch by Corocraft. Rings by Adrien Mann. Flocked peaches and cherries both by Adrien Mann.
Add a bit of extravagance to your life with freaky shaggy jackets in flamboyant fur fabrics — everything from bold plaids and curly poodle wools to mock animal prints. Dress up everyday skirts and trousers with short boxy boleros and bottom-skimming jackets with wide 40s shoulders. Best of all, go vampy with shiny satin trousers or shorts and add a final sparkling touch of diamante.
Photographed by Brian Downes.
Scanned by Miss Peelpants from Honey, November 1971
Long haired brown Acrylic jacket with plain straight from by Gordon King. Scarlet satin trousers from Wallis Shops. Black and white orchid print blouse by John Craig. Diamante comb by Adrien Mann. Musical note brooch and doggy brooch by Corocraft. Other jewellery by Bus Stop.
Scarlet and navy Courtelle plaid bolero jacket and black satin shorts both from Martha Hill. Cherry red and multi coloured cotton voile shirt by Jasper from Stop the Shop. Sheer tights by Sunarama. All jewellery by Bus Stop.
Furry tiger printed Courtelle bolero jacket and pale lemon, coffee and white coin spotted cotton satin Oxford bags, both from Martha Hill. Rust and black confetti spotted blouse by John Craig. Cherries and bangles by Adrien Mann.
Boxy Borg jacket with scarlet satin lining and satin trousers both by Sujon. Bubble printed silk shirt by Jasper. Cherries and other jewellery by Adrien Mann.
Shaggy Courtelle jacket by Maudie Moon from Che Guevara. Slinky satin trousers from Wallis Shops. Crepe de chine blouse by John Craig. Star brooches by Adrien Mann. Diamante musical note brooch by Corocraft.
Square shouldered shaggy jacket by Sheridan Barnett for Simon Massey. Slippery sati shorts from Martha Hill. Floppy crepe de chine by John Craig. Butterfly brooch by Adrien Mann. Other jewellery by Bus Stop.
Photographed and crafted by Bob Carlos Clarke.
Scanned by Miss Peelpants from Creative Photography, 1977
With the ear coquetry, Revlon’s Natural Wonder watercolour eye shadows — beige, brown, and white from a three-part compact. Black Cola and Cola Frost liners. Lipstick is Great Granny Red. . . . Saint Laurent’s “gypsy” bride dress: Brossin de Méré’s silk patchwork organza. To order: I Magnin.
At last! We have a term for when your ears poke through your hair: Ear Coquetry.
Photographed by Bert Stern.
Scanned by Miss Peelpants from American Vogue, August 1969.
Liz Eggleston 