The Winter Folk Look

1970s, Alain Walsh, Buckle Under, clobber, Crochetta, Herbert Johnson, Inca, Inspirational Images, John Craig, laura ashley, petticoat magazine, stop the shop, Sue Hone, Uncategorized, Vintage Editorials
folk 1

Left: Embroidered long skirt and embroidered Mexican shirt, both by Souk. John Craig shaggy wool waistcoat. Buckle Under Enterprises balaclava. Right: Long skirt by Souk. Biba gloves. Clobber blouse at Stop the Shop. Jasper kimono from Miss Selfridge.

Warm folkclothes for the part of you that needs freedom and a soft, beautiful way of dressing even through the cold months of winter. These are the long skirt, blouses and shawls to pick up in the markets, the pinnies and shaggy wool coats to take off the peg and lounge around in.

Fashion by Sue Hone. Photographed by Alain Walsh.

Scanned from Petticoat, 11th December 1971.

folk 2

Left: Clobber gingham skirt with frill. Calico pinny from Laura Ashley. Knit jacket by Crochetta for Knits and Leathers. Feathers hat. Play balls from Inca. Right: Clobber seersucker skirt with print. John Craig rib polo sweater. Calico pinny at Laura Ashley. Embroidered jacket and Hessian belts at Inca. Herbert Johnson mittens.

Snookered by Zandra

1970s, Inspirational Images, John Hedgecoe, mild sauce, Uncategorized, zandra rhodes

Snookered in Zandra by John Hedgecoe

Photographed by by John Hedgecoe

Scanned from John Hedgecoe’s Advanced Photography, 1982.

Double-Takes by Robyn Beeche

19 magazine, 1970s, Inspirational Images, jeff banks, mary quant, Midas, Prêt-à-Porter, Robyn Beeche, Russell & Bromley, strawberry studio, Uncategorized, Vintage Editorials
Robyn Beeche - 19 - December 1976 - b

Dress, worn by all models, by Prêt-à-Porter. Left: Tights by Mary Quant. Boots by Midas. Orange rope from Bazaar Shops. Sash by Strawberry Studio. Pouch by Midas. Centre: Pants by Prêt-à-Porter. Boots by Russell & Bromley. Rope and belt by Bazaar Shops. Woven belt from The Warehouse. Far right: Shirt by Fifth Avenue. Waistcoat by Casablanca. Petticoat by Strawberry Studio. Boots by Midas. Scarf by Cornelia James.

Ever been to a party in a not very exclusive dress and had that feeling that someone else is bound to be wearing the same thing? Or, maybe, you simply can’t afford more than one dress for the party season. Here are some smart ideas on how to ring the changes with just one number and be the belle of the ball every single time.

Photographed by Robyn Beeche.

Scanned by Miss Peelpants from 19 Magazine, December 1976.

An early shoot by legendary Australian photographer Robyn Beeche, who would later make her name capturing the alternative scene in London in the early 1980s and who sadly died earlier this year. Beeche is largely known for her documentation of catwalk shows and Alternative Miss World events, as well as experimental portraiture, so it’s interesting to see a more conventional studio/fashion set-up from her at the beginning of her career.

Robyn Beeche - 19 - December 1976 - a

Shirt dress, worn by all models, by Jeff Banks. Far left: Tights by Mary Quant. Shoes by Dolcis. Net scarf from Nostalgia. Gold sash by Strawberry Studio. Fabric around head and worn as sash from John Lewis. Centre: Jeans by Made in Heaven. Shoes by Sacha. Sashes by Strawberry Studio. Purses from Mitsukiku. Right: Sweater by Simon. Boots by Midas. Belt from Bazaar Shops.

Inspirational Images: Shaggy, colourful, zippered and buckled…

1970s, Daniel Hechter, Inspirational Images, John Bishop, Uncategorized, vanity fair

Going Away From Coats - Vanity Fair - August 71 - John Bishop

Coats by Daniel Hechter.

Photographed by John Bishop.

Scanned by Miss Peelpants from Vanity Fair, August 1971.

Inspirational Editorials: Take Cover

1960s, anello and davide, biba, David Stanford, Foale and Tuffin, Inspirational Images, Uncategorized, vanity fair, Vintage Editorials
take cover - vanity fair - november 1968 - david stafford - foale tuffin

Warm and cuddly coat to brave a winter’s night. Belted and snug double-breasted fur fabric maxi-style to wear over anything except gala gear. Great with trousers. Foale and Tuffin, 18gns long or 16gns short. Long white kid boots by Anello and Davide, 12gns.

Nothing is more depressing than dolling yourself up to the nines – and putting an everyday coat over your party hear. Mink stoles are too ageing for words and short coats over long dresses look awful.

Photographed by David Stanford.

Scanned by Miss Peelpants from Vanity Fair, November 1968.

take cover - vanity fair - november 1968 - david stafford - biba

If you go out a lot and wear long or short evening dresses or lots of trouser suits, a full-length velvet coat looks marvellously dramatic. This one in scarlet or black has a great romantic collar and elegant arum lily sleeves. At Biba, 8gns. Knitted dress by Jean Allen.

Inspirational Editorials: Looks like luxury

1960s, alice pollock, barry lategan, Inspirational Images, lingerie, quorum, underwear, Vintage Editorials, Vogue

pollock lategan vogue dec 68 a

This luxury’s a look, a feel and a fact, and nothing to do with money. It’s satin and silver and velvet and ciré, it’s snowy fake-fur. We show it in layers. You look like a million dollars. Alice Pollock of Quorum designed this satin lingerie to be the softest thing next to your skin. There’s a small bra, shaped quite naturally, knickers that button to the side, and a languid caped dressing-gown that fastens once and touches your toes. All spun round with satin ribbons and made in the most appealing pale shades – magnolia, pink or powder blue.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, December 1968.

pollock lategan vogue dec 68 b

Inspirational Images: The Secret of Being an Inscrutable Beauty

1970s, cosmopolitan, David Anthony, Inspirational Images, Julie Ege, pierre laroche, thea porter

Julie Ege in Thea Porter

Inscrutable means being “wholly mysterious” and after a summer of freckles and jeans maybe the time is ripe for the return of the cool, self-regarding beauty. Julie Ege, Queen of a thousand popping flash bulbs, without whom no première is complete, veils her flashing smile to emerge as the epitome of the new inscrutable woman, in our picture.

Dress by Thea Porter. Necklaces from the Purple Shop. Bracelets and rings from Jones, Beauchamp Place. Fur rug from Harrods. Make up by Pierre LaRoche for Estée Lauder. Hair by Oliver at Leonard.

Photographed by David Anthony.

Scanned by Miss Peelpants from Cosmopolitan, September 1973.

Apologies for the protracted absence! I am most definitely back, working on new blogs for both here and Shrimpton Couture Curate, and of course I’m still sourcing the best boutique vintage for you over at Vintage-a-Peel! xx

Inspirational Images: These Women Are Dangerous

1970s, cosmopolitan, Inspirational Images, john kelly, vivien neves

john kelly these women are dangerous cosmo may 72

Vivien Neves is every man’s idea (at least twice a week) of what a woman should be, and most women’s idea (some of the time) of what they’d secretly like to be, could be, or – in a few cases – actually are. At twenty-three, Vivien is Britain’s top nude model. She’s the one who got everyone going in the electricity ad, sitting at a dressing table in slip and rollers. She’s the one who advertises cigars on television by slopping about in Caribbean waters in a T-shirt. And she’s the one who appeared full-page nude in an advert in The Times, forsooth – “people haven’t stopped talking about my nipples ever since.”.

Talk about Viven’s nipples must have stopped at some point, but that’s stil quite an achievement! This stunning photo illustrates an article about dangerously attractive women, also including Joan Bakewell and Edna O’Brien (just in case you thought it was all about nipples). Neves, who sadly died in 2003, was photographer John Kelly’s girlfriend at the time (they would later marry) and you can tell by the way he’s photographed her so beautifully here.

Photographed by John Kelly.

Scanned by Miss Peelpants from Cosmopolitan, May 1972

Inspirational Images: Secrets of a 1974 Siren

1970s, Hair and make-up, harpers and queen, Inspirational Images, jim lee, mermaids, roxy music, siren
Swooning sailors never knew that seaweed and shark's oil were responsible for their tempresses' looks.

Swooning sailors never knew that seaweed and shark’s oil were responsible for their tempresses’ looks.

A stunning photo, an incidental to illustrate a beauty article, which pre-dates the legendary Roxy Music cover for ‘Siren’ with Jerry Hall.

Photographed by Jim Lee.

Scanned by Miss Peelpants from Harpers and Queen, June 1974.

Vintage Adverts: Jane Catlin at Fortnum and Mason

1970s, Chris Simpson, fortnum and mason, Inspirational Images, Jane Cattlin, Vintage Adverts
Jane Catlin's polka dot pure silk petticoat dress with matching voile stole and gold sandals from our collection.

Jane Catlin’s polka dot pure silk petticoat dress with matching voile stole and gold sandals from our collection.

Photographed by Chris Simpson at the Pyramids of Teotihuacan.

Scanned by Miss Peelpants from Harpers and Queen, March 1976