Make mine a double and I’ll take the green jacket on the left as well please!
Advert for White Horse whiskey.
Scanned from The Observer Magazine, 20th April 1969.
One of my favourite illustrators of all time, Malcolm Bird takes the very essence of what I love about the Twenties/Thirties and the Sixties/Seventies and just melds them together with a Beardsley-esque eye for detail in little works of genius like this. Intended to illustrate a frivolous quiz on finding the right perfume for you (I’m resolutely a D, in case anyone was ever in any doubt) he gives us a brilliant cross-section of ‘types’ from 1970. I have separated the illustration above but you’ll find the quiz below for a bit of fun.
Illustrated by Malcolm Bird.
Scanned from Vanity Fair, April 1970.

All the couture in the world can’t stop me still getting excited about a long sleeve printed tee, flared jeans and metallic pink platforms.
Photographed by Michael Berkofsky.
Scanned from 19 Magazine, July 1973.

Perfection and Delia — silks for clowns and angels … Something rare in a classic world — droll, beautiful follies by Pablo & Delia, who never make anything that bores them, and dress all the clowns and angels in London. Madly beautiful new year silks and the faces you’ll wear with them.
Pablo and Delia and Guy Bourdin – the most heavenly of combinations.
Hair by Valentin at Jacques Dessanges. Make-up by Heidi Morawetz.
Photographed by Guy Bourdin.
Scanned from Vogue, 1st April 1974.



Marianne Faithfull illustrating an article entitled ‘Women in Drag: Not a fetish but a turn on’. While the article itself is a bit, questionable in its attitude (and written by a man), it does give us this incredible photo of Marianne. Who is also wearing an Ossie Clark suit, just to make it even better.
Photographed by Norman Eales.
Scanned from Cosmopolitan, April 1974.
In Japan, land of the blossoming couture, Hanae Mori is a favourite daughter. Her clothes mix European classic design with oriental tradition, the Madame Butterfly fabrics are her on creation, she veils them layer on layer.
Her first boutique opened in 1947, the present score is twenty-five, and seventeen factories, hundreds of delightfully dressed ladies east and west —actresses, embassy wives, even crown princesses.
Since 1962 she has sold in New York. And now, in Harrods’ International Row, a unique few will arrive twice ayear to join Antonellis, Lanvins, Givenchys and others in their global collection.
Flowering in Hanae Mori silks here, tiny Hiroko, ex-Cardin favourite model, beautiful from the top of her black pageboy bob to the soles, of size two-and-a-half geta. Above: Crocus and chrysanthemum sunset chiffon over satin, mandarin coat and slit dress of matching print.
Below: Huge white and rose daisies on inky chiffon over a printed silk slip. Long scarf From £250 each,in a range at Harrods. Pearls by Mikimoto. Hiroko’ s Gala make-up: Orange Dazzle over Poppy Dazzle Super-smooth lipstick, Flame Darle nail polish
Photographed by Snowdon.
Scanned from Vogue, June 1972.

Blue skies, fresh air, freewheeling and summer suede shorts. This way.
Unusually for Vogue, this spread doesn’t credit a photographer. It also credits those amazing shoes to Rowley and Oram, who stocked Terry de Havilland’s shoes, so I suspect that they are by him as well.
Scanned from Vogue, April 15th 1971.