Double-Takes by Robyn Beeche

19 magazine, 1970s, Inspirational Images, jeff banks, mary quant, Midas, Prêt-à-Porter, Robyn Beeche, Russell & Bromley, strawberry studio, Uncategorized, Vintage Editorials
Robyn Beeche - 19 - December 1976 - b

Dress, worn by all models, by Prêt-à-Porter. Left: Tights by Mary Quant. Boots by Midas. Orange rope from Bazaar Shops. Sash by Strawberry Studio. Pouch by Midas. Centre: Pants by Prêt-à-Porter. Boots by Russell & Bromley. Rope and belt by Bazaar Shops. Woven belt from The Warehouse. Far right: Shirt by Fifth Avenue. Waistcoat by Casablanca. Petticoat by Strawberry Studio. Boots by Midas. Scarf by Cornelia James.

Ever been to a party in a not very exclusive dress and had that feeling that someone else is bound to be wearing the same thing? Or, maybe, you simply can’t afford more than one dress for the party season. Here are some smart ideas on how to ring the changes with just one number and be the belle of the ball every single time.

Photographed by Robyn Beeche.

Scanned by Miss Peelpants from 19 Magazine, December 1976.

An early shoot by legendary Australian photographer Robyn Beeche, who would later make her name capturing the alternative scene in London in the early 1980s and who sadly died earlier this year. Beeche is largely known for her documentation of catwalk shows and Alternative Miss World events, as well as experimental portraiture, so it’s interesting to see a more conventional studio/fashion set-up from her at the beginning of her career.

Robyn Beeche - 19 - December 1976 - a

Shirt dress, worn by all models, by Jeff Banks. Far left: Tights by Mary Quant. Shoes by Dolcis. Net scarf from Nostalgia. Gold sash by Strawberry Studio. Fabric around head and worn as sash from John Lewis. Centre: Jeans by Made in Heaven. Shoes by Sacha. Sashes by Strawberry Studio. Purses from Mitsukiku. Right: Sweater by Simon. Boots by Midas. Belt from Bazaar Shops.

Inspirational Images: Shaggy, colourful, zippered and buckled…

1970s, Daniel Hechter, Inspirational Images, John Bishop, Uncategorized, vanity fair

Going Away From Coats - Vanity Fair - August 71 - John Bishop

Coats by Daniel Hechter.

Photographed by John Bishop.

Scanned by Miss Peelpants from Vanity Fair, August 1971.

Inspirational Editorials: Take Cover

1960s, anello and davide, biba, David Stanford, Foale and Tuffin, Inspirational Images, Uncategorized, vanity fair, Vintage Editorials
take cover - vanity fair - november 1968 - david stafford - foale tuffin

Warm and cuddly coat to brave a winter’s night. Belted and snug double-breasted fur fabric maxi-style to wear over anything except gala gear. Great with trousers. Foale and Tuffin, 18gns long or 16gns short. Long white kid boots by Anello and Davide, 12gns.

Nothing is more depressing than dolling yourself up to the nines – and putting an everyday coat over your party hear. Mink stoles are too ageing for words and short coats over long dresses look awful.

Photographed by David Stanford.

Scanned by Miss Peelpants from Vanity Fair, November 1968.

take cover - vanity fair - november 1968 - david stafford - biba

If you go out a lot and wear long or short evening dresses or lots of trouser suits, a full-length velvet coat looks marvellously dramatic. This one in scarlet or black has a great romantic collar and elegant arum lily sleeves. At Biba, 8gns. Knitted dress by Jean Allen.

Inspirational Editorials: Looks like luxury

1960s, alice pollock, barry lategan, Inspirational Images, lingerie, quorum, underwear, Vintage Editorials, Vogue

pollock lategan vogue dec 68 a

This luxury’s a look, a feel and a fact, and nothing to do with money. It’s satin and silver and velvet and ciré, it’s snowy fake-fur. We show it in layers. You look like a million dollars. Alice Pollock of Quorum designed this satin lingerie to be the softest thing next to your skin. There’s a small bra, shaped quite naturally, knickers that button to the side, and a languid caped dressing-gown that fastens once and touches your toes. All spun round with satin ribbons and made in the most appealing pale shades – magnolia, pink or powder blue.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, December 1968.

pollock lategan vogue dec 68 b

Inspirational Illustrations: After the Act

1970s, Honey Magazine, ika hindley, Illustrations, Inspirational Images, john storey

john storey illustration Honey dec 74

One of the many interesting things about a steadily growing magazine collection is that you start to identify original source images for illustrations. I imagine that Mr John Storey never imagined that anyone would remember a single photo of Ika Hindley in Cosmopolitan from a year earlier, even less that someone yet-to-be-born would later scan and connect the two images.

Illustration by John Storey. Scanned by Miss Peelpants from Honey, December 1974.

ika hindley

Inspirational Illustrations: Eric Boman, 1974

1970s, annacat, art deco, edward mann, eric boman, Illustrations, Inspirational Images, James Drew, salvador, Vogue
Grey wool cardigan, oatmeal overchecked, pale grey silk shirt, both at James Drew. Grey felt hat by Edward Mann.

Grey wool cardigan, oatmeal overchecked, pale grey silk shirt, both at James Drew. Grey felt hat by Edward Mann.

Meet the new fashion collector. She will be about for a long time. Her lipstick is red. She wears only navy, ivory and grey, but so cleverly that there’s no limit to the flattering effects she can compute. Her clothes are so simple and beautiful. It all looks easy. She spends more money on her clothes than most woman, but, when they’re searching around for something to wear, she’s already perfectly dressed. When their clothes are beginning to look wrong, hers are right. So in the end, she probably spends no more than they. Here’s how she does it…

Illustrated by Eric Boman.

Scanned by Miss Peelpants from Vogue, February 1974.

Left: Muffler, long cardigan with scroll embroidery, sleeveless putty crepe de chine gilet, skirt loosely pleated in front at Annacat. Hat by Jacoll. Right: Ivory crepe de chine open-work dress, couldn't be simpler, tied at the waist by Salvador. Straw hat by Bermona.

Left: Muffler, long cardigan with scroll embroidery, sleeveless putty crepe de chine gilet, skirt loosely pleated in front at Annacat. Hat by Jacoll. Right: Ivory crepe de chine open-work dress, couldn’t be simpler, tied at the waist by Salvador. Straw hat by Bermona.

Inspirational Images: Grace

1960s, grace coddington, helmut newton, Inspirational Images, liberty, Vogue
Choker and earclips by Coppola & Toppo. Available from Liberty.

Choker and earclips by Coppola & Toppo. Available from Liberty.

Grace Coddington photographed by Helmut Newton.

Scanned by Miss Peelpants from Vogue, February 1966

Inspirational Images: Why not… go bare back?

1970s, bally, bill gibb, Inspirational Images, jean varon, john bates, michel momy, Vogue
Swag the rest in violet jersey: Jersey two-piece dress by John Bates.

Swag the rest in violet jersey: Jersey two-piece dress by John Bates.

Photographed by Michel Momy.

Scanned by Miss Peelpants from Vogue, March 1978.

Why not... show a leg with lemon, cream and gold: Hurel jersey top and culottes by Bill Gibb. Shoes by Bally.

Why not… show a leg with lemon, cream and gold: Hurel jersey top and culottes by Bill Gibb. Shoes by Bally.

Vintage Adverts: Mirror Mirror

1970s, british boutique movement, cosmopolitan, miss selfridge, Vintage Adverts

miss selfridge advert october 72

Scanned by Miss Peelpants from Cosmopolitan, October 1972

Inspirational Images: The Secret of Being an Inscrutable Beauty

1970s, cosmopolitan, David Anthony, Inspirational Images, Julie Ege, pierre laroche, thea porter

Julie Ege in Thea Porter

Inscrutable means being “wholly mysterious” and after a summer of freckles and jeans maybe the time is ripe for the return of the cool, self-regarding beauty. Julie Ege, Queen of a thousand popping flash bulbs, without whom no première is complete, veils her flashing smile to emerge as the epitome of the new inscrutable woman, in our picture.

Dress by Thea Porter. Necklaces from the Purple Shop. Bracelets and rings from Jones, Beauchamp Place. Fur rug from Harrods. Make up by Pierre LaRoche for Estée Lauder. Hair by Oliver at Leonard.

Photographed by David Anthony.

Scanned by Miss Peelpants from Cosmopolitan, September 1973.

Apologies for the protracted absence! I am most definitely back, working on new blogs for both here and Shrimpton Couture Curate, and of course I’m still sourcing the best boutique vintage for you over at Vintage-a-Peel! xx