One Jump Ahead

1960s, Inspirational Images, Janet Street Porter, lilley and skinner, petticoat magazine, simon massey, sylvia ayton, Tim Street-Porter, Travers Tempos, Uncategorized, Vintage Editorials, zandra rhodes
Petticoat JSP a

Be an exhibitionist. Entwine yourself with yards of machine-age screen printed scarf by Sylvia Ayton and Zandra Rhodes.

Why wait; be bold, be brave, stay cool! Now – before all the sheep latch onto the look for ’69. Ignore us if you like, but if we’re right (and we think we are) you could be way ahead of the crowd.

Janet Street-Porter modelling clothes by the immensely brilliant combination of Sylvia Ayton and Zandra Rhodes, whose short-lived Fulham Road Clothes Shop is one of the rarest and grooviest boutique labels.

Photographed by Tim Street-Porter.

Scanned by Miss Peelpants from Petticoat, January 1969.

Petticoat JSP b

BE BOLD. Prints in 1969 owe nothing to the thirties; they look ahead, shout out bright new images and colours. Screen printed blouse by Sylvia Ayton and Zandra Rhodes.

Petticoat JSP c

BE BRAVE. Dare to wear the most sensational raincoat we’ve seen for ages. Why wear mini coats when your knees are freezing and soggy. Plastivamp black PVC and snakeskin printed PVC raincoat by Sylvia Ayton and Zandra Rhodes.

Petticoat JSP d

BE BRIGHT. Last year’s after-dark shiners are this spring’s day-time gleamers; pinky orange tricel jersey shirt dress with full sleeves by Simon Massey. Shoes by Lilley & Skinner.

Petticoat JSP e

BE COOL. The new fabric cut the new way; clinging Tricel jersey frock with a neckline that mum would remember. Navy and white checked dress by Simon Massey.

Petticoat JSP f

BE BRASH. Vulgar colours are carefully teamed and tastefully cut. Action-packed tweed trousers (with high fitted waistband and turn ups) together with waitsed and flared matching coat by Sylvia Ayton and Zandra Rhodes.

Petticoat JSP g

BE WITTY. Dare to laugh at yourself a little; see the funny side of fashion as well s the serious. Mint green courtelle jersey dress with handy pockets for sweeties, by Travers Tempos.

Scamps and Scampees

1960s, Illustrations, shoes, Vintage Adverts

scamps and scampees

Scanned by Miss Peelpants from Vogue, February 1966.

Christmas Colours

19 magazine, 1960s, anello and davide, biba, Feathers, gladrags, gordon king, Inspirational Images, janice wainwright, liberty, mr freedom, ossie clark, Pourelle, quorum, ritva, Sacha, Sacha, simon massey, Stephen Bobroff, Sujon, Tommy Roberts, Tony Berkeley, Tony Berkley, Vintage Editorials, wallis
Christmas Colours - Stephen Bobroff - 19 Dec 69 - 1

Calf length New York skyline-printed crepe dress with deep neckline, narrow fitting sleeves and wide sash tied at the back. The same dress with wide bell shaped over sleeves. Both from Mr Freedom. Rings from Biba.

The look for Christmas is definitely one of bright colours and generally good cheer. Fabrics are crepes, satins and velvets in stained glass hues of rich reds, blues, greens, yellows and purples…

Photographed by Stephen Bobroff.

Scanned by Miss Peelpants from 19 Magazine, December 1969.

Christmas Colours - Stephen Bobroff - 19 Dec 69 - 7

Long crepe kaftan style dress by Mr Freedom. Red chiffon scarf by Fenwicks. Yellow and black crepe trouser suit by Mr Freedom. Red leather boots from Sacha. Black crochet cap by Ritva at Feathers.

Christmas Colours - Stephen Bobroff - 19 Dec 69 - 2

Ankle length satin dress over printed in mauve with floppy bell shaped sleeves and long matching scarf by Pourelle. Purple crepe calf length dress with narrow fitting sleeves, lace up neckline and wide cape style collar by Ossie Clark for Quorum. Boots by Sacha.

Christmas Colours - Stephen Bobroff - 19 Dec 69 - 3

Purple narrow fitting t-shirt. Ankle length crushed velvet skirt in pink with purple velvet waistband. Both by Mr Freedom. Purple leather boots by Anello & Davide. Cardigan style dress in dark blue velvet splashed with yellow and red by Gordon King. Bright red crepe ankle length skirt by Ossie Clark for Quorum.

Christmas Colours - Stephen Bobroff - 19 Dec 69 - 4

Pale pink acetate jersey ankle length skirt and v-shaped bra top with narrow straps crossing over at back by Wallis. Black crochet cap by Ritva at Feathers. Pale green crepe ankle length skirt with matching front lacing bra top by Tony Berkeley.

Christmas Colours - Stephen Bobroff - 19 Dec 69 - 5

Long tapestry coat by Janice Wainwright at Simon Massey. Bright green narrow t-shirt by Mr Freedom. Pale pink damask narrow-fitting long coat by Janice Wainwright for Simon Massey. Silk scarves from Biba.

Christmas Colours - Stephen Bobroff - 19 Dec 69 - 6

Ankle length zip fronted cafe crepe dress has softly gathered deep yoke by Tony Berkeley. Red, blue and yellow scarf by Sujon. Ankle length soft pink crepe dress by Tony Berkeley. Long printed Indian scarf from Feathers.

Christmas Colours - Stephen Bobroff - 19 Dec 69 - 8

Bolero top and mid-calf skirt by Simon Jeffrey. Ankle length dress in pure Liberty wool and matching bolero by Gladrags. Red mid calf boots by Anello and Davide.

Linda Thorson for Belle Color

1960s, avengers, linda thorson, the avengers, Vintage Adverts, Vogue

linda thorson belle colour

Scanned by Miss Peelpants from Vogue, April 1969.

The Evening After Summer’s End

1960s, guy bourdin, Inspirational Images, jean varon, john bates, thea porter, Vogue
guy bourdin vogue october 1969

Turban £50, skull cap £6, at Thea Porter. Pearls, Paris House. Blouse by John Bates for Jean Varon

Photographed by Guy Bourdin.

Scanned by Miss Peelpants from Vogue, October 1969.

Take a long look

1960s, bus stop, david hurn, Elgee, Inspirational Images, John Craig, kleptomania, lee bender, ossie clark, petticoat magazine, quorum, ravel, Sacha, Sacha, stop the shop, Sujon, Vintage Editorials, wallis
take a long look 3

Long blue coat, £25 4s. by Ossie Clark at Quorum, S.W.3. Scarf by Liberty, £3 19s. 6d. White boots by Sacha, £7 7s. Flowery print dress, £10 10s,, by Kleptomania, S.W.3. Blue boots by Sacha, £7 7s. Corocraft beads, £1 12s. 6d.

How far are you dropping your hem this season? Variations on the theme fall from just below the knee to maxi. Coolest long-liners come soft on jersey, hot on tweed, close and clingy in crepe and warm in wool and fur…

Photographed by David Hurn.

Scanned by Miss Peelpants from Petticoat, October 1969.

take a long look 1

Blue button-front long dress, £8 Ss. from main Wallis Shops. Beige long-sleeved shirt, £3 13s. 6d., turquoise coat, £13 13s., long black skirt, £5 Ss. all from Bus Stop, W.8. Worry beads, £15s. from The Greek Shop.

take a long look 2

Maroon herring-bone coat, £18 10s., with matching trousers, £5 by Elgee from Miss Selfridge. Ravel red patent brogues, £6 6s, Lilac velveteen shirt by John Craig, £3 12s. from Stop the Shop, S.W.3. Brown and white tweed coat, £16 10s. C & A. Paisley scarf by Richard Allan, £3 3s. Grey herringbone coat, £13 2s. 6d., matching trousers, £414s. 6d., from Bus Stop, W.B. and the new shop in Birmingham. Boots by Sacha, £7 7s. Fringed scarf by Sujon, £3 13s. 6d.

Boring Party

1960s, bus stop, David Stanford, Inspirational Images, lee bender, Uncategorized, vanity fair

Boring Party

If the invitation is really dread and you feel a creeping paralysis of boredom days ahead, there are only — two ways out. One is to behave so badly that you are never asked again; the other is to look so outrageously glamorous that you rivet the attention of every man in the room. Revive nostalgia for the unattainable Hollywood style, in a luscious apricot satin evening dress, correct with every Forties detail — sweetheart neckline, wedding dress, buttons, even an artificial flower on the shoulder. By Bus Stop, about 89s:6d. Rippling Rita Hayworth hairstyle by Hugh at Cheveux, W.S.

Photographed by David Stanford.

Scanned by Miss Peelpants from Vanity Fair, December 1968.

All That Glitters

19 magazine, 1960s, Dolcis, Elliott, gillian richard, Inspirational Images, michael chow, Pourelle, Russell & Bromley, Stuart Brown, Uncategorized, Vintage Editorials
All That Glitters 3

Bitter choc lurex suit by Pourelle, 13gns. Cat suit with fine straps by Pourelle, 12gns. Shoes by Dolcis, 89s 11d

Out of the sombre tones of last year’s black evening dress, emerges the exciting new glitter story for autumn. Light-as-a-feather Lurex, made up into cool, clinging styles, helps you shimmer through those soft, romantic evenings.

Photographed by Stuart Brown in the flat belonging to interior designer John Wright of Walker, Wright and Schofield, and also in Mr Chow’s restaurant.

Scanned by Miss Peelpants from 19 Magazine, September 1969.

All That Glitters 4

Pink silver-sequined georgette dress by Gillian Richard, 11gns.

 

All That Glitters 2

Gold lurex jumpsuit by Pourelle, 13gns. Gold lurex dress and trousers by Pourelle, 13gns. Shoes from Russell and Bromley, £8 9s.

 

All That Glitters 5

Bitter choc lurex long sleeved dress by Pourelle, 9½gns. Black shoes by Elliott, 7gns.

 

All That Glitters 1

Silver lurex shirt dress worn over matching trousers by Pourelle, 13gns. Silver shoes by Russell and Bromley, 7gns.

 

All That Glitters 8

Silver lurex evening suit by Pourelle, 15gns. Silver shoes by Russell and Bromley, £8 19s.

 

All That Glitters 6

Bitter choc Lurex dress by Pourelle, 7½gns.

 

All That Glitters 7

Black sequined georgette dress by Gillian Richard, 8gns.

 

 

Mother Wouldn’t Like It

1960s, Boutiques, british boutique movement, Heavy Metal Kids, Honey Magazine, Illustrations, kensington market, lloyd johnson, menswear, Mother Wouldn't Like It, wendy buttrose

Mother Wouldn't Like It

Have just formed a new organisation. It’s called SPOCC or the Society for the Protection of Clothes Customers. Idea came last night when I collected a couple of suits from the cleaners, only to find that the shoulder padding of one jacket was lost somewhere down the sleeve, and the trousers, supposed to be drip dry, were wrinkled like a Dutch dyke. The first suit came from Carnaby Street, the second from the Kings Road. Jose, my flat-mate, tried to pacify me by saying, “I thought you said clothes now are fashionable and short-lived. So what do you expect?” Simply that a suit shouldn’t disappear at the first clean! I accept built-in obsolescence and all those rubbishy excuses for using cheap materials, but I expect a suit to last a year, not a month. How about you? Let me know what you think … it might add up to some interesting revelations. Like the super trousers in the sketch. They’re Newman jeans from France; they cost much more than English or American but, in my view, are twice as good. I got a pair from the Heavy Metal Kids in the Kensington Market for £5. Elsewhere you can pay up to 8 gns. Shirts are another racket. The shirt here looks as if it costs 10 gns., and so it can at some places. In fact, it’s made by a man called Bryan King, who works in a Queensway attic, turning out great shirts handmade, frilled, tapered, for £2—£4, and sells them at his stall, Mother Wouldn’t Like It, also in the Ken Market. The tie-makers have become so ridiculously expensive that ties are out except for the odd occasion, and these shirts are as logical a take-over as the polo sweater. If Bryan can turn them out at this price, why can’t others? Remember—next time you think you’ve been rooked, let Luke SPOCC Jarvis know.

Written by Luke Jarvis.

Illustration by Wendy Buttrose.

Scanned by Miss Peelpants from Honey, March 1968.

I see the gypsy in your soul

1960s, Alan Aldridge, Honey Magazine, Illustrations, Uncategorized

honey20alan20aldridge20small

Illustration by Alan Aldridge.

Scanned by Miss Peelpants from Honey, July 1968.