Victoria Tennant, an Afghan hound and a jacket of real patent leather, caramel brown and shiny. She is a drama student at the Central School. The jacket, 39 gns, was made with wide lapels and a belt, by a new boutique, Kenneth Vard, 90 Marylebone High Street, W.1, who makes anything in any colour and any suede or leather.
Photographed by Patrick Lichfield.
Scanned from Vogue, May 1969.
Happy International Women’s Day! Here is one of my favourite covers, from the glorious Harpers Bazaar (before they merged with Queen and lost this lovely deco typeface, that 5s makes me swoon for some reason) and by one of my favourite photographers, Sarah Moon.
Photographed by Sarah Moon.
Scanned from Harpers Bazaar, April 1969.
While the hat is – unusually for Vogue – uncredited, the image is taken from this otherwise black and white editorial from the previous month so is probably by Malcolm Raines.
Hair by Oliver at Leonard.
Photographed by Barry Lategan.
Scanned from Vogue, April 1971
This illustrative image for an article about scents and smell also perfectly showcases James Wedge’s genius for hand-tinting and photomontage.
Modelled by Marie Helvin.
Photographed by James Wedge.
Scanned from 19 Magazine, November 1971.
José Fonseca is the co-owner of Models One, a busy model agency with top names like Marisa Berenson and Lauren Hutton on the books.
“As a child, I loved fancy dress and I still like breaking the fashion rules. I go to the office in clothes that can take me to a party afterwards—I just don’t know how to wear casual clothes perhaps because I hate my bottom! I feel more like a woman in long skirts than in pants or jeans. Ever since Ossie Clark made his first mid-calf skirt I have been trailing along—Ossie-style. I wear a lot of black because it always makes me feel fantastic. I like the anonymity of black and the way you can use it as a foil for jewellery and scarves. I went mad on sequins last winter. I bought jackets, berets, even a gold sequin ‘Twenties theatrical outfit—I like to sparkle. I wear a lot of make-up as I feel I can hide behind it. My hair used to be straight but I wanted a change so I had it cut and curled and then permed. But I’m going to grow it out.”
This is a part of a larger feature with ‘real’ Cosmo women putting fashion to the test, but this is definitely my favourite one.
Fashion by Penny Graham.
Photographed by Mike Berkofsky.
Scanned from Cosmopolitan, March 1974.
The one time they remember to credit a photographer, they forget to tell me who the dream outfit was made by!
Advert for Parkers boutique of Hampstead.
Photographed by David Stetson.
Scanned from Harpers and Queen, April 1975.
How do you turn your bed-sitter into a cosy, welcoming den, with a seductive hint to it, so that a friend would love to come back with you after an evening out on the town? 19 asked Barbara Hulanicki of Biba for her expert advice on this and here are some of her easily imitated ideas to jazz up your pad.
Choice of colour schemes is very much a question of taste, but we chose Biba’s beautiful brown and gold paper and brown paint because they’re warm and intimate to live with and neutral enough to display favourite bits and pieces. Brown floor felt is a cheap alternative to carpet, but it is difficult to keep clean. If you can stand doing it, sanding tt-e floor gives a beautiful surface. pywood pieces, cut to size by your frendly local do-it-yourself shop and glued or nailed together, form excellent boxes for tables and seats. If yoire clever with a screwdriver, you night even manage to hinge one side and use the boxes for storage.
Painted and edged with wallpaper border and then varnished with clear polyurethane. they make effective and decorative furniture, which will tie in beautifully with your room scheme. An alternative to expensive antique plant pots is to buy terracotta ones and again paint with colour and seal with clear polyurethane.
A pegboard livens up a dull wall and when painted and bordered with paper looks as if it’s meant to be there. Half-inch thick insulating board—again cut to required size— is super stuff for pinning notices on.
The bed is covered in brown velvet and scatter cushions. Everyone knows it’s a bed, but it doesn’t have to look like one and this way successfully forms an integral part of the room. An ugly wardrobe can dominate a bed-sitter, but is usually a necessary evil. Given the same treatment —paint, wallpaper trim — it actually looks pleasant and merges effectively with the wall.
Judging by the jumble of sticks and pots in most girls’ bedrooms, storage space for jewellery and make-up is also a problem. Barbara’s cheap, chic and neat answer to this is a tin tool-box, stocked by most hardware shops. Painted and varnished, it looks really effective.
Text by Gwenda Saar.
All items from Biba, unless otherwise stated. Model’s clothes from Biba.
Photographs by Manfred Vogelsanger.
Scanned from 19 Magazine, February 1973.
I can’t say I’d normally be rushing to lovingly scan a Trevira advertorial, but then not all Trevira adverts were photographed by Eva Sereny!
All man’s accessories from Austin Reed.
Photographed by Eva Sereny.
Scanned from Vogue, March 1978.
The Madame Grès exhibition at the Musée Bourdelle is still one of my all-time favourites. I can’t quite believe it was ten years ago – and little did I realise how precious international travel would become!
I was drawn to scan this incredible piece by her today, and when I looked at my post from 2011 I realise that it was one of those I photographed. Well, I pretty much photographed them all, but it was one of the chosen ones for my post. And although my tastes and style have changed somewhat since then, I would still count an original Madame Grès as my holiest of holy grails.
Photographed by David Bailey.
Scanned from Vogue, March 1973.
Modelled by Cathee Dahmen.
Hair by John at Leonard. Make-up by Barbara Daly.
Photographed by Barry Lategan.
Scanned from Vogue, January 1973.
Liz Eggleston 