Umm. Pink tights and green platforms? Yes please!
Noosha just gets more and more spectacular…
One of my favourite fashion shoots of, ooh, forever, I have no idea why I have only just got round to scanning it in. This look appeals to me more and more every time I look at it. Part of what I love about the Seventies is the way they were influenced by the styles of earlier eras, and yet the result is always so perfectly Seventies and, inexplicably, preferable to the original. Speaking for myself, anyway…
Photographed by Eva Sereny. Scanned from The Sunday Times Magazine, October 1972
“At the Paris winter collections no-one seemed to have any scruples about cribbing from the Fifties. However, Dorothée Bis, one of the most influential ready-to-wear designers, did it better than anybody else because the clothes managed to look far sexier than they ever did at the time. Big baggy men’s department sweaters; jackets and coats, swagger-backed or lumberjack style, in cloth or fake fur; tight skirts hobbled over seamed lurex tights – in fact, everything that could be worn with a waspie belt like the one shown here, giving more shape tot he shapely and hope to the straight. On the cover and on these pages actress Fiona Lewis shows how she wears waist-clinchers.”
One of the most incredible illustrations I think I have ever seen, by the legendary Philip Castle. I think it even out-does The Real Appeal of the Heel…
Featuring superbabe Jilly Johnson, and formerly belonging to a dymo-wielding dude named ‘Ross’, I cannot help but covet the matching silver bikini/platform shoe combination on the reverse side. Or in the words of the great Tarkus, B-Side.

Barbara wears halter top and pleated skirt by Mary Quant, £23 for the rigout, and shoes by Chelsea Cobbler. He wears intarsia sweater by Ballantyne.
Nice girls are turning a cold shoulder on some of the best looking men around. Perfectly enchanting girls, like Twiggy, who flashes her famous shoulder blades at Christopher Gable through her sleeveless, backless The Boy Friend costumes. And who can forget Lauren Bacall and lngrid Bergman acting with their backs turned on Bogie in all those Late Late Show films. Now you can make some of the best exit lines in the backless—and fairly frontless—cIothes previewed here. lt’s clear that fashion is on the side of the female female in clothes that show off a nice warm back and allow plenty of MANoeuvring room. Putting the Back-to-Basics through their paces in many of the pictures are Barbara Trentham and Gary Myers, a couple of Cosmo people to watch. Blonde, brainy Barbara with the 1,000-watt smile will soon be seen in her first film, opposite Shirley MacLaine. called, if you can believe it, The Possession of Joel Delaney, and Aussie Gary is tall, dark and one of television’s busiest tough guys. Together they show that a cold shoulder never turned a good man off…
Scanned from the very first UK edition of Cosmopolitan, March 1972. Photographs by Norman Eales.
Once upon a time, Miss Selfridge used to stock clothes by the likes of Ossie Clark, Thea Porter and Gina Fratini… If only t’were still the case!
The Ossie advert is scanned from Cosmopolitan, May 1972, the Thea Porter and Gina Fratini ones are from April 1972.