The search is on at all Chelsea Girl boutiques.
I wonder if anyone ever did win this and receive ‘nationwide publicity and become known as “The Most Wanted Woman on Earth”.’ Anyone remember? Regardless, I’m in love with the heart on the thigh above and, in fact, the entire colour palette…
Photographed by Geoff Lewis.
Scanned by Miss Peelpants from Petticoat, May 1971.
Brilliant red patent leather sandal with suede straps thonged in patent. By Saint Laurent Rive Gauche.
Photographed by Steve Hiett.
Scanned by Miss Peelpants from Harpers and Queen, January 1975.
The leopard cannot change his spots, And that’s the fix I’m in, So come an sit by me, my love, For some highly original skin. <<<<<<>>>>>> Fake-fur bikini and bangles from Biba. Boots by The Chelsea Cobbler.
Don’t give up – this could be the year when what goes on underneath could be your major investment.
Another extraordinary example of James Wedge’s wonderful work in the art of hand-tinting and further adventures in the world of Seventies-does-Fifties-pin up. Notable for including shoes and a petticoat from ‘Let It Rock’ which was Malcolm McLaren and Vivienne Westwood’s first shop in the Kings Road. The influence of rock and roll on and crossover between both glam rock and punk is perfectly encapsulated in this editorial, right slap bang in the middle of the Seventies.
Fashion by Liz Smith. Photographs by James Wedge.
Scanned by Miss Peelpants from Cosmopolitan, January 1975.
When I’m awakened from my slumber It does seem rather mean – It’s always the wrong number and never Steve McQueen. <<<<<<>>>>>> Satin bra and panties from Biba.
Watch out for life’s banana skins, And wear your prettiest slip, So you can say to passing men “I did enjoy my trip”. <<<<<<>>>>>> Bra by Gossard. Petticoat and stilettos from Let It Rock.
When I went in for Crufts with my doggy, I didn’t know how it would go, But it proves the importance of grooming – We’ve been voted the best in the show! <<<<<<>>>>>> Corselette by Janet Reger. Scarf from Femina Furs. Gloves and hat by Biba.
A girl can’t have too many furs, They give her an inner glow. But when it omes to trapping them How fur should a nice girl go? <<<<<<>>>>>> Bra, panties and suspender belt from Fenwick. Cape by Femina Furs. Mules from The Chelsea Cobbler.
If you watch the girls men watch, You’ll see, The girls they watch watch their weight like me. // Look me over closely, Tell me what you see. But if you kiss and tell, you rat, I’ll swear it wasn’t me. <<<<<<>>>>>> Essences camisole. Shoes by Terry de Havilland. Nightgown by Finewear. Shoes by Zapata.
A birthday gift for me, my dear? Come in and close the door. I do like them sending my presents, With a man from Securicor. <<<<<<>>>>>> Nightie and pantie set from Dorothy Perkins.
Men used to say I was forward, But I’ll tell you this, for a fact: Since I chose to look pure, and a little demure, I simply haven’t looked back. <<<<<<>>>>>> Abecita body stocking. Negligee by Martin Emprex. Glove and bag from Biba. Shoes by Let It Rock.
Sweater and matching knickerbockers hand-knitted by Molly Dove.
Knitted tops for all occasions. Warm, comfortable sweaters with amusing motifs from The Sweet Shop, and samples from an imaginative collection by a new designer, Molly Dove. Her clothes are obtainable by mail order only; which, as well as keeping the prices down, makes them available to more of you! We also show a pretty little halter-necked top that’s barely there, just in case the sun comes out!
Photographed by John Bishop.
Scanned by Miss Peelpants from 19 Magazine, January 1971.
Canary yellow jumper by Eric Budd.
Animal motif sweaters from The Sweet Shop.
Knitted halter neck by Erica Budd.
Piano key sweater by Anne Cossins for Mr Freedom.
Random knit playsuit by Zeekit by Crochetta. Hand-knitted striped stockings from Women’s Home Industries.
Bahamas and Birds sweaters both by Molly Dove.
Sweater by Erica Budd. Bermudas by Donald Davies. Striped stockings by Women’s Home Industies.
Beautiful Tree with the mysterious Mexican Datura lily, right. Black panne velvet suit with great gathered Edwardian sleeves, a cowl and long panelled skirt; to order from Ossie Clark at Quorum.
Cecil Beaton took pictures of Penelope Tree wearing new Ossie Clarks in his Wiltshire winter garden and David Bailey filmed them both, below. Double take—like a scene from the film with Cecil Beaton as the star that David Bailey is making and everyone can see in colour on ATV early next year. When I Die I Want to Go to Vogue was Bailey’s idea of a title: nobody agreed with this. For one thing it would only reflect one aspect of the Beaton legend writer, of more than twenty books; painter, with at least five major exhibitions; designer, of just about everything—opera, ballet, theatre, film—and one-man commentator, whose eye has always focused unerringly, and wittily, on the moment—this moment.
“An epic with a cast of thousands,” says Bailey about the film. There’s Mick Jagger, Jean Shrimpton, Lord David Cecil, Nureyev, Twiggy and many, including Sir Frederick Ashton, Dr Roy Strong, Sir George and Lady Weidenfeld, David Hockney, Patrick Procktor, Ossie Clark, Celia Birtwell, Mrs Anne Fleming, Lord and Lady Harewood, Lady Antonia Fraser and Edna O’Brien, who came to the now famous party that Cecil Beaton gave, and David Bailey filmed, in his London house. “I told everyone beforehand that there would be cameras and told them not to come if they minded. Nobody did mind.” “The worst moments,” says a guest, were when you knew the cameras were not on you.” And Beaton added, It was a mixture of people all looking very interesting in their new autumn clothes. Many looked beautiful.” Beautiful Tree with the mysterious Mexican Datura lily, right. Black panne velvet suit with great gathered Edwardian sleeves, a cowl and long panelled skirt; to order. Black crepe dress, side-buttoning collar, then split, long split skirt with pleated panel, 17 gns. Both at Quorum. Victorian silver choker, Sarah Dwyer and Tony Giorgi, The Chelsea Antique Market. Hair by Celine of Leonard.
Above photographed by Cecil Beaton. Below photographed by David Bailey.
Scanned by Miss Peelpants from Vogue, December 1970.
Black crepe dress, side-buttoning collar, then split, long split skirt with pleated panel, 17 gns. Ossie Clark at Quorum.
Scanned by Miss Peelpants from Vogue, October 1973.
Rayon boudoir dressing gown by Diana Leslie for Tyger Tyger.
Dressing gowns should be comfortable, glamorous and practical. Here we show you what you might wear if you want to potter about the house in style, from towelling to satin, the pick of the bunch.
Modeled by Anjelica Huston.
Photographed by Steve Hiett.
Scanned by Miss Peelpants from Flair, December 1971
Red and white flower print rayon dressing gown by Karencraig.
L-R Beardsley print slinky dressing gown by Georgina Linhart; Red voluminous nightie and peignoir by Biba; White and black kimono by Jasper.
Dark brown panne velvet dressing gown by Georgina Linhart.
Lilac and burgundy towelling zip up dressing gown by James Drew.
Liberty Veruna wool checked wrap dressing gown from Liberty.
Scanned by Miss Peelpants from Honey Magazine, October 1970
Ladylike white silk shirtdress by Salvador. Coffee coloured goatskin bag from Harrods. Pure silk lace jersey scarfed turban by Frederick Fox. White sunglasses by Oliver Goldsmith. Ivory heart and ivory and gold cross on chains by Ken Lane.
Photographed by Clive Arrowsmith.
Scanned by Miss Peelpants from Harpers and Queen, February 1975.
Come, your fashion Odyssey begins at Fortnum & Mason. There, at imagination’s edge find a trio of unique designers .. . Jean Muir, Zandra Rhodes and Bill Gibb Their views, alien to everything mundane. Their clothes, un-alike and unlike any others All three at “Odyssey”, the great new fashion adventure at Fortnum & Mason, i81 Piccadilly, London, W.1.
Illustrated by David Wolfe.
Scanned by Miss Peelpants from Vogue, December 1970.
Liz Eggleston 