
Photographed by Serge Lutens.
Scanned from Harpers and Queen, September 1974.

For much too long now, “dressing up” to go out has been looked upon as simply too uncool for words. Being chic meant arriving at a party in the clothes you got up in that morning and heaven help a girl who attempted anything more extravagant than a lurex halter top and trousers. This year the festive season takes its revenge – and with a vengeance! There is room for all the glamour you can muster and then some. It’s time for every girl to discover her own specially good assets, be it a neat pair of legs, smooth shoulders or an uplifting bust, and then show them off in shimmering satin, coolest crepe n’ dazzling decoration.
Pictures taken at Lindos, Rhodes, where Petticoat’s fashion and beauty team stayed by courtesy of Cosmopolitan Holidays Ltd., 296, Regent Street, W1.
Hair by Christine at Mane Line.
Fashion by Marcia Brackett.
Photographed by Fortuna.
Scanned from Petticoat Magazine, 1st December 1973.




Softly, softly, ever so gently, it’s velvet— printed! It’s as pretty as a picture—so cling to it
Styling by Sue Hone.
Photographed by David Finch.
Scanned from Petticoat Magazine, 3rd October 1970.

Fantasy and theatre is the theme – lots of colour and glitter the focal points … Fantasy can run the whole gamut, but we like the feel of a ‘Thirties-type Hollywood pin-up pic, the soulful tragi-comic look of a clown or even a glamorous ‘Twenties flapper girl. Take your pick, and choose your own Christmas decorations.
An idea we captured from the realms of Erte, the artist and designer of the ‘Twenties – true theatrical fantasy, ideal for all your Christmas parties, a look which you can create yourself following our instructions.
Hair and the silver sequined skull cap with front forehead curl, was dressed by John at Leonard. To do this style yourself, use sequin strips (available on a card) and wrap them first round the head in a skull cap shape, making sure they sit flat, close an neatly. Leave a small strand of hair free and set it into a little curl. Then, take single hair strands, as we have done, and intertwine them with a sequin strip, like a plait.
Model is Vivienne Lynn.
Make-up by Barbara Daly.
Photographed by David Anthony.
Scanned from 19 Magazine, December 1971.
The bathroom as an erogenous zone.
No room is more intimate than your bathroom. There is nowhere better to relax and get in the mood … to succumb to the sheer sensuality of soaking in scented water, indulging fantasies and anticipating future pleasures.
Your bathroom should be a place to feel beautiful in. to lacquer your toenails or finish a novel, henna your hair, water your plants or even paint a picture. No reason why it shouldn’t be your bathroom-boudoir-dressing-room-studio all in one. Even better if there’s room for a bed .. .
The bathroom is where you imprint your personality. Dare to be exotic with jungle prints, orchids growing in glass tanks. Or keep it cool with ice-white decor, stark modern art, a Japanese Bonsai tree.
Whatever your style, remember the importance of warmth, the comforting feel of thick pile rugs and heated towels. There’s no greater turn-off than getting goose pimples in a chilly cheerless bathroom. We photographed three highly individual bathrooms designed with great flair, and each styled perfectly for their owner’s lives. But all with a single thought in common—comfort.
The lure of the East for international fashion designer, Thea Porter. She designed her Mayfair bathroom with a Moorish interior in mind . . . wide built-in seats with heavily embroidered cushions. a little arch cut into the wall to display treasured objects. Thea doubles her exciting room as a studio, hangs her paintings around the walls.
If you want to please a man, model your bathroom on the one good-looking London businessman David Evers owns, with handsome polished mahogany fitted units, ivory backed brushes and green plants. David says the atmosphere reminds him of a St James’ men’s club.
The third is a fiery red hideaway, a fantastic design by Richard Ohrbach for New Yorker Cynthia Peltz. There’s more than a touch of the womb about this room—very comfortable after a hard day at the office …
Text by Joan Prust-Walters.
Photographs by Tim Street Porter.
Scanned from Cosmopolitan, January 1974.