The Young St. Michael range power-packed with its new mid-May collection.
The Young St. Michael range is only available at Oxford Circus. Glasgow, Brighton, Liverpool and Manchester at the moment.
Curiously, I have the scarf she’s wearing in the top photo and I had always assumed it was authentic 1930s – as it was sold to me. Now I look closer, I can see the faded signature of Chester Martin. Whilst I’m disappointed that it’s not actually as old as I thought, I can’t resist a documented bit of vintage!
The main attraction of this summer’s printed dress is their little-girl, Sunday-best quality. The star fabric is floral crepe-de-Chine, now beautifully revived, featuring softly shaped skirts, Peter Pan collars and puff sleeves.
Another flawless example of early Seventies nostalgia for the Thirties and Forties, which might seem frivolous or twee if it wasn’t in the talented hands of Mr Peccinotti.
Sunny Spain conjured up visions of hot summer days in picturesque surroundings, ideal settings for 19’s summer fashions. And we had a fantastic oppotunity when 4S Travel arranged a trip to Malaga and Torremolinos. We flew BUA Super Jet to stay at the Hotel Al Andalus, within easy reach of the mountains overlooking the Costa del Sol. Here we discovered quaint villages, sun-drenched and white-washed, their customs and dress crystallised in the past. No cars to be seen, only mules and donkeys. Our clothes echoed the feel of these places – colours stark black and white, brightened with touches of gayer hues, clean hot printed cottons, soft peasant blouses, sandals, light fishnet shawls, casual sun hats. The garments are easy to take care of, and enhance a tan – midi skirts that button to above the knee and give alluring glimpses of brown thigh, and large brightly printed squares of fabric which can be used as shawls, or skirts tied at the side.
Making me yearn for a proper holiday. The closest I’ll get is looking at this editorial whilst sitting on the balcony, trying to avoid all humans for the time being. I hope it brightens your day as well…
Left: Violet pullover from C&A. Black knickers by Erica Budd. Shoes from Sacha. Right: Lilac pllover and matching knickers both by Erica Budd. Blue shoes by Anello and Davide. Leather belt from Medusa. Scarf from Rose Nice in Kensington Market.
Photographed by John Bishop.
Scanned by Miss Peelpants from 19 Magazine, September 1970
Black crochet hat by Sally Levison. Black jersey shirt by John Craig. Black gaberdine midi skirt by Lee Bender for Bus Stop. Shoes from Anello and Davide. Crochet shawl from Catherine Buckley.
Both knitted outfits by Alice Pollock for Quorum. Boots by Ravel. Scarves by Rosie Nice at Kensington Market.
Left: Dress by Gillian Richard. Hand-knitted Shetland wool shawl by Foale and Tuffin. Shoes by Ravel. Right: Petrol blue jumper from C&A. Rust jersey skirt by Mary Quant’s Ginger Group. Blue lace shawn by Foale and Tuffin. Shoes by Anello and Davide.
Deep ochre wool hat found at a jumble sale. Tomato red and white long line pullover by Shar-cleod. Gaberdine skirt by Travers Tempos. Boots from Ravel. Silk scarf from a selection at Rosie Nice in Kensington Market.
Royal blue crochet hat found at a jumble sale. Blue and white flecked pullover and matching skirt by Erica Budd. Boots from Ravel.