
THE NEW SPOT CHECK ‘N STRIPE SHOW
Cottons crisp, cotton knit, hats as large as saucers, trousers wide, heels high, black and white giving positive power on a summer’s day.
Photographed by Peter Knapp.
Scanned from Vogue, May 1972.
THE NEW SPOT CHECK ‘N STRIPE SHOW
Cottons crisp, cotton knit, hats as large as saucers, trousers wide, heels high, black and white giving positive power on a summer’s day.
Photographed by Peter Knapp.
Scanned from Vogue, May 1972.
Winceyette steps gently from bedtime to daytime with a magic story to tell about dungarees and smocks, dresses and skirts. The prints are childlike, the colours soft and while they conjure up memories of long-ago nurseries they will make you everything that is adult and feminine.
Photographs taken at Pollock’s Toy Museum, Scala St., W1
Fashion by Marcia Brackett.
Photographed by John Carter.
Scanned from Petticoat, 12th August 1972.
Extra special for a special season — some of the most outrageous party clothes to be seen since the golden days of Hollywood and the silver screen left us open-mouthed in amazement. The Sundown, Charing Cross Road, WC2, is where to find glamour 1972 style — that’s where we took clothes, models and hairdresser Michael Strum from Crimpers. It was amazing too, why not try it some time?
Fashion Marcia Brackett.
Sounds from The Sands of Time.
Photographer is, unusually for Petticoat, uncredited but I think it is probably Roger Charity.
Scanned from Petticoat, 16th December 1972.
Lurid Lurex, sexy satin and slinky leopard skin make the wildest look of all. Not to be confined to parties, dance halls or even billiard rooms—this is what you wear anywhere and everywhere.
Just one of the most deliciously styled and shot editorials. As so often happens with Terry de Havilland, his shoes are credited to Leicester Shoes in this editorial but they’re definitely his as they also feature in Vogue in 1972.
Photographed by Gilles Ben Simon.
Scanned from Honey, October 1972.
Black and silver are this year’s popular Christmas colours. Sweaters are in silver lurex striped in black, black wool flecked with silver and endless other combinations. Shapes are halter-necks, dolmans, or little wrap-over cardigans – almost any shape will do. Accessories are bright and glittery. Add touches, like sticking sequins on your hats, and shoes, and you’re all set to outshine the fairylights.
Photographed by Christian Laroque.
Scanned from 19 Magazine, December 1972.
What a year. It’s hard to summon up a great deal of enthusiasm for the Christmas we’re about to have, but I’m looking backwards to look forwards, as I often do. I still seem to find joy and solace in art and aesthetics and I hope my posts have given you the odd moment of enjoyment and inspiration this year. Thank you for your support and to everyone who has bought vintage from me or liked/shared/commented on my blog and Instagram posts. Sending you my love and best wishes for a better year ahead.