
Photographed by Karl Stoecker.
Scanned from Honey, February 1972

Photographed by Karl Stoecker.
Scanned from Honey, February 1972

(I can’t find a photographer credit for this stunner, so my apologies to them.)
Scanned from Honey magazine, July 1968.

City life heats up when the sidewalks are crowded and the cabs full. Give yourself a break and see the sights. Step out in cotton dresses for a cool look at a hot town.
Photographed by Monty Coles.
Scanned from Honey, August 1975.










After the explosion of hot pants and vulgar satin knickers, shorts are still with us, but they’ve emerged neater and brighter – put together with layered vests and skimpy sweaters, legs that go on forever and bright vampy shoes or clogs. It’s the only way to be cool this summer.
Photographed by Richard Selby.
Scanned from Honey, June 1971




Further to yesterday’s post, and as promised, here are the photos taken on Brighton Pier for the same editorial. With clothes by Miss Mouse and City Lights Studio, they were worth waiting for – weren’t they?
Photographed by Gilles Ben Simon.
Scanned from Honey, May 1973


This post is brought to you in two parts. The editorial was, unusually, photographed by two different photographers in two different locations. Tomorrow I will post the photos from Brighton Pier (very exciting for me, as you can guess!). Today’s were photographed in Meeny’s, which was a King’s Road boutique started by Gary Craze in 1972 – specialising in American brands for both adults and children. Clearly showing the same influences as Mr Freedom, this is the first I’ve seen of the interior. The clothes are the very creme de la creme of boutique ‘pop art’ joyfulness.
Photographed by Dick Polak.
Scanned from Honey, May 1973.







L-R Vampy wedge heeled shoes by Sacha, Skinny lemon boots by Russell & Bromley, Co-respondent leather running shoes by Sacha, Stripy suede boots with crepe soles by Sacha, Double stripe soft leather boots by Sacha, Tough crepe soled lace-ups by Bata, Skinny leather platform soled boots by Sacha. Cork soled suede lace ups by Sacha.
Photographed by Brian Downes.
Scanned from Honey magazine, November 1971.

Scanned from Honey magazine, August 1971.

Probably the greatest paint advert of all time, featuring model and singer Amanda Lear wearing clothes by Kansai Yamamoto from Boston-151. Shoes are by Zapata (aka Manolo Blahnik).
Scanned from Honey, November 1971

Poppy field morocaine dress with drawstring neck by Ossie Clark for Radley. Plaited suede sandals by Bata.
Flirty little crêpe dresses so irresistibly feminine you’ll never be alone for long.
Anyone who knows me at all will know that *I* cannot resist crêpe, never mind what a fella thinks. This is a stunning editorial, with a model I’m not sure I recognise from anywhere else – so do comment if you can identify her. Featuring two covetable dresses by Ossie Clark but also featuring two by the mysterious ‘Boobs’ boutique label (by designer Linda Warren). I have found mention of a ‘Boobs’ boutique in Edinburgh, but I think it might just be coincidence. Again, holler if you know anything!
Photographed by Roy A. Giles.
Scanned from Honey, November 1971.

Daring slash necked lemon and lime striped Dicel crêpe dress with paste brooch by Linda Warren at Boobs. Suede plaited shoes by Bata. Tights by Mary Quant.

Chocolate brown Dicel crêpe dress with wide accordian pleated sleeves gathered into deep buttoned cuffs by Linda Warren for Boobs. Scarlet and black scalloped shoes by Ravel. Red art deco compact from Universal Witness.

Skimpy jet black halter neck bonded moss crêpe dress with pink and black polka dot fluted bolero jacket by Rosy Bradford for Quorum. Scarlet glacé leather peep toe shoes from Zapata. Flocked red cherries by Adrien Mann.

Button-through bow-scattered gently flaring crêpe dress from Bus Stop. Black sude sandals by Bata.

Slippery satin dress with palm tree printed bodice by Ossie Clark for Radley. Scarlet leather peep toe shoes by Zapata.