Inspirational Editorials: Fashion Spectacular

1970s, british boutique movement, bus stop, crowthers, Inspirational Images, John Craig, lee bender, Mirabelle, radley, Tim Marlborough
Left: Satin wrap top. Voile shirt worn underneath. Crepe trousers. Right: Cotton top. Satin trousers. All from Crowthers.

Left: Satin wrap top. Voile shirt worn underneath. Crepe trousers. Right: Cotton top. Satin trousers. All from Crowthers.

Haircuts aside, this editorial is all the things I love. Plus it’s kind of goofy, in a Mirabelle Magazine kind of way, which I find charmingly refreshing in amongst high serious Vogue and Nova photoshoots…

Photographed by Tim Marlborough.

Scanned by Miss Peelpants from Mirabelle, November 1970

Left: Velvet gaucho pinafore from Bus Stop. Jumper by John Craig. Right: Velvet pinafore. White cotton blouse. Both by Bus Stop.

Left: Velvet gaucho pinafore from Bus Stop. Jumper by John Craig. Right: Velvet pinafore. White cotton blouse. Both by Bus Stop.

Left: Crepe dress by Radley. Suede choker with snakeskin applique from Bus Stop. Right: Crepe dress from Crowthers.

Left: Crepe dress by Radley. Suede choker with snakeskin applique from Bus Stop. Right: Crepe dress from Crowthers.

Inspirational Images: Chameleon Clothes

1970s, andrea pfister, baccarat, barry lategan, bill gibb, Inspirational Images, moyra swan, thea porter, Vogue
In the Baghdad Room of Topkapi, full of the ghosts of harem women, black and gold decorations to wear, baggy drawstring trousers, silks, velvets, netted and worked with gilded peacocks for a rich top with immense sleeves gathered in twice. By Bill Gibb for Baccarat. High lifted sandals at Thea Porter.

In the Baghdad Room of Topkapi, full of the ghosts of harem women, black and gold decorations to wear, baggy drawstring trousers, silks, velvets, netted and worked with gilded peacocks for a rich top with immense sleeves gathered in twice. By Bill Gibb for Baccarat. High lifted sandals at Thea Porter.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, November 1971

In the harem, green brocade with sleeves coming through and a pointed petal hem worn under Turkish evening blue - a coat the colour of the electric moment, panelled in scarlet and midnight and violet, flying pinked blue streamers. All to order at Thea Porter. Platform sandals by Andrea Pfister.

In the harem, green brocade with sleeves coming through and a pointed petal hem worn under Turkish evening blue – a coat the colour of the electric moment, panelled in scarlet and midnight and violet, flying pinked blue streamers. All to order at Thea Porter. Platform sandals by Andrea Pfister.

Inspirational Editorials: Weekend Leave

19 magazine, 1970s, Badges and Equipment, Danielle Claire, edward mann, kangol, Lionel Fisher, Mary Graeme, ossie clark, pat cleveland, pelito galvez, Pelito Galvez, quorum, radley, Russell & Bromley, Sacha, sheridan barnett, strawberry studio
She: Felt hat by Edward Mann. Pink sweater and matching cardigan by Ossie Clark for Radley. Skirt by Danielle Claire. Scarf from Essenses. He: Army sweater from Laurence Corner. Cord jodhpurs from Badges and Equipment.

She: Felt hat by Edward Mann. Pink sweater and matching cardigan by Ossie Clark for Radley. Skirt by Danielle Claire. Scarf from Essenses. He: Army sweater from Laurence Corner. Cord jodhpurs from Badges and Equipment.

Featuring the beautiful Pat Cleveland…

Photographed by Pelito Galvez.

Scanned by Miss Peelpants from 19 Magazine, September 1975

She: Red beret by Kangol. White blouse with red velvet ribbon tie by Sheridan Barnett at Quorum. Grey fleck suit by Strawberry Studio. Snakeskin strappy shoes by Sacha. Scarf from Essenses. He: Army jacket and trousers from Laurence Corner. Boots from Badges and Equipment.

She: Red beret by Kangol. White blouse with red velvet ribbon tie by Sheridan Barnett at Quorum. Grey fleck suit by Strawberry Studio. Snakeskin strappy shoes by Sacha. Scarf from Essenses. He: Army jacket and trousers from Laurence Corner. Boots from Badges and Equipment.

She: Hat, sweater and scarf all by Lionel Fisher. Skirt by Danielle Claire. Shoes by Mary Graeme. He: Cream and black pin stripe shirt by Nostalgia. Jodhpurs and boots from Badges and Equipment.

She: Hat, sweater and scarf all by Lionel Fisher. Skirt by Danielle Claire. Shoes by Mary Graeme. He: Cream and black pin stripe shirt by Nostalgia. Jodhpurs and boots from Badges and Equipment.

She: Black felt hat by Charles Batten. Black skirt and cream coat both by Sheridan Barnett at Quorum. Black suede shoes by Russell and Bromley. Clutch bag from Boots. Black scarfr from BHS. He: Army jacket and trousers from Laurence Corner. Boots and kit bag from Badges and Equipment

She: Black felt hat by Charles Batten. Black skirt and cream coat both by Sheridan Barnett at Quorum. Black suede shoes by Russell and Bromley. Clutch bag from Boots. Black scarf from BHS. He: Army jacket and trousers from Laurence Corner. Boots and kit bag from Badges and Equipment

Inspirational Images: Eyebrows – Going, going, gone

David Anthony, Hair and make-up, harpers and queen, Joan Price, Make-up, Ricci Burns
eyebrows harpers and queen december 1970 david anthony

The no-eyebrow look for the Seventies. You can achieve it, as we did here, by the use of a hair removing cream — I advise against plucking or waxing as this can permanently inhibit regrowth. Or, if you don’t want to be so drastic, you can have your brows bleached so that they are almost invisible. For the pale complexion : English Porcelain Re-Nutriv foundation with Sheer Bisque Re-Nutriv face powder; Neutraled Flesh Under Eye Primer stick ; Aurora Pink and Mint Haze Colour Contour for shaping and shading. For the eyes we used Plum Raisin and Candlelight Pink Pressed Eyelid shadows, and Black Burgundy Lash Lengthening Roll-On mascara. The lipstick is Mulberry See-Through. All by Estee Lauder. Hair style : a Marcel wave brought up to date, by Ricci Burns.

My prediction for 1971 is a swing away from the natural look and the form I believe it will take is the disappearance of eyebrows and the return to a pale, pink and white complexion. As with so many new looks in the past few years, this one has been started by models. I saw two of them, browless, this autumn in St Tropez and it gave a new and exciting perspective to the face. Beauty, like fashion, goes in cycles : after a decade of the natural look, we are due for a return to a more stylised face. The last time this occurred was in the Twenties when women achieved a very stylised type of look with pale faces, dark lips, and eyebrows plucked into pin-thin crescents. It reached its peak in the faces of Garbo, Jean Harlow and Marlene Dietrich. If, this time, it is the no-eyebrow look that catches on, it will not be the first time that brows have been removed in the cause of beauty : fashionable ladies in the 15th century covered their faces with white flour powder and accentuated the egg shape pallor of their complexions by plucking the eyebrows out completely and scraping back their hair under exaggerated head-dresses.

Beauty by Joan Price. Photographed by David Anthony.

Scanned by Miss Peelpants from Harpers and Queen, December 1970

Vintage Adverts: Borg’s Country Recipe

1970s, british boutique movement, bus stop, Inspirational Images, lee bender, margit brandt, norman parkinson, Stephen Marks, sylvia ayton, Vintage Adverts, Vintage Editorials, Vogue, wallis
Coat by Stephen Marks

Coat by Stephen Marks

Berets by Kangol. Boots from Chelsea Cobbler. Scarves and mufflers from S. Fisher. Skirts and shirts from Sun and Sand.

Photographed by Norman Parkinson.

Scanned by Miss Peelpants from Vogue, October 1974

Both by Margit Brandt at Harrods

Both by Margit Brandt at Harrods

Swagger jacket from Bus Stop

Swagger jacket from Bus Stop

Both coats by Wallis

Both coats by Wallis

Inspirational Images: Voila! La pièce de résistance!

1970s, Adrian Mann, Bernshaw, biba, british boutique movement, celia birtwell, cosmopolitan, David Collings, David Warbeck, Eva Sereny, gordon king, Hilary Floyd, Inspirational Images, John Michael, Larrio, Martin Potter, Michael Petrovitch, Michaeljohn, mitzi lorenz, ossie clark, Patrick Mower, Penny Graham, polly peck, Renate Zatsch, Sam Wright, Turnbull & Asser, Vintage Editorials
Often the best parties are just for two, so make it an evening to remember. Jenny gets star treatment from Martin Potter, a Shakespearian actor whose sensational looks are making him new audiences. His ideal party: "There'd be just the two of us and it would last a month. We'd hide out in a mountain retreat. Heavy snowfalls would cut us completely off from the rest of the world. And if the telephone packed up, even better." Jenny looks the part in a slink of a dress from Polly Peck, £12-35. Heavy gilt choker and perspex bangle from Adrien Mann.

Often the best parties are just for two, so make it an evening to remember. Jenny gets star treatment from Martin Potter, a Shakespearian actor whose sensational looks are making him new audiences. His ideal party: “There’d be just the two of us and it would last a month. We’d hide out in a mountain retreat. Heavy snowfalls would cut us completely off from the rest of the world. And if the telephone packed up, even better.” Jenny looks the part in a slink of a dress from Polly Peck, £12-35. Heavy gilt choker and perspex bangle from Adrien Mann.

Like the telly bank manager in the cupboard, every girl ought to keep one in her wardrobe … a rigout that makes a girl look great, feel high and draws every man to her side, irresistibly. After your winter fur your most useful investment ought to be one such stunning outfit … la piece de resistance. If it gives you that gilt-edged feeling of security that a proper party frock should, you will be glad to wear it again and again … who cares about being seen twice or even one dozen times in the same outfit … so long as you know you look your absolute best. Cosmo asked eight beautiful and busy models to choose and wear the most stunning party clothes around. And then we invited eight dishy men with great personalities to join them and give their reactions. We brought out the Champagne .. . and the pictures tell the rest of the story. Vive la difference!

Fashion by Penny Graham. Photographed by Eva Sereny.

Scanned by Miss Peelpants from Cosmopolitan, December 1973

This editorial is like honey to me. The men, the clothes, the men’s clothes…

Patrick Mower, one of TV's best dressed men and more often seen playing tough, hard-hitting Detective Inspector Haggerty in Special Branch, closes in on Caroline. Patrick is a great one for big parties: "I case the room and meet whoever I fancy. Everyone should look great and be in a good mood. If they're not they can go home." Caroline luckily suits all demands in a tie-topped blouse and long skirt by Ossie Clark for Radley, £30.

Patrick Mower, one of TV’s best dressed men and more often seen playing tough, hard-hitting Detective Inspector Haggerty in Special Branch, closes in on Caroline. Patrick is a great one for big parties: “I case the room and meet whoever I fancy. Everyone should look great and be in a good mood. If they’re not they can go home.” Caroline luckily suits all demands in a tie-topped blouse and long skirt by Ossie Clark for Radley, £30.

Put on your most sexy dress—something nice and bare that shows a lot. David Collings, bearded for his part in Ken Russell's Mahler, approves of girls who get "all dolled up". He likes throwing instant parties: "Italian food, loads of wine, lots of talk. I then just let things happen. Surprises are always fun." Jane provides just the right degree of suspense in a slashed to the waist dress by Bernshaw, £19.

Put on your most sexy dress—something nice and bare that shows a lot. David Collings, bearded for his part in Ken Russell’s Mahler, approves of girls who get “all dolled up”. He likes throwing instant parties: “Italian food, loads of wine, lots of talk. I then just let things happen. Surprises are always fun.” Jane provides just the right degree of suspense in a slashed to the waist dress by Bernshaw, £19.

Invited to a dressy dinner party? Wear a simple slither of a little black dress that emphasises all your good points. Michael Petrovitch, a tall, broody looking actor, starring in Wet Stuff with Elliott Gould and Donald Sutherland, loves small parties "Where the food's delicious, the conversation good and the woman beside me a marvellous listener. If she's dark and exotic looking—fantastic." Carole fits the role perfectly in a skimmy voile and Lurex dress by Ossie Clark for Radley, £30. Gilt bangle, ring, from a selection at Adrien Mann.

Invited to a dressy dinner party? Wear a simple slither of a little black dress that emphasises all your good points. Michael Petrovitch, a tall, broody looking actor, starring in Wet Stuff with Elliott Gould and Donald Sutherland, loves small parties “Where the food’s delicious, the conversation good and the woman beside me a marvellous listener. If she’s dark and exotic looking—fantastic.” Carole fits the role perfectly in a skimmy voile and Lurex dress by Ossie Clark for Radley, £30. Gilt bangle, ring, from a selection at Adrien Mann.

If your man is the host, you'd better look great. David Warbeck, actor and model, is a great cook, and likes his hostess to shine. "I do exotic things like pheasants in honey. I serve several courses so dinner lasts about three hours, but I ask people to swap seats . . . then they can really get to know each other." Greta glows in a dress with a cutaway back, Bemshaw, , £13.50; choker and bangle from Adrien Mann.

If your man is the host, you’d better look great. David Warbeck, actor and model, is a great cook, and likes his hostess to shine. “I do exotic things like pheasants in honey. I serve several courses so dinner lasts about three hours, but I ask people to swap seats . . . then they can really get to know each other.” Greta glows in a dress with a cutaway back, Bemshaw, , £13.50; choker and bangle from Adrien Mann.

Be the toast of the party in a dress with a deep neckline and a cutaway back. Gary Bond, lead in Joseph And His Amazing Technicolor Dreamcoat, is bowled over by blonde Birgitta. "I love girls who laugh at my jokes. If they're all dolled up and smelling delicious I'm their slave. I get very nervous at big parties so when I find a girl I whisk her off to the kitchen. It's the quietest place: we can sit down and get to know each other." Birgitta's dress is by Hilary Floyd, £23. For that extra flirty film star touch, a matching ostrich boa from Mitzi Lorenz, £11.

Be the toast of the party in a dress with a deep neckline and a cutaway back. Gary Bond, lead in Joseph And His Amazing Technicolor Dreamcoat, is bowled over by blonde Birgitta. “I love girls who laugh at my jokes. If they’re all dolled up and smelling delicious I’m their slave. I get very nervous at big parties so when I find a girl I whisk her off to the kitchen. It’s the quietest place: we can sit down and get to know each other.” Birgitta’s dress is by Hilary Floyd, £23. For that extra flirty film star touch, a matching ostrich boa from Mitzi Lorenz, £11.

Turn him on. This winter's most glamorous party vest has that 1000 watt gleam. Larrio, the six foot four dancer at the London Contemporary Dance Theatre, is electrified by Jan. "Give me lots of pretty girls, lock the door and let me get at them! I really dig dancing the night away. If I give a party I like it to go on for nights and days." Jan's high-voltage sequin vest is from Biba,£11.45 ; pants, £10, from Gordon King. Earrings from Adrien Mann. Larrio's silk shirt from a selection at Browns.

Turn him on. This winter’s most glamorous party vest has that 1000 watt gleam. Larrio, the six foot four dancer at the London Contemporary Dance Theatre, is electrified by Jan. “Give me lots of pretty girls, lock the door and let me get at them! I really dig dancing the night away. If I give a party I like it to go on for nights and days.” Jan’s high-voltage sequin vest is from Biba,£11.45 ; pants, £10, from Gordon King. Earrings from Adrien Mann. Larrio’s silk shirt from a selection at Browns.

Wear a tinsel jacket—and look like the best-wrapped package in the room. Sam Wright flashes across the stage nightly in Two Gentlemen of Verona but is here brought to a halt by Renate. "Parties are very sensual things to me," says Sam. "I lie around on big cushions listening to Beethoven or sitar music. The night should just drift away. I like my guests to feel free to do whatever they like." Renate's jacket, £13.35, velvet trousers, £14.40, both by Polly Peck. Bangle, earrings, from a selection at Adrien Mann. All men's shirts from Turnbull & Asser ; trousers, velvet suits by John Michael. Make-up by Bonnie for Charles of the Ritz. Party hairstyles by David at Michaeljohn. Christmas trees and decorations from Harrods.

Wear a tinsel jacket—and look like the best-wrapped package in the room. Sam Wright flashes across the stage nightly in Two Gentlemen of Verona but is here brought to a halt by Renate. “Parties are very sensual things to me,” says Sam. “I lie around on big cushions listening to Beethoven or sitar music. The night should just drift away. I like my guests to feel free to do whatever they like.” Renate’s jacket, £13.35, velvet trousers, £14.40, both by Polly Peck. Bangle, earrings, from a selection at Adrien Mann. All men’s shirts from Turnbull & Asser ; trousers, velvet suits by John Michael. Make-up by Bonnie for Charles of the Ritz. Party hairstyles by David at Michaeljohn. Christmas trees and decorations from Harrods.

Inspirational Images: Flowers in Plenty

1970s, barry lategan, Inspirational Images, Sujon, Vogue

sujon by barry lategan vogue october 73

Dress in Liberty Lantana print by Sujon.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, October 1973.

Inspirational Images: Short Stories

1980s, Amalgamated Talent, caroline baker, Charlie Kemp, Helen Storey, Hyper Hyper, Inspirational Images, The Face
Fun fur purple sheepskin jacket and hat, with motif sweater and black jersey flares all by Helen Storey of Amalgamated Talent available from Academy, 188a Kings Road, London. Belt from Prism at Hyper Hyper.

Fun fur purple sheepskin jacket and hat, with motif sweater and black jersey flares all by Helen Storey of Amalgamated Talent available from Academy, 188a Kings Road, London. Belt from Prism at Hyper Hyper.

Photographed by Charlie Kemp. Styling by Caroline Baker. Model Sasha.

Scanned by Miss Peelpants from The Face, November 1985

Inspirational Editorials: Cheap Thrills

1960s, british boutique movement, bus stop, clobber, Inspirational Images, janice wainwright, jeff banks, lee bender, observer magazine, ritva, simon massey, Steve Hiett, Vintage Editorials
Rich brown satin dress slashed to the waist by Lee Bender for Bus Stop

Rich brown satin dress slashed to the waist by Lee Bender for Bus Stop

An expensive dress bought to wear just for evenings can spoil your party fun. You’ll worry about spilt wine and cigarette burns while you’re engaged in unarmed combat with the crowd. You don’t want to pay a lot for something you and your friends might tire of after just one round of parties. So find yourself a dress that’s memorable like the four shown on these pages, in shiny satin, cire, Tricel, jersey or sparkling Lurex, and if its life is hort, it might break your heart but not your bank. So buy your glitter cheaply, and spend your sixpences on having fun.

Photographed by Steve Hiett.

Scanned by Miss Peelpants from The Observer Magazine, 7th December 1969

Purple tricel jersey shirtdress shimmying to ankle length by Clobber. Smoky grey pearl rope, 10 feet long, from Paris House.

Purple tricel jersey shirtdress shimmying to ankle length by Clobber. Smoky grey pearl rope, 10 feet long, from Paris House.

Lurex jersey dress, memorably low-cut, by Janice Wainwright for Simon Massey. Pale silver crochet hat from Ritva.

Lurex jersey dress, memorably low-cut, by Janice Wainwright for Simon Massey. Pale silver crochet hat from Ritva.

Inspirational Images: The Great Dance Revival

1970s, cosmopolitan, Inspirational Images, rolph gobits

the great dance revival rolph gobits

Photographed by Rolph Gobits.

Scanned by Miss Peelpants from Cosmopolitan, December 1973