How we gave Linda a new lovely look

1970s, beauty, beauty tips, Chris Holland, Estee Lauder, Hair and make-up, Linda Hayden, Make-up, Max Factor, petticoat magazine, way in

This is Linda Hayden, seventeen year old actress and friend of Richard Harris. Of her he’s said, “She looks absolutely lovely, she’s a wonderful girl.” Linda doesn’t altogether agree with him. She doesn’t think she looks absolutely lovely because she says her cheeks are too podgy. She is very partial to lager and lime, Cornish cream, butter and crusty fresh bread : But when she is working on a film like Baby Love or her latest, Satan’s Skin, her weight just falls off. Still, normally it’s a great battle to keep to her ideal seven and a half stone. When we met Linda, she told us that she had two ambitions: 1. To stop being cast as a nymphet in horror films. 2. To learn how to shade her face so it always looked slim. Linda has very little time to learn about makeup. When she was fifteen she starred in Baby Love, but was not allowed to go and see it. After that she had a series of sexy parts in Hammer films like Taste the Blood of Dracula. In her latest film with Charles Hanson and Piers Haggard there are all sorts of evil doings, Linda told us, “Hardly a moment went by without someone being impaled on a pitchfork, raped, or stabbed with shears in the back. I cut my foot to ribbons with the end of the fork first time I had to do it and was rushed off for a tetanus injection.” Linda, who lives at home with her parents and sister goes off food for about a week when she wants to look really super. She just lives on cheese and coffee. This way she can lose five pounds without trying. She was vague about future plans. She is in no rush to do another film and laughed at any idea of marriage. Richard Harris’s former wife, Elizabeth, and Rex Harrison are inseparable but Richard is cagey about marrying again and says, “Even Helen of Troy couldn’t drag me to the altar anyway Linda is too young and ambitious and I am too old and ambitious. I am going on forty!” With the help of a makeup artist from Eyelure, we show in step by step pictures how the skilful use of makeup can alter Linda’s (and your) features.

Shot 1—no makeup. Shot 2—Max Factor Pancake 085 was smoothed in with a dampened sponge to give an even base. Shot 3—Linda’s eyebrows were brushed upwards and outwards with a dampened mascara brush to give them a better shape. Foundation was blended well into the eyelids and then a light dusting of face powder was added with the sponge, to give a non-greasy finish. White Shadow Pearl used with water and stroked on gently with a brush, was used to highlight immediately under the eyebrow. Then Smokey Grey shadow used with water and carefully applied with a brush was used all over the lid, and brought round under the eye. A little white shadow pearl at the very roots of the eyelash made the eye appear more blended in. Top lashes were mascaraed from underneath with Max Factor’s black mascara. Finally feather light strokes of soft brown pencil were used to shape the brows. The lashes used were very natural– Eylure’s See Through Lash No. I in brown. They were put on carefully with tweezers, starting in the middle, then pressed gently into place. Next the bottom lashes were mascaraed from above. Black Short Trim Underlashes were used because bottom lashes tend to look lighter. These were also applied with tweezers. Shot 4—Shading was done with brushes for best effect. Eylure do twelve brushes for £6.6s. Using the Eylure Face Shaper Kit, the makeup artist put white highlighter on the cheekbone and plenty of brown shaker in the hollow of the cheek. This was done with upswept brush strokes and blended in so that it didn’t look just like a dirty smudge. Then more highlight was used under the shaper to bring out the lower jaw and finally dark shaper again was used along the jawline and underneath to give the chin more definition. Shot 5—A delicate tinge of blusher was blended in just below the cheekbone. With some good brushwork Linda’s cheekbones were re-discovered. Shot 6.—The final look with Estee Lauder’s lipstick Walnut, glossed up with vaseline.

Beauty by Ann Morrow.

Tunic top with hood from Way-In.

Photographed by Chris Holland.

Scanned from Petticoat, 23rd January 1971.

Party Lines

1970s, anello and davide, Angela at London Town, biba, Bo Riddley, Britannia Land of Plenty, bus stop, Crochetta, Diane Logan, Dolcis, edward mann, Feathers, fotheringay and hepplewaite, gillian richard, harriet, Hope and Eleanor, jeff banks, lee bender, liberty, liberty's, petticoat magazine, Richard Green, Roger Charity, Russell & Bromley, Saxone, stop the shop, Sue Hone, Sujon, Travers Tempos, van der fransen, way in
Satin pants and superstar jacket, £17, Angela at London Town. Flower print chiffon blouse, £7.50, at Bus Stop. Quant tights, 75p. Saxone suede peep-toe shoes, £4.99. / Satin cut-off pants, £4.95, and sequined satin jacket, £6.95 at all branches of Bus Stop. Biba diamante star, £1.50. Edward Mann velvet beret, £3.85. Quant sheer tights, £1.25. Suede bar shoes, Dolcis, £5.50.

Party wear for the getogether season takes all the best of blazers and pants and sleeks them up in satins and velvets… or cools off with the prettiest dresses ever.

Clearly Christmas 2020 is going to be a uniquely muted season as far as partying is concerned, but I often avoid the throngs of people anyway. Years of working in theatre over the festive season meant that when I had downtime I would prefer to lounge around in satins and velvets in the comfort of my own home. I’m just glad you’re all finally catching up with how nice it is! In all seriousness though, sometimes the smallest things can make us feel the nicest – so even if you don’t feel like getting togged up in satin and velvet, I highly recommend doing something you would normally find ridiculous for sitting around at home. Sparkly hair clip, red lipstick or those skyscraper platforms you can’t walk in.

Photographed by kind permission of Mecca Dancing at the Empire Ballroom, Leicester Square, WC1

Fashion by Sue Hone.

Photographed by Roger Charity.

Scanned from Petticoat, 4th December 1971.

Velvet jacket, £23 and satin pants, £9 by Sujon. Richard Green voile shirt, £6.50. Feathers beret, £7.50. Dolcis shoes, £5.50. / Cotton pants and battle jacket, Travers Tempos, £12. Richard Green flower print shirt as above. Diane Logan knit hat, £2.75. Anello and Davide bar shoes, £3.50.
Purple lurex painter’s smock, Gillian Richard, £8. Pink and purple satin skirt, Biba, Kensington High Street, W8, comes with matching jacket, £12.50. Brocade skull cap, Diane Logan, £8.50. Black and purple shoes, £5.50 at Dolcis.
Check taffeta bermudas, £8 with jacket by Angela at London Town from Stop the Shop. Bo Riddley tie, 15p. Bead ring at Britannia Land of Plenty, 50p. Biba tights, 55p. Anello and Davide bar shoes, £3.50. / Long check taffeta skirt, £8.50 and blouse, £5, Angela at London Town from Just Looking, SW3, 2007 W1. Feathers pewter pendant, £5. Hope and Eleanor bead purse, £4.75.
Printed chiffon skirt, £8 with matching short top, £7 by Jeff Banks at Fotheringay and Hepplewaite, P.R. Top Shops. Bead rope, Bo Riddley, 15p. Leaf choker at Van der Fransen, £1.25. Dolcis shoes, £5.95 / Silky dress with sailor collar, £8 at Van der Fransen, SW6. Silky short-sleeved jacket Fotheringay and Hepplewaite, £5.75. Dolcis shoes, £5.50.
Long satin dress, Gillian Richard, £10 at Way In. Clobber blouse, £8 at Stop the Shop. Feathers hat, £6.50. Russell & Bromley suede and snake shoes, £12.95 / Liberty print dress, Sujon, £17 at Fifth Avenue, W1. Fringed shawl at Britannia Land of Plenty, £12.50. Bus Stop diamante slides, 99p. Dolcis shoes, £5.50.
Black cotton dress with red buttons and piping, Harriet, £9 at Just Looking, SW3. Red suede belt, embroidered from Feathers. Red and blue ties with beads, Bo Riddley, 15p. / Lilac and green puffed sleeved dress, Harriet, £13.25 at Harrods, SW1, Bentalls Kingston. Feathers choker, £2.50. Fringed knit shawl, Crochetta for Knits and Leathers, £6. Dolcis shoes, £5.50.

How to look 1970

19 magazine, 1960s, 1970s, Illustrations, michael roberts, way in

Before you write off last year’s wardrobe as being out of date, or get depressed because you have nothing to wear and no money to spend … take a few minutes off and let your imagination wander like we did here. For instance, have you ever thought of:

Cutting down the sleeves of shirts and dresses to the new elbow length, adding old lace cuffs and collars and, perhaps, a heart pocket or two?

Adding a stunning button trim right down the sleeves of sweaters, cardigans and plain dresses?

Cutting up pieces of odd fabric and making patchwork pockets, shoulder insets and long scarves?

Ripping off existing collars and cuffs and replacing them with a lovely floral print with tie or scarf to match?

Adding a fake fur trim to the inside of cuffs, collars, pocket flaps and front openings to give a luxurious new look to a tired jacket or coat?

Adding fake fur pockets, shoulder yokes, collars and cuffs?

Cutting down trousers that are too short to four inches below the top of your boots? (test the length first so you don’t cut them too short).

Knitting yourself a long, long scarf and fringing the ends, or buying a long length of material and doing likewise?

Wearing your trousers inside your boots to promote a sleeky, sporty look?

Wearing a Sam Browne belt? (Available from Way In or Army Surplus Stores.)

Plaiting your hair and winding it around your ears, or wearing it in a plaited bun at the nape of your neck.

There are endless possibilities. All it takes is a bit of patience and some rummaging around.

Illustrated by Michael Roberts.

Scanned from 19 Magazine, September 1969.

Get Dressed

19 magazine, 1970s, Adrian Mann, Charles Batten, Cloud Nine, David Anthony, Inspirational Images, manolo blahnik, Mary Graeme, nostalgia, Retro, Sacha, Samuel Sherman, Spectrum, stirling cooper, strawberry studio, Sunarama, Vintage Editorials, way in, zapata
Scarf around head from Nostalgia. Sun dress by Stirling Cooper. Blue glass necklace from Cloud Nine. Second hand floral sun dress from Retro. Rayon knit shawl from Jump. White leather shoes by Sacha. Pearl necklaces worn around the wrist from Adrien Mann. Flower and veiling from department stores.

Summer sundresses can go a long way. They’re so versatile – you can wear them for work and then dress them up for the evening with hats, scarves and jewellery. Here are some of our ideas.

Photographed by David Anthony.

Scanned from 19 Magazine, August 1975.

Straw hats from Marida. Second hand crepe de Chine dresses from Retro. Belt from Way In. Socks by Sunarama. Shoes by Zapata (left) and Sacha (right).
Black crepe de chine daffodil print dress by Strawberry Studio. Shawl from Cloud Nine. Tan sandals by Mary Graeme. Pink straw hat by Charles Batten. Black crepe de Chine smock by Spectrum. Green canvas shoes by Chelsea Cobbler. Bangles by Adrien Mann.
White cotton pull on hat by Edward Mann. Pale green and white straight dress by Concept at Samuel Sherman. Blue straw hat by Charles Batten. Pale blue and white dress by Concept at Samuel Sherman.

What’s On!

1970s, biba, brighton, Browns, carr jones, che guevara, chelsea cobbler, Derber, Elliott, gordon king, Harrods, Inspirational Images, liberty, liberty's, margit brandt, Nik Nik, petticoat magazine, Sally Tuffin, shoes, Tony Norris, van der fransen, Vintage Editorials, way in
Nik Nik cotton shorts. Cotton top with ribbed waist and cuffs by Nik Nik. Biba belt. Shoes by Chelsea Cobbler at Che Guevara. / Nik Nik shirt. Canvas cut off pants by Nik Nik. See through Derber shoes. All Nik Nik clothes are exclusive to Way In, Harrods.

When you think you’ve seen all there is to see about separates, spring turns around and finds a whole new way of doing things! What’s on now? Cotton and cord going to any lengths with pants… soft lawn with tiny prints for shirting and some of the very newest skirts. And we’re giving you ideas about what spring’s all about!

Always lovely to see the West Pier here in Brighton, in all its glory two years before its closure in 1975. For those not familiar with it, the West Pier has had a very sad and protracted demise since then and only the skeleton remains, stranded out at sea. Thankfully, its prettier heyday was well-documented on film and in shoots like this.

Photographed by Tony Norris.

Scanned from Petticoat, 10th March 1973.

Cotton shirt by Nik Nik. Cord boy-scout shorts by Gordon King. Biba scarf. Biba shoes. / Cheesecloth shirt by Nik Nik. Cotton drainpipe pants by Sally Tuffin. Shoes at Che Guevara.
Cape-sleeved rever shirt by Margit Brandt at Carr Jones. Cotton cut-off pants by Nik Nik. Scarf by Van der Fransen. Paul Stephens bracelet. Elliott lace-up shoes. / Left Bank cotton top at Garb. Gordon King pants. Biba bracelet and brooch. Derber shoes.
Cotton smock by Tabu. Canvas pants by Nik Nik. Derber shoes. / Liberty print shirt and Sally Tuffin pants at Browns. Patent slingbacks by Chelsea Cobbler at Che Guevara.
Margit Brandt at Carr Jones shirt. Paul Stephens bangle / Skirt and jersey shirt by Nik Nik. Van der Fransen earrings.
Cheesecloth shirt with zip front by Nik Nik. Pencil skirt by Gordon King. Biba hairslie. High heels with piping by Chelsea Cobbler at Che Guevara. / Cotton smock by Tabu. Check wool plus fours by Gordon King. Scarf by Van der Fransen. Two-tone court shoes by Chelsea Cobbler at Che Guevara.

Clothes to Have a Fight In

1970s, Browns, chelsea cobbler, Elliott, Feathers, Foale and Tuffin, Inspirational Images, mansfield, Maxwell Croft, Pedro Garcia, Russell & Bromley, Saul Leiter, sonia rykiel, stirling cooper, Uncategorized, vanity fair, Vintage Editorials, way in

clothes to fight in 1

Black gabardine raincoat by Foale and Tuffin. Black suede double strapped boots from Russell & Bromley. Rainbow striped sweater by Stirling Cooper.

Reasons why Vanity Fair is one of the best fashion magazines ever #29847: A fashion editorial inspired by a fighting couple, photographed by Saul Leiter…

Scanned by Miss Peelpants from Vanity Fair, January 1971.

clothes to fight in 5

Maroon jersey coat and plaid skirt by Stirling Cooper. Sweater by Sonia Rykiel for Browns. Boots by Elliott’s.

clothes to fight in 4

Brown beige and orange flecked wool gauchos worn with thick brown shetland sweater, leather studded belt and appliqued bag all from Feathers. Cap from Way In.

clothes to fight in 2

Brown and beige tweed suit with Borg trims by Mansfield. Floppy woolly hat from Browns. Brown suede shoes by Pedro Garcia for Jack Hinton.

clothes to fight in 3

Midi skirt and matching muffler by Maxwell Croft. Brown polo necked sweater by Sonia Rykiel from Browns. Dark brown leather boots by Chelsea Cobbler.

Rings and Things

1970s, accessories, Alan Cracknell, biba, Dolcis, Illustrations, miss selfridge, petticoat magazine, platforms, ravel, shoes, van der fransen, way in

rings and things

Illustration by Alan Cracknell.

Scanned by Miss Peelpants from Petticoat, December 1970.

Come Up and See Me Sometime

1960s, Adrian Mann, alice pollock, angela gore, biba, bus stop, corocraft, Emmanuelle Khanh, Fenwick, Foale and Tuffin, Harrods, Honey Magazine, Illustrations, Inspirational Images, lee bender, lingerie, philip castle, underwear, way in

come-up-and-see-me-sometime-1

FRONT: Granny vest-slip in pink rayon stockinette, by Walker Reid, 11s. 6d.; Persian love-ring by Corocraft, 7s. 6d.; opera-length pearl strand by Corocraft, 9s. 6d.; hairslide from a selection by Adrien Mann. LEFT TO RIGHT: Art Nouveau print slip in chocolate and black by Biba, 28s. 6d. Southern-belle lace-trimmed dressing gown by Angela Gore, 15 gns.; satin bra by Emmanuelle Khanh, 89s. 6d.; little boy boxer shorts by Etam, 5s. 11d.; silver buckle bracelet by Corocraft, 31s. 6d. Black satin smoking jacket with gold facings by Bus Stop, approx. 5 gns.; see-thru tulle bra by Emmanuelle Khanh, 55s.; black oval ring by Adrien Mann, 22s. 6d. Baby blue nylon nightie with high gathered waist at Separates Centre, 22s. 6d.; silver bracelet by Maxine Northwood, 35s. Black jersey-crêpe dressy-coat with spotted cummerbund sash and cuffs by Foale & Tuffin, 131 gns.; jet strand necklace at Fenwick’s, 21s.

… I’m always at home … it’s such a bore going out when there are such fabulous slink-at-home clothes … well, I mean … who wants to get oyster-satin wet? I’ll just cuddle up in a clutch-close wrap in front of the fire… and sling on a few jewels, and how’s about it, pal-sie ? See you soon soon…

Illustrated by Philip Castle.

Scanned by Miss Peelpants from Honey Magazine, November 1968.

come-up-and-see-me-sometime-2

LEFT TO RIGHT: Taj Mahal print hall-slip by Warners. 23s. lid.: relax-line bra by Lovable. 9s. 11d.: strands of jet beads by Fenwicks, 21s. each. Play-around coat•dress in pink satin by Bus Stop. 89s. 6d.; jewelled cross brooch by Paul Stephens. 15s.60. Sail-away lounging pyjamas in white rayon jersey by Foale & Tuffin. 12gns.; Maltese cross by Corocraft, 37s. 6d: black oval ring by Adrian Mann. 22s. 6d.: wide silver bracelet by Adrian Mann, 57s. 6d. Velvet print lounging gown with satin trim by Angela Gore. 12 gns. Jean Harlow nightie with pin-tucked bodice in powder blue by Walker Reid, 43s. 6d. At Home gown in oyster satin, 96s. 2d.; matching bra, 41s. 10d.: matching little•boy pants, 51s. 4d. All by Alice Pollock FRONT: Casual nothing while stretch lace bra by Biba. 21s.: white stretch lace bikini pants by Etam, 4s.11d.; oval hair slide from Harrod’s Way In. 7s.60.: hoop ear-rings by Corocraft, 15s. 6d.; armful of narrow gilt bangles by Paul Stephens. 27s. 6d. each.

Inspirational Editorials: Knockout Knits

1960s, Adrian Mann, alice pollock, biba, Bobby Cousins, british boutique movement, charlotte martin, Clarks, clobber, eric clapton, george harrison, Inspirational Images, Ivor Wahl, Jimmy Page, just looking, McCaul, petticoat magazine, quorum, ravel, Richard Shops, roger stowell, Rosalind Yehuda, Russell & Bromley, Sharcleod, Vanessa Frye, Vintage Editorials, way in

Knockout Knits Roger Stowell Petticoat March 29th 1969 Sweater and skirt by McCaul from Way In, SW1  Ribbed sweater and skirt by Bobby Cousins

Sweater and skirt by McCaul from Way In, SW1. Ribbed sweater with matching skirt by Bobby Cousins.

Featuring iconic model Charlotte Martin (who had romances with Eric Clapton, George Harrison and Jimmy Page). and some of the sweetest knits I’ve ever seen.

Photographed by Roger Stowell.

Scanned by Miss Peelpants from Petticoat, March 29th 1969

Blue-green knobbly suit by Clobber from Girl. Beige sling back shoes by John Smith. Dusty pink knitted dress with patterned from by Rosalind Yehuda from Vanessa Frye.

Blue-green knobbly suit by Clobber from Girl. Beige sling back shoes by John Smith. Dusty pink knitted dress with patterned from by Rosalind Yehuda from Vanessa Frye.

Knockout Knits Roger Stowell Petticoat March 29th 1969 Angora dress from Mary Farrin Boutique 67 South Molton Street Shoes from Russell and Bromley Two tone angora dress by Jandy Lesser Sandals Ravel

Angora dress from Mary Farrin Boutique, 67 South Molton Street. The 69 shoe from Russell and Bromley. Knee socks by Pex. Two-tone angora dress by Jandy Lesser. Sandals by Ravel.

Knockout Knits Roger Stowell Petticoat March 29th 1969 Cardigan by Things at Morley Skirt with matching waistcoat by John Craig

Cardigan by “Things” at Morley. Skirt from Richards Shops. Ravel sandals. Gored skirt with matching waistcoat by John Craig. Cream shirt from Ivor Wahl. Clarks shoes.

Both dresses by Clobber at Just Looking. Bracelet by Adrien Mann.

Both dresses by Clobber at Just Looking. Bracelet by Adrien Mann.

Apple green knitted waistcoat by Sharcleod, from Girl, Kings Road. Cream shirt and skirt by Ivor Wahl.

Apple green knitted waistcoat by Sharcleod, from Girl, Kings Road. Cream shirt and skirt by Ivor Wahl.

Cardigan with belt by Biba. Check wool skirt from Richard Shops.

Cardigan with belt by Biba. Check wool skirt from Richard Shops.

Caridgan by Alice Pollock at Quorum. Richard Shops skirt. Shirt by Sharcleod.

Cardigan by Alice Pollock at Quorum. Richard Shops skirt. Shirt by Sharcleod.

Wet Stuff

alligator, che guevara, christopher mcdonnell, gordon king, Honey Magazine, monty coles, topshop, way in
No, no mild sauce prefix (arf arf!). It’s been rather damp in dear old Blighty lately, which has actually done the unthinkable/unbearable and forced me into actual shops where you buy actual new clothes (I needed some kind of trench-y raincoat thing and was starting to think I would have to wait forever to find the perfect vintage one I wanted) and obnoxious people push you away from the full-length mirrors and waft a disdainful hand at you (I kid ye not, my expression was pretty much the same as the photo immediately below…). Anyway, I’ve been meaning to scan this frankly awesome shoot from Honey magazine for simply ages. And given the current climate, it finally seemed very appropriate. 
Photos by Monty Coles. Honey magazine, February 1974

It’s a striking shoot. Rather modern-feeling (which just goes to prove that modern is rarely as modern as it seems…) and really affecting. Not emotionally, but physically. I can almost feel the models’ pain…