Black gabardine raincoat by Foale and Tuffin. Black suede double strapped boots from Russell & Bromley. Rainbow striped sweater by Stirling Cooper.
Reasons why Vanity Fair is one of the best fashion magazines ever #29847: A fashion editorial inspired by a fighting couple, photographed by Saul Leiter…
Scanned by Miss Peelpants from Vanity Fair, January 1971.
Maroon jersey coat and plaid skirt by Stirling Cooper. Sweater by Sonia Rykiel for Browns. Boots by Elliott’s.
Brown beige and orange flecked wool gauchos worn with thick brown shetland sweater, leather studded belt and appliqued bag all from Feathers. Cap from Way In.
Brown and beige tweed suit with Borg trims by Mansfield. Floppy woolly hat from Browns. Brown suede shoes by Pedro Garcia for Jack Hinton.
Midi skirt and matching muffler by Maxwell Croft. Brown polo necked sweater by Sonia Rykiel from Browns. Dark brown leather boots by Chelsea Cobbler.
Illustration by Alan Cracknell.
Scanned by Miss Peelpants from Petticoat, December 1970.
FRONT: Granny vest-slip in pink rayon stockinette, by Walker Reid, 11s. 6d.; Persian love-ring by Corocraft, 7s. 6d.; opera-length pearl strand by Corocraft, 9s. 6d.; hairslide from a selection by Adrien Mann. LEFT TO RIGHT: Art Nouveau print slip in chocolate and black by Biba, 28s. 6d. Southern-belle lace-trimmed dressing gown by Angela Gore, 15 gns.; satin bra by Emmanuelle Khanh, 89s. 6d.; little boy boxer shorts by Etam, 5s. 11d.; silver buckle bracelet by Corocraft, 31s. 6d. Black satin smoking jacket with gold facings by Bus Stop, approx. 5 gns.; see-thru tulle bra by Emmanuelle Khanh, 55s.; black oval ring by Adrien Mann, 22s. 6d. Baby blue nylon nightie with high gathered waist at Separates Centre, 22s. 6d.; silver bracelet by Maxine Northwood, 35s. Black jersey-crêpe dressy-coat with spotted cummerbund sash and cuffs by Foale & Tuffin, 131 gns.; jet strand necklace at Fenwick’s, 21s.
… I’m always at home … it’s such a bore going out when there are such fabulous slink-at-home clothes … well, I mean … who wants to get oyster-satin wet? I’ll just cuddle up in a clutch-close wrap in front of the fire… and sling on a few jewels, and how’s about it, pal-sie ? See you soon soon…
Illustrated by Philip Castle.
Scanned by Miss Peelpants from Honey Magazine, November 1968.
LEFT TO RIGHT: Taj Mahal print hall-slip by Warners. 23s. lid.: relax-line bra by Lovable. 9s. 11d.: strands of jet beads by Fenwicks, 21s. each. Play-around coat•dress in pink satin by Bus Stop. 89s. 6d.; jewelled cross brooch by Paul Stephens. 15s.60. Sail-away lounging pyjamas in white rayon jersey by Foale & Tuffin. 12gns.; Maltese cross by Corocraft, 37s. 6d: black oval ring by Adrian Mann. 22s. 6d.: wide silver bracelet by Adrian Mann, 57s. 6d. Velvet print lounging gown with satin trim by Angela Gore. 12 gns. Jean Harlow nightie with pin-tucked bodice in powder blue by Walker Reid, 43s. 6d. At Home gown in oyster satin, 96s. 2d.; matching bra, 41s. 10d.: matching little•boy pants, 51s. 4d. All by Alice Pollock FRONT: Casual nothing while stretch lace bra by Biba. 21s.: white stretch lace bikini pants by Etam, 4s.11d.; oval hair slide from Harrod’s Way In. 7s.60.: hoop ear-rings by Corocraft, 15s. 6d.; armful of narrow gilt bangles by Paul Stephens. 27s. 6d. each.
Sweater and skirt by McCaul from Way In, SW1. Ribbed sweater with matching skirt by Bobby Cousins.
Featuring iconic model Charlotte Martin (who had romances with Eric Clapton, George Harrison and Jimmy Page). and some of the sweetest knits I’ve ever seen.
Photographed by Roger Stowell.
Scanned by Miss Peelpants from Petticoat, March 29th 1969
Blue-green knobbly suit by Clobber from Girl. Beige sling back shoes by John Smith. Dusty pink knitted dress with patterned from by Rosalind Yehuda from Vanessa Frye.
Angora dress from Mary Farrin Boutique, 67 South Molton Street. The 69 shoe from Russell and Bromley. Knee socks by Pex. Two-tone angora dress by Jandy Lesser. Sandals by Ravel.
Cardigan by “Things” at Morley. Skirt from Richards Shops. Ravel sandals. Gored skirt with matching waistcoat by John Craig. Cream shirt from Ivor Wahl. Clarks shoes.
Both dresses by Clobber at Just Looking. Bracelet by Adrien Mann.
Apple green knitted waistcoat by Sharcleod, from Girl, Kings Road. Cream shirt and skirt by Ivor Wahl.
Cardigan with belt by Biba. Check wool skirt from Richard Shops.
Cardigan by Alice Pollock at Quorum. Richard Shops skirt. Shirt by Sharcleod.
No, no mild sauce prefix (arf arf!). It’s been rather damp in dear old Blighty lately, which has actually done the unthinkable/unbearable and forced me into actual shops where you buy actual new clothes (I needed some kind of trench-y raincoat thing and was starting to think I would have to wait forever to find the perfect vintage one I wanted) and obnoxious people push you away from the full-length mirrors and waft a disdainful hand at you (I kid ye not, my expression was pretty much the same as the photo immediately below…). Anyway, I’ve been meaning to scan this frankly awesome shoot from Honey magazine for simply ages. And given the current climate, it finally seemed very appropriate.
Photos by Monty Coles. Honey magazine, February 1974
It’s a striking shoot. Rather modern-feeling (which just goes to prove that modern is rarely as modern as it seems…) and really affecting. Not emotionally, but physically. I can almost feel the models’ pain…