Cynthia always dresses for breakfast.

1970s, charnos, Inspirational Images, loungewear, underwear, Vintage Adverts, Vogue

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Scanned by Miss Peelpants from Vogue, November 1971.

What’s new Alleycat?

1970s, Alleycat, betsey johnson, Escalade, Inspirational Images, Sandy Lieberson, Vogue

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It was this close-cropped straw-white head munching a hamburger that stopped Paul Young, Mr Escalade, in his tracks. Within minutes, Suze was the first London fan of Betsey Johnson, young American designer for Alleycat & Co, and pretty hot news herself. Betsey’s clothes were fresh out of the packing cases, en route to her own special department in Escalade, packed with sensational shapes like these … moving proof that Betsey Johnson knows all about shape. Welcome to London, Betsey.

All clothes by Betsey Johnson for Alleycat & Co.

Photographed by Lieberson.

Scanned by Miss Peelpants from Vogue, December 1971.

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Twiggy’s New Mood

19 magazine, 1960s, Inspirational Images, Justin de Villeneuve, twiggy, Vintage Editorials
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Kaftan dress by Twiggy Dresses

Twiggy’s clothes change with her mood, something reflected noticeably in her Christmas wardrobe which includes beautiful ankle-length dresses in exotic prints and romantic styles in lovely colours. “I really have no particular look that I stick to,’ she confessed. ‘Yesterday I wore an ankle-length dress and today I have on a short one. I buy second-hand clothes if I think the fabrics and prints are beautiful. My wardrobe is really a complete mixture of things. I think that these days people can wear just what they like. There are really no set rules, and I personally feel that that’s very nice.”

During the last two months, Twiggy’s face, once constantly seen in virtually every magazine in the world, has been noticeably absent. “I have almost completely stopped modelling. Although I enjoyed every minute while I was doing it, I’m rather tired of it now. At the moment Justin and I will be working for only one American magazine and one Italian and any other work we want to do. Justin has sold the flat that he had, and is now living in the studio.”

Apart from Twiggy Enterprises in England, they have many business interests in the States selling all sorts of ‘Twiggy’ merchandise. During a visit there, earlier this year, Twiggy made a singing and dancing commercial for American TV which was an enormous success. Her main ambition for the coming year is to make a feature film which Justin will possibly co-produce.

`We almost made a film about eighteen months ago,” explained Justin. ‘Paul McCartney was going to write the music and Ken Russell direct. Then we had enormous trouble with the film rights and eventually had to drop the whole idea. When Twiggy made the American commercial she was so great, and en-joyed making it so much that it got us interested all over again. We’ve talked to various people about ideas for a script, but I can’t tell you anything definite about the story at the moment.”

Twiggy today is very different from the Twiggy of three years ago. She is more beautiful and her hair is longer. “I am desperately trying to grow it,” she says. “I want it to be very, very long.” She has grown up, but her unspoilt personality remains the same. One change Twiggy is very pleased about—she has stopped biting her fingernails. “All of a sudden I noticed that I’d just stopped —and that was that.”

She has a marvellous sense of humour and is interested in a variety of things. She loves reading, especially romantic novels, cinema and theatre, with a bent towards musicals, and pop music; she is a firm fan of the Beatles. She enjoys knitting. “I knit things all the time, for myself and all my friends.” (“Not bad, is she,” said Justin, sporting an original Twiggy knit.) “And I’ve just bought a crochet hook and book of instructions. You don t know how to crochet flowers, do you? It only tells you how to make circles in my book.”

Twiggy moves with the grace of a modern day Garbo. “As narrow as an arrow and as fetching as an etching” is a very apt description. She eats what she wants, is peeved that she can’t put on weight. “I wish I could,” she murmurs, busily demolishing an apricot pie. Another pet peeve of hers is spiders. “I hate spiders. I never kill them, though.”

What does Twiggy want this Christmas? “I don’t know. There’s nothing I really want. Just to be happy. And to make the film next year, that’ll be satisfying.”

Frizzy hairpieces by Joseph at Salon 33.

Photographs by Justin de Villeneuve.

Scanned by Miss Peelpants from 19 Magazine, December 1969.

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Black crepe dress with sequins by Twiggy Dresses.

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Long printed dress by Twiggy Dresses.

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Short blue dress by Twiggy Dresses. Long printed scarf from Emmerton and Lambert.

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Long patchwork print dress by Twiggy Dresses.

The Varnished and the Unvarnished

1970s, David Anthony, elizabeth arden, Honey Magazine, Inspirational Images, Make-up

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This picture isn’t a ludicrous flight of fancy. Those nails belong to Bonnie, a girl who really does scrabble about under the bonnet of her car checking oil, batteries and spark plug. She also shoes the odd bit of typing and her fair share of washing up, plug changing and picture hanging.

But maybe we have been a little unfair. Bonnie is not only one of our favourite make-up artists (working for Elizabeth Arden) but she’s a fully trained manicurist too.

Photographed by David Anthony.

Scanned by Miss Peelpants from Honey, May 1973.

The Most Wanted Woman on Earth

1970s, chelsea girl, Geoff Lewis, Inspirational Images, petticoat magazine, Vintage Adverts

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The search is on at all Chelsea Girl boutiques.

I wonder if anyone ever did win this and receive ‘nationwide publicity and become known as “The Most Wanted Woman on Earth”.’ Anyone remember? Regardless, I’m in love with the heart on the thigh above and, in fact, the entire colour palette…

Photographed by Geoff Lewis.

Scanned by Miss Peelpants from Petticoat, May 1971.

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The thin end of the wedge

harpers and queen, Inspirational Images, shoes, Steve Hiett, yves saint laurent

the-thin-end-of-the-wedge-steve-hiett-harpers-and-queen-january-1975Brilliant red patent leather sandal with suede straps thonged in patent. By Saint Laurent Rive Gauche.

Photographed by Steve Hiett.

Scanned by Miss Peelpants from Harpers and Queen, January 1975.

Haven’t got a thing to wear…

1970s, Abecita, barbara hulanicki, Barbara Hulanicki, biba, chelsea cobbler, cosmopolitan, Fenwick, Gossard, hand tinting, Inspirational Images, james wedge, janet reger, let it rock, Liz Smith, Malcolm McLaren, manolo blahnik, terry de havilland, Vintage Editorials, vivienne westwood, zapata
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The leopard cannot change his spots, And that’s the fix I’m in, So come an sit by me, my love, For some highly original skin. <<<<<<>>>>>> Fake-fur bikini and bangles from Biba. Boots by The Chelsea Cobbler.

Don’t give up – this could be the year when what goes on underneath could be your major investment.

Another extraordinary example of James Wedge’s wonderful work in the art of hand-tinting and further adventures in the world of Seventies-does-Fifties-pin up. Notable for including shoes and a petticoat from ‘Let It Rock’ which was Malcolm McLaren and Vivienne Westwood’s first shop in the Kings Road. The influence of rock and roll on and crossover between both glam rock and punk is perfectly encapsulated in this editorial, right slap bang in the middle of the Seventies.

Fashion by Liz Smith. Photographs by James Wedge.

Scanned by Miss Peelpants from Cosmopolitan, January 1975.

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When I’m awakened from my slumber It does seem rather mean – It’s always the wrong number and never Steve McQueen. <<<<<<>>>>>> Satin bra and panties from Biba.

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Watch out for life’s banana skins, And wear your prettiest slip, So you can say to passing men “I did enjoy my trip”. <<<<<<>>>>>> Bra by Gossard. Petticoat and stilettos from Let It Rock.

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When I went in for Crufts with my doggy, I didn’t know how it would go, But it proves the importance of grooming – We’ve been voted the best in the show! <<<<<<>>>>>> Corselette by Janet Reger. Scarf from Femina Furs. Gloves and hat by Biba.

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A girl can’t have too many furs, They give her an inner glow. But when it omes to trapping them How fur should a nice girl go? <<<<<<>>>>>> Bra, panties and suspender belt from Fenwick. Cape by Femina Furs. Mules from The Chelsea Cobbler.

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If you watch the girls men watch, You’ll see, The girls they watch watch their weight like me. // Look me over closely, Tell me what you see. But if you kiss and tell, you rat, I’ll swear it wasn’t me. <<<<<<>>>>>> Essences camisole. Shoes by Terry de Havilland. Nightgown by Finewear. Shoes by Zapata.

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A birthday gift for me, my dear? Come in and close the door. I do like them sending my presents, With a man from Securicor. <<<<<<>>>>>> Nightie and pantie set from Dorothy Perkins.

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Men used to say I was forward, But I’ll tell you this, for a fact: Since I chose to look pure, and a little demure, I simply haven’t looked back. <<<<<<>>>>>> Abecita body stocking. Negligee by Martin Emprex. Glove and bag from Biba. Shoes by Let It Rock.

Easy Does It

19 magazine, 1970s, Anne Cossins, Donald Davies, erica budd, Inspirational Images, John Bishop, John Dove and Molly White, knitwear, Laura Jamieson, mr freedom, The Sweet Shop, Vintage Editorials
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Sweater and matching knickerbockers hand-knitted by Molly Dove.

Knitted tops for all occasions. Warm, comfortable sweaters with amusing motifs from The Sweet Shop, and samples from an imaginative collection by a new designer, Molly Dove. Her clothes are obtainable by mail order only; which, as well as keeping the prices down, makes them available to more of you! We also show a pretty little halter-necked top that’s barely there, just in case the sun comes out!

Photographed by John Bishop.

Scanned by Miss Peelpants from 19 Magazine, January 1971.

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Canary yellow jumper by Eric Budd.

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Animal motif sweaters from The Sweet Shop.

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Knitted halter neck by Erica Budd.

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Piano key sweater by Anne Cossins for Mr Freedom.

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Random knit playsuit by Zeekit by Crochetta. Hand-knitted striped stockings from Women’s Home Industries.

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Bahamas and Birds sweaters both by Molly Dove.

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Sweater by Erica Budd. Bermudas by Donald Davies. Striped stockings by Women’s Home Industies.

Double Take

1970s, Cecil Beaton, david bailey, Inspirational Images, leonard, ossie clark, penelope tree, quorum, Vogue
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Beautiful Tree with the mysterious Mexican Datura lily, right. Black panne velvet suit with great gathered Edwardian sleeves, a cowl and long panelled skirt; to order from Ossie Clark at Quorum.

Cecil Beaton took pictures of Penelope Tree wearing new Ossie Clarks in his Wiltshire winter garden and David Bailey filmed them both, below. Double take—like a scene from the film with Cecil Beaton as the star that David Bailey is making and everyone can see in colour on ATV early next year. When I Die I Want to Go to Vogue was Bailey’s idea of a title: nobody agreed with this. For one thing it would only reflect one aspect of the Beaton legend writer, of more than twenty books; painter, with at least five major exhibitions; designer, of just about everything—opera, ballet, theatre, film—and one-man commentator, whose eye has always focused unerringly, and wittily, on the moment—this moment.

“An epic with a cast of thousands,” says Bailey about the film. There’s Mick Jagger, Jean Shrimpton, Lord David Cecil, Nureyev, Twiggy and many, including Sir Frederick Ashton, Dr Roy Strong, Sir George and Lady Weidenfeld, David Hockney, Patrick Procktor, Ossie Clark, Celia Birtwell, Mrs Anne Fleming, Lord and Lady Harewood, Lady Antonia Fraser and Edna O’Brien, who came to the now famous party that Cecil Beaton gave, and David Bailey filmed, in his London house. “I told everyone beforehand that there would be cameras and told them not to come if they minded. Nobody did mind.” “The worst moments,” says a guest, were when you knew the cameras were not on you.” And Beaton added, It was a mixture of people all looking very interesting in their new autumn clothes. Many looked beautiful.” Beautiful Tree with the mysterious Mexican Datura lily, right. Black panne velvet suit with great gathered Edwardian sleeves, a cowl and long panelled skirt; to order. Black crepe dress, side-buttoning collar, then split, long split skirt with pleated panel, 17 gns. Both at Quorum. Victorian silver choker, Sarah Dwyer and Tony Giorgi, The Chelsea Antique Market. Hair by Celine of Leonard.

Above photographed by Cecil Beaton. Below photographed by David Bailey.

Scanned by Miss Peelpants from Vogue, December 1970.

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Black crepe dress, side-buttoning collar, then split, long split skirt with pleated panel, 17 gns. Ossie Clark at Quorum.

Stars of the ’70s

19 magazine, 1930s, 1970s, bus stop, greta garbo, Illustrations, Inspirational Images, jean varon, joan crawford, john bates, lee bender, marlene dietrich, michael roberts, valstar, Weathergay
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Camoflage raincoat by Valstar

Rainwear has definitely taken on a new look. The styles are more sophisticated and glamorous. They are the kind of clothes that Marlene Dietrich, Joan Crawford and Greta Garbo would have worn had they been designed earlier. When you invest in a raincoat these days it does not mean that you can, or should, wear it only on a rainy day. A garment that is waterproof, wind-proof and warm can be worn almost every day. The new raincoats are very practical and hardly crease. At the most they only need to be sponged with a damp cloth. So throw away that old plastic mac. ..and take a long, new look at what the Stars are wearing. 

Stunning editorial beautifully illustrated by the legendary Michael Roberts.

Scanned by Miss Peelpants from 19 Magazine, October 1970.

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Rubberised cotton raincoat by Valstar

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Corduroy trench coat by Wethergay

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Left: Gabardine raincoat by Lee Bender for Bus Stop / Right: Red, grey and olive check raincoat by Valstar

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Midi raincoat by Valstar

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Left: Polyurethane rain suit by John Bates for Jean Varon / Right: Brown polyurethane raincoat by Weathergay