
Sunglasses by Polaroid. Make-up by Charles of the Ritz.
Photographed by John Peden.
Scanned from Vogue, March 1978.

Sunglasses by Polaroid. Make-up by Charles of the Ritz.
Photographed by John Peden.
Scanned from Vogue, March 1978.
OUT OF THIS WORLD. Mary Quant put her soft pinks and blues together as they’ve never been seen before and created this brand-new Face in the Clouds look. She then offered this paintbox exclusively to Honey. In it is everything you need to get the look. If you went out and bought each individual item separately, you’d get a bit more make-up, but it would cost you over £4. Our paintbox is yours for only £1.70. So write off for it now. Once it’s yours you can do what you like. We tell you above how to get the look Maria has in the picture and, if you feel daring, colour the blue right over the bridge of your nose. Or juggle around with the colours as much as you like for a totally different effect—blue out your eyebrows and put lots of pink round your eye. Or just wear each colour separately. They’re beautifully angelic colours that reflect the summer sky. You can wear them anytime—sunrise to sunset. With this look, it’s back to the deliciously dreamy, hazy days of time past when colours were vivid, days were long and nights were romantic. Don’t miss out or you’ll regret it. You’ll never see this paintbox at this price again.
Photographed by Roger Stowell.
Scanned from Honey, May 1971.
As with everything Biba creates, its newly opened Beauty Parlour in the Kensington store hits that striking note of sparkling originality.
It has 19’s stamp of approval. because it is a genuine beauty parlour, in the true, old-fashioned sense of the word. The Parlour welcomes you into a relaxed, spacious and luxurious, ‘Thirties’ world of cream and black decor, bedecked with dark green palms. It is the brain-child of Barbara Hulaniki— Biba’s creator—and Regis, a brilliant and inventive make-up artist and hairdresser.
Before Regis showed us around, we asked him to tell us about his past.
Looking every bit as dashing as Valentino himself. he said: “Call me a man with no past. Although I trained and worked in many leading salons, I don’t want to be attached to anything I’ve done before or The Parlour to be compared with others.”
The Parlour offers the services of a modern establishment (from haircutting to leg waxing) which it executes in a novel way. Here you are not a number with a gown—you are treated as an individual with individual needs. In true Biba tradition, on arrival, you are fitted out with a fabulous gown—either a long black satin one (if you are having your hair done), a black velour robe (for the guys) or a super black towelling robe (if you are going into the beauty room). Even the hair nets are pretty— black and silky.
The seating is so cleverly designed in the curved and pillared room that one client hardly sees another and, although each hairdresser—and there are three, plus Regis— has his own ‘corner’, all the involved treatments, such as tinting, bleaching, high-lighting and perming. are done in private cubicles.
Biba carries every conceivable shade of hair colouring and hasn’t just confined The Parlour to all the well-known branded names. Regis virtually combed the earth to find special formulas and effects.
Henna treatments are very popular and Biba uses several varieties—Black Henna, for dark heads; Neutral Henna, for blondes; Henna Wax for dry, split hair; ordinary henna, for a rich, red glow and a special henna, which can be used with a perm—normally you cannot perm hair which has henna on it. (Henna treatment costs from £6: tinting from £6.50; perming from £10.) Regis has fixed ideas concerning shampoo.
“A good shampoo is the most important step in the whole process. because if you use a bad one. then you can forget about doing an original style. Dull, horrible hair can never look good, however hard you try.”
Biba has 17 kinds of shampoo to choose from, ranging from ‘Almond’ and ‘Strawberry’ to ‘Henna Gloss’ shampoo, which doesn’t actually colour the hair but, with constant use, produces marvellous red lights. There are also three biological shampoos: one for greasy hair, one for dry and one for dandruff sufferers. (A shampoo and set costs £3, no matter which shampoo you need to use.)
Other Biba specialities are the after-washing, pre-setting goodies. Regis’ favourite is the Champagne Rinse, which gives a remarkable gloss and softness. The Henna Conditioner is good and there are Frictions, too, which are spirit-based hair perfumes, to make your hair smell beautiful, as well as look good. (Frictions are something mothers and grandmothers know all about. but which had disappeared from our lives—until now.) These cost 50p. each, and you can choose from ‘Orchid’, `Fougere., ‘Eau de Cologne’, ‘Passionate’ and ‘Gardenia’.
Blow-drying is virtually non-existent at Biba.
“We want girls to look truly groomed and feminine again.” said Regis. He believes in the old-style training and he and his staff use rollers (but not heated ones), Marcel Wave tongs, wave clips. small tongs and irons, and do lots of exacting pin-curling.
The Beauty Room is run by a very efficient lady and practically anything is done. There are treatments to help acne problems; waxing to remove unwanted hair; massage including a deep-back massage. with an infra-red lamp; spot reducing with Slendertone and eye treatments, which include eyebrow shaping, eyelash dyeing and the application of Permanent lashes. (This costs £4. and replacements later on cost 10p. a lash.)
The manicures and pedicures are superb. If it is just a plain one you want, then, of course, they will oblige. But if you want something for a special occasion then they can do fantastic combinations of colours, patterns and designs on nails and toes, too, if required. (Ordinary manicures cost £1: the special kind. £2.50.)
As far as make-up is concerned. Regis will create a fantastic new look for you and will advise on form-ulas, colours and applica-tion. (Cost £5.)
The Parlour opens at 11am., on weekdays, and last appointments are at 6.30pm. On Saturdays. opening time is 9.30am. and last appointments are at 4pm.
It’s sobering to remember that about seven months after this article appeared, Biba was closed forever.
Photographer(s) uncredited.
Scanned from 19 Magazine, February 1975.

If you haven’t got that special natural sweetness that makes people put a protective arm around you, don’t worry; it’s available this spring for under a fiver. Slip into these pastel pretties and discover the joys of being a choc-box dolly.
Photographed by John Carter.
Scanned from 19 Magazine, February 1973.



How to have the best of all worlds at once, and be romantically different, dashing and gentle, nostalgic and modern. Never seen before in a contemporary context, the look, above, that is the key to so much that’s arriving in the first few months of the year: the billowy bodice brimming over with collar, the gathered shoulders letting fall sleeves as eloquent as Hamlet’s. Cinch the waist with what used to be a belt, what now can be pearls or bone or Plexi-glass, or soft wrapping cummerbunds as here. All in saffron silk crepe rippling into a richly pleated maxi-length skirt. By Jean Muir, £47 19s. 6d, from the 31 Shop at Harvey Nichols. Gentle glossy hair, waved and caught by a slide of pale coloured pearls, by Leonard. Dreamy Germaine Monteil make-up, by Gordon at Leonard.
Photographed by David Bailey.
Scanned from Vogue, January 1968.

Photographed in Ricci Burns’s drawing room. Hair by Mr Ricci of Ricci Burns.
Photographed by Mike Berkofsky.
Scanned from Honey, January 1975.



Scanned from Vogue, April 1970.

How you dress is an escape and an adventure in itself… never more so than the evening.
Hair by Leonard
Models are Anne Schaufuss and Jean Shrimpton.
Photographed by Clive Arrowsmith.
Scanned from Vogue, December 1970.








Revlon’s make-up. Creamy Ivory Touch & Glow Liquid Make-up, and Frosty Sienna Blush-On so that it shows. Touch & Glow Translucent Powder dusted on and dusted of again. Eyes outlined with Midnight Blue Liquid Eyeliner. Black Super Rich Mascara for lashes. Lemon Frost merged into Meadow Green Super Rich Eye Shadows. Charcoal Grey Fineline Pencil for brows. Copper Coral Lipstick, brush-outlined for cut-out clear edges.
Make-up artist, Barbara Daly; hair by Nick at Leonard.
Herbaceous silk chiffon dress, with chiffon rose necklet, by Salvador, about £150, Liberty.
Photographed by Barry Lategan.
Scanned from Vogue, February 1975.