Armani at Browns

1970s, Armani, Browns, Charles of the Ritz, John Peden, Polaroid, swimwear, Vintage Adverts, Vogue

Sunglasses by Polaroid. Make-up by Charles of the Ritz.

Photographed by John Peden.

Scanned from Vogue, March 1978.

Out of this World

1970s, Hair and make-up, Honey Magazine, Make-up, mary quant, roger stowell

OUT OF THIS WORLD. Mary Quant put her soft pinks and blues together as they’ve never been seen before and created this brand-new Face in the Clouds look. She then offered this paintbox exclusively to Honey. In it is everything you need to get the look. If you went out and bought each individual item separately, you’d get a bit more make-up, but it would cost you over £4. Our paintbox is yours for only £1.70. So write off for it now. Once it’s yours you can do what you like. We tell you above how to get the look Maria has in the picture and, if you feel daring, colour the blue right over the bridge of your nose. Or juggle around with the colours as much as you like for a totally different effect—blue out your eyebrows and put lots of pink round your eye. Or just wear each colour separately. They’re beautifully angelic colours that reflect the summer sky. You can wear them anytime—sunrise to sunset. With this look, it’s back to the deliciously dreamy, hazy days of time past when colours were vivid, days were long and nights were romantic. Don’t miss out or you’ll regret it. You’ll never see this paintbox at this price again.

Photographed by Roger Stowell.

Scanned from Honey, May 1971.

Beauty from Biba

19 magazine, 1970s, barbara hulanicki, Barbara Hulanicki, beauty, biba, british boutique movement, hair, Hair and make-up, Make-up

As with everything Biba creates, its newly opened Beauty Parlour in the Kensington store hits that striking note of sparkling originality.

It has 19’s stamp of approval. because it is a genuine beauty parlour, in the true, old-fashioned sense of the word. The Parlour welcomes you into a relaxed, spacious and luxurious, ‘Thirties’ world of cream and black decor, bedecked with dark green palms. It is the brain-child of Barbara Hulaniki— Biba’s creator—and Regis, a brilliant and inventive make-up artist and hairdresser.

Before Regis showed us around, we asked him to tell us about his past.

Looking every bit as dashing as Valentino himself. he said: “Call me a man with no past. Although I trained and worked in many leading salons, I don’t want to be attached to anything I’ve done before or The Parlour to be compared with others.”

The Parlour offers the services of a modern establishment (from haircutting to leg waxing) which it executes in a novel way. Here you are not a number with a gown—you are treated as an individual with individual needs. In true Biba tradition, on arrival, you are fitted out with a fabulous gown—either a long black satin one (if you are having your hair done), a black velour robe (for the guys) or a super black towelling robe (if you are going into the beauty room). Even the hair nets are pretty— black and silky.


The seating is so cleverly designed in the curved and pillared room that one client hardly sees another and, although each hairdresser—and there are three, plus Regis— has his own ‘corner’, all the involved treatments, such as tinting, bleaching, high-lighting and perming. are done in private cubicles.

Biba carries every conceivable shade of hair colouring and hasn’t just confined The Parlour to all the well-known branded names. Regis virtually combed the earth to find special formulas and effects.

Henna treatments are very popular and Biba uses several varieties—Black Henna, for dark heads; Neutral Henna, for blondes; Henna Wax for dry, split hair; ordinary henna, for a rich, red glow and a special henna, which can be used with a perm—normally you cannot perm hair which has henna on it. (Henna treatment costs from £6: tinting from £6.50; perming from £10.) Regis has fixed ideas concerning shampoo.

“A good shampoo is the most important step in the whole process. because if you use a bad one. then you can forget about doing an original style. Dull, horrible hair can never look good, however hard you try.”

Biba has 17 kinds of shampoo to choose from, ranging from ‘Almond’ and ‘Strawberry’ to ‘Henna Gloss’ shampoo, which doesn’t actually colour the hair but, with constant use, produces marvellous red lights. There are also three biological shampoos: one for greasy hair, one for dry and one for dandruff sufferers. (A shampoo and set costs £3, no matter which shampoo you need to use.)

Other Biba specialities are the after-washing, pre-setting goodies. Regis’ favourite is the Champagne Rinse, which gives a remarkable gloss and softness. The Henna Conditioner is good and there are Frictions, too, which are spirit-based hair perfumes, to make your hair smell beautiful, as well as look good. (Frictions are something mothers and grandmothers know all about. but which had disappeared from our lives—until now.) These cost 50p. each, and you can choose from ‘Orchid’, `Fougere., ‘Eau de Cologne’, ‘Passionate’ and ‘Gardenia’.


Blow-drying is virtually non-existent at Biba.

“We want girls to look truly groomed and feminine again.” said Regis. He believes in the old-style training and he and his staff use rollers (but not heated ones), Marcel Wave tongs, wave clips. small tongs and irons, and do lots of exacting pin-curling.


The Beauty Room is run by a very efficient lady and practically anything is done. There are treatments to help acne problems; waxing to remove unwanted hair; massage including a deep-back massage. with an infra-red lamp; spot reducing with Slendertone and eye treatments, which include eyebrow shaping, eyelash dyeing and the application of Permanent lashes. (This costs £4. and replacements later on cost 10p. a lash.)

The manicures and pedicures are superb. If it is just a plain one you want, then, of course, they will oblige. But if you want something for a special occasion then they can do fantastic combinations of colours, patterns and designs on nails and toes, too, if required. (Ordinary manicures cost £1: the special kind. £2.50.)

As far as make-up is concerned. Regis will create a fantastic new look for you and will advise on form-ulas, colours and applica-tion. (Cost £5.)

The Parlour opens at 11am., on weekdays, and last appointments are at 6.30pm. On Saturdays. opening time is 9.30am. and last appointments are at 4pm.

It’s sobering to remember that about seven months after this article appeared, Biba was closed forever.

Photographer(s) uncredited.

Scanned from 19 Magazine, February 1975.

Candy Floss Colours

19 magazine, 1970s, Boots Seventeen, Hair and make-up, Make-up, Vintage Adverts

I can only hope that the newly relaunched Boots Seventeen range will be as much fun as it looks like it was back in the Seventies!

Scanned from 19 Magazine, April 1973.

Simply Sweet

19 magazine, 1970s, Anne Cossins, Annie Cossins, Inspirational Images, jeff banks, John Carter, John Craig, louis caring, Ricci Burns, Sharcleod, susan marsh, Vintage Editorials
Blue angora and lambswool long-sleeved sweater with pink, white and mauve flowers embroidered on yoke, by Sharcleod, £4. Plastic bracelets from a selection at Biba, 15p. each.

If you haven’t got that special natural sweetness that makes people put a protective arm around you, don’t worry; it’s available this spring for under a fiver. Slip into these pastel pretties and discover the joys of being a choc-box dolly.

Photographed by John Carter.

Scanned from 19 Magazine, February 1973.

TOP: Short-sleeved wool sweater with shawl collar and yoke in pink, yellow and cream stripes, pink and yellow diagonally striped sleeves and spotted body, by Annie Cossins, £4.95. Blue plastic stretch bracelet, by Paul Stephens, 40p. Pink flower earrings, by Corocraft, 59p. BELOW: Short-sleeved wool sweater, with pink and yellow striped yoke, cream and pink spotted sleeves and pink, yellow and cream body, by Annie Cossins, £4.95. Pink plastic beads, 70p. Blue plastic bangles, 18p. each. Both by Paul Stephens.
White angora and lambswool halter-neck sweater, with pink, blue and yellow flowers embroidered on yoke, £3.75. Matching cardigan with two pockets embroidered with pastel flowers, £5. Both by Sharcleod. Pink fwer necklace from a selection at Susan Marsh at Chelsea Antique Market. Enamel bangles, 20p. each. Enamel ring, 15p. All by Paul Stephens.
TOP: Pink acrylic sweater with crocheted shawl collar and three-buttoned front, by John Craig, £4. Pink flower earrings, by Corocraft, 69p. Pink plastic pearl necklace, by Paul Stephens, 90p. White angora and lambswool long-sleeved sweater, with pink embroidered flower motif in centre and two pink stripes on sleeves, by Louis Caring, £4-25. Pink plastic pearl necklace, by Paul Stephens, 90p. BOTTOM: Green acetate long-sleeved shirt, by Jeff Banks, £6. Lilac angora and lambswool bolero, with blue, pink and green flowers on either side of opening, by Sharcleod, Green cotton shirt with red and green floral pattern, by Jeff Banks, .£6.40. Green angora and lambswool short-sleeved sweater with yellow, pink and blue embroidered flowers on yoke, by Sharcleod, £4. Green and pink plastic bangles, by Paul Stephens, 18p. each.

The Romantic Phenomenon

1960s, celia hammond, david bailey, jean muir, leonard

How to have the best of all worlds at once, and be romantically different, dashing and gentle, nostalgic and modern. Never seen before in a contemporary context, the look, above, that is the key to so much that’s arriving in the first few months of the year: the billowy bodice brimming over with collar, the gathered shoulders letting fall sleeves as eloquent as Hamlet’s. Cinch the waist with what used to be a belt, what now can be pearls or bone or Plexi-glass, or soft wrapping cummerbunds as here. All in saffron silk crepe rippling into a richly pleated maxi-length skirt. By Jean Muir, £47 19s. 6d, from the 31 Shop at Harvey Nichols. Gentle glossy hair, waved and caught by a slide of pale coloured pearls, by Leonard. Dreamy Germaine Monteil make-up, by Gordon at Leonard.

Photographed by David Bailey.

Scanned from Vogue, January 1968.

Eminently Suitable

Antiquarius, Baggage and General, Bombacha, chelsea cobbler, David Fielden, Gingernut, Honey Magazine, Inspirational Images, interior design, interiors, Martha Hill, Michael Berkofsky, nostalgia, Ricci Burns, Ronnie Stirling, stirling cooper, Vintage Editorials, Wendy Dagworthy
LEFT: Zig-zag knitted acrylic skirt and jacket. £7.50 each from Martha Hill, 39 Marylebone High Street, WI (mail order 30p). Scarf from The Orange Box. RIGHT: Loose crêpe-de-chine overblouse and matching skirt. Wendy Dagworthy £39. from Crocodile. 98 Bond Street. WI (mail order 30p and all branches: lsmat, 313 Brompton Road, SW3. Belt, Bombacha £2.30: silky scarf. Nostalgia £2.25.

Photographed in Ricci Burns’s drawing room. Hair by Mr Ricci of Ricci Burns.

Photographed by Mike Berkofsky.

Scanned from Honey, January 1975.

LEFT: Chocolate brown fitted wool jacket with top-stitched yoke and pockets and side-buttoning skirt £27.95. both from Gingernut. 40 James Street. W1. Floppy crepe-de-chine tie-neck blouse £5.50. David Fielden, at Antiquarius: thin leather belt with cream carved buckle, from Baggage & General. RIGHT: Tailored jacket with nipped-in buttoned waist and wide lapels and flared panelled skirt £27.95, both from Gingernut, 40 James Street, W1. 50s silky printed `scarf’ blouse. Nostalgia £3: brown chiffon scarf, from a selection at Fenwick.
Russet hopsack double-breasted jacket £22.95, and mid-calf skirt with front pleat £12.95, both by Stirling Cooper, from Ronnie Stirling, 94 New Bond Street, W1 ; Top Shop, Oxford Circus and branches; Owen Owen, Coventry, Liverpool and Wolverhampton. Maroon and white scarf, Nostalgia £2.00; shoes, Chelsea Cobbler £17.99.

Magli

1970s, Inspirational Images, Magli, Make-up, Vintage Adverts, Vogue

Scanned from Vogue, April 1970.

How You Dress is an Escape

1970s, anne schaufuss, baccarat, belinda bellville, bill gibb, charles jourdan, chelsea cobbler, Chloe, christian dior, clive arrowsmith, Hair and make-up, jean shrimpton, Jorn Langberg, karl lagerfeld, kurt geiger, leonard, Moya Bowler, Nettie Vogues, pablo and delia, Savita, The Purple Shop, thea porter, Vintage Editorials, Vogue, zandra rhodes
DEPTHS OF EVENING CHIFFON,
CAFTAN AND DIRNDL DRESS
MERGED WITH GOLD AND VELVET
Above: Tobacco chiffon caftan with smoked gold leaves, hooded, boot-buttoned, Arabic sleeves weighted with tassels. Gathered from the waist with a twisted gold rope belt. Choker, The Purple Shop, 15 Flood St, S.W.3. Soft gold boots with open lacing, 22 gns, Kurt Geiger. Right: Black organza with a bib and skirt of brilliant panne velvet, red, green and yellow printed in ribbon bands, with bangles and cuffs of the velvet. Rings, Andrew Grima. Beaded black velvet choker, The Purple Shop. Black satin ankleboots, with bright passementerie, by Moya Bowler for Edouard Jerrold. Dresses, both pages, to order at Bellville Sassoon.

How you dress is an escape and an adventure in itself… never more so than the evening.

Hair by Leonard

Models are Anne Schaufuss and Jean Shrimpton.

Photographed by Clive Arrowsmith.

Scanned from Vogue, December 1970.

SHEER BLACK OF NIGHT,
WISPS PUT TOGETHER WITH
JEWELS, VELVET AND GLEAMS
Black chiffon blouse and skirt tiled with cut velvet mosaic. Blouse of velvet harlequins, bibbed with jet beads set in little studs of gilt; the skirt, striped with studded circles and squares. £184, at Thea Porter. Feather fan, to hire at The Purple Shop. Satin shoes, dyed to order, £18, dyeing, 21s, Charles Jourdan.
Black chiffon dress with a glittering apron tied around the skirt — turquoise and rusty velvet shapes shot with silver, with a striped hem, and cuffs to match. By Chloe, to order from Fortnum & Mason. Mirror necklace, £70, and gold sash clasped with turquoises, 140, both from Thea Porter. Rings, David Morris. Black velvet laced boots, 19 gns, from Kurt Geiger
KNICKERBOCKER BALLET ALL SURFACES RIPPLED WITH COLOUR AND SHINE
Grass green silk satin glossed with an intricate paisley of red, ink, black, tremendous sleeves and tunic gathered from a yoke over ballooning knee pantaloons. 85 gns; choker 25 gns, and belt, 58 gns, all at Savita. Green moire boots, 18 gns, at The Chelsea Cobbler.
Water markings, waves of colour pooled in a chiffon blouse honeycombed at the shoulders, antique tunic and panne velvet knickers. The tunic has a fitted bodice, full sweeping skirt. Blouse, £59, tunic, £75, knickers £24, heavy silver belt, £100, all Thea Porter. Burgundy velvet boots laced to knee, 19 gns, Kurt Geiger. Rings, Blooms. Chokers, The Purple Shop, 15 Flood St, S.W.3. Make up by Lancome, with Climat scent.
A NEW SLEEVE
CUT ACROSS NARROW FALLS
OF GOLD LACE
AND CLOUDY CHIFFON
Spun gold laced with mauve, the bodice cut wide into the sleeves. sashed with deep purple velvet above a basque and a gathered skirt. By Jorn Langberg from Christian Dior London. Amethyst string and brooch, at Blooms: rings. Hooper Bolton. Satin shoes dyed mauve. £18. 21s for dyeing at Charles Jourdan. Amethyst tights. Mary Quant. Make-up by Dior. with new Dioressence scent.
The bodice sleeve in chiffon, clouds of mauve blowing across. The top crossed low over the bosom and simply gathered at wrists. slight gathers in the skirt catchir the air. By Nettie Vogues, at Harrods: Hilda Hanson. Nottingham. Velvet choker. The Purple Shop at Antiquarius. Amethyst and diamond rings. Blooms; emerald and diamond ring. David Morris. Make-up by Orlane, with Jean d’Albret Casaque scent.
GLORIOUS NIGHT SHAPES.
TAPESTRY BELLS
AND SATIN PAGODA
Misty blue tapestry and gold leaves. left. edged with wide ribbons of sprigged tapestry. A gold thread laces the deep neck of a small jacket belling from the Yoke, with short arabesque sleeves. Fade-print chemise underneath, with full sleeves and crossed braid ; a slim bell for a skirt. By Bill Gibb for Baccarat, at Fortnum & Mason. Pearly black velvet choker, The Purple Shop at Antiquarius. Tangerine braid decorations, from Savita. Rings, Andrew Grima. Honey-gold and gilt velvet slippers, 20 gns, to order, The Chelsea Cobbler. Make-up by Eve of Roma, with the new Eve scent.
Sunset burst of satin, right, a pagoda of quilted tiers, wide sleeves set up to a bib bodice. Feather-print of celestial blue and of black for sun-rays. By Zandra Rhodes, at Fortnum & Mason. Diamond and blue enamel rings, at Blooms. Neck lace stringing pale beads and colourless feathers, by Pablo & Delia. Make-up by Mary Quant with P.M. scent.

Bloom More Brilliantly Than Your Dresses

1970s, barbara daly, barry lategan, hair, Hair and make-up, Inspirational Images, leonard, Make-up, salvador, Vogue
…it takes make-up.

Revlon’s make-up. Creamy Ivory Touch & Glow Liquid Make-up, and Frosty Sienna Blush-On so that it shows. Touch & Glow Translucent Powder dusted on and dusted of again. Eyes outlined with Midnight Blue Liquid Eyeliner. Black Super Rich Mascara for lashes. Lemon Frost merged into Meadow Green Super Rich Eye Shadows. Charcoal Grey Fineline Pencil for brows. Copper Coral Lipstick, brush-outlined for cut-out clear edges.

Make-up artist, Barbara Daly; hair by Nick at Leonard.

Herbaceous silk chiffon dress, with chiffon rose necklet, by Salvador, about £150, Liberty.

Photographed by Barry Lategan.

Scanned from Vogue, February 1975.