
“Zingy with a torchy note. Lively, dramatic sure-fire on lips and nails…”
Wrap coat by Bill Blass. Hat by Adolfo.
Photographed by Avedon.
Scanned by Miss Peelpants from Vogue, November 1971.

“Zingy with a torchy note. Lively, dramatic sure-fire on lips and nails…”
Wrap coat by Bill Blass. Hat by Adolfo.
Photographed by Avedon.
Scanned by Miss Peelpants from Vogue, November 1971.

Sandra and Di-Di have got bouncy berets. Ginny’s got a crazy bobble beret. Tasmin has a pull-on push-about willy woolly and Carol-Anne a kiddy cap. They’ve all got the Kangol Craze! Daffy dizzy colours. Gorgeous shapes. Soft super feel. Wonderfully wind and winter-proof. Don’t get left in the cold. Catch on to Kangol… and go!
Scanned by Miss Peelpants from 19 Magazine, November 1968.

Crushed white silk shirt Katharine Hamnett. Silk toga as flag Katharine Hamnett. Navy herringbone trousers at Demob. Ghillie shoes at Scotch House
A young Colin Firth in a white shirt? You’re welcome…
Styled by Hamish Bowles. Photographed by Robert Erdman.
Scanned by Miss Peelpants from The Face, October 1984

No excuse for looking a wash-out with these rainy-day separates. Showerproof three-quarter length Dannimac cotton jacket. Black Simon Massey shirt. Keep-the-worst-off cotton hat by Malyard. Bouncy beads by Adrien Mann. Bumper sunglasses by Oliver Goldsmith.
Photographed by Willie Christie.
Scanned by Miss Peelpants from Over 21, September 1972

Left to right: Black taffeta dress by Murray Arbeid. Black velvet and rose fascinator by Stephen Jones. Black wool crepe sheath dress with feathers by Sheridan Barnett. Black marabou and ostrich feathered opera coat by Sheridan Barnett, from Roxy 25 Kensington Church Street. Mauve taffeta and velvet stripe dress by Murray Arbeid. Rose hat by Stephen Jones. Crystal drop earrings by Monty Don. Black sun-ray pleated lame and chiffon evening dress by Antony Price, to order from Ebony. Earrings by Andrew Logan.
Upstaging madly in a flurry of feathers, flounces and faux jewels, our chorus line throws caution to the wings and takes centre stage for a thousand and one glamour-puss nights, directed by Hamish Bowles, 19.
A fascinating little spread here, directed by a 19-year-old Hamish Bowles and featuring pieces by established designers like Sheridan Barnett, Murray Arbeid and the Antony Price I’d give my first born to own… Plus up and coming designers like Stephen Jones and Monty Don (yes, that Monty Don…). Plus the make-up was by iconic Sixties model, Maudie James. I’m not such a huge fan of Harpers and Queen in this period, but this spread is such a perfect combination of what had been and what was to come – which makes it a definite cut above the rest.
Photographed by Clive Arrowsmith.
Scanned by Miss Peelpants from Harpers and Queen, August 1983
Christopher McDonnell must dream in black and white, and all his dreams must star Ginger Rogers and Rita Hayworth. Because, when it comes to designing clothes, this twenty-eight year old ex-Royal College of Art designer is the very spirit of Hollywood: his clothes have backless bodices, necklines to the navel and skirts that grip the bottom and then flare in Busby Berkley pleats. His model girls, smiling jammily through their bright lips, false eyelashes and heaving curls, snap along on platform soles. One of today’s top stars, Anouk Aimée, is his favourite customer. Here, model Kari-Ann wears black taffeta top and pleated dotted culottes by Christopher McDonnell, £35. Hat by George Malyard. Shoes by Terry de Havilland, exclusive to Marrian McDonnell.
Photographed by Richard Imrie.
Scanned by Miss Peelpants from Cosmopolitan, May 1972.
Necklines rise and plunge. Hemlines fall and rocket up again. Bottoms are in and out, bosoms come and go, colours wax and wane, waists move up and down, then vanish and re-appear. Only one thing remains calm, constant and reliable. And that’s black. Good to look at. Restrained. Dramatic. At home in any company. Our own little black number is a case in point. It goes with everything. It’s dry, clean-tasting and elegant. And it’s called Guinness.
Scanned by Miss Peelpants from Cosmopolitan, September 1973.
A very sweet idea for livening up plain knitted or felt hats – but careful with felt because the pinholes might stick around once you remove the brooches. I have actually just bought a beautiful crocheted cloche myself (a move to the coast requires forward planning when you have long hair!) so the top picture is making me long for the proper cold days of December and January. I know, I know, je suis étrange…
Scanned by Miss Peelpants from Petticoat, October 1973, Photos by Bill Klein.