Love Forty

1960s, Berkertex, Daniel Hechter, Foale and Tuffin, George Malyard, Graham Smith, helmut newton, Inspirational Images, Ken Lane, Malyard, Marlborough, mary quant, Queen magazine, Rayne, Vintage Editorials
White crepe dress by Berkertex. Jewelled snood by Graham Smith.

The clothes of the Thirties were capricious, narcissistic and extravagant — the jazz of the Twenties turning soft, like swing – but with the wartime Forties they necessarily became austere and functional.

To compensate, the details kept their extravagance – shirred waists, sweetheart necks, floppy sleeves, Veronica Lake hair.

On this and the following pages we have a minor Forties revival – minor because these clothes are strictly 1968, when women want to dress both practically and frivolously.

I do not endorse this copy, because I would not agree about the clothes of the Thirties being ‘narcissistic’, but I do endorse the photos and the clothes.

Photographed by Helmut Newton.

Scanned from Queen, July 31st 1968.

Red crepe dress by Foale and Tuffin. Hat by Malyard.
Red wool crepe dress by Foale and Tuffin. Gilt snake bracelets by Ken Lane.
Black crepe dress by Daniel Hechter for Bagatel. Beret by Malyard. Shoes by Rayne.
Grey crepe dress by Harriet.
Black checked beige crepe dress with bloused sleeveless top, by Marlborough. Black beret by Mary Quant for Kangol.

Inspirational Images: Hollywood Revamped

1970s, british boutique movement, christopher mcdonnell, cosmopolitan, George Malyard, Inspirational Images, kari ann muller, marrian mcdonnell, platforms, richard imrie, terry de havilland

Terry de Havilland Christopher McDonnell Cosmopolitan May 1972 Richard Imrie

Christopher McDonnell must dream in black and white, and all his dreams must star Ginger Rogers and Rita Hayworth. Because, when it comes to designing clothes, this twenty-eight year old ex-Royal College of Art designer is the very spirit of Hollywood: his clothes have backless bodices, necklines to the navel and skirts that grip the bottom and then flare in Busby Berkley pleats. His model girls, smiling jammily through their bright lips, false eyelashes and heaving curls, snap along on platform soles. One of today’s top stars, Anouk Aimée, is his favourite customer. Here, model Kari-Ann wears black taffeta top and pleated dotted culottes by Christopher McDonnell, £35. Hat by George Malyard. Shoes by Terry de Havilland, exclusive to Marrian McDonnell.

Photographed by Richard Imrie.

Scanned by Miss Peelpants from Cosmopolitan, May 1972.